A Quick Note on Narrative in Fiction Writing for the Novice Writer

 

 A Quick Note on Narrative in Fiction Writing for the Novice Writer

 

by Ryker J. Phoenix

 Narrative is a crucial element of any novel, providing the structure and framework for the story to unfold. At its most basic level, narrative refers to the sequence of events that make up the plot of a novel, but it encompasses much more than that. The narrative style, point of view, and voice all contribute to the reader's experience of the story and play a crucial role in shaping their understanding and engagement with the text.

Narrative style refers to the way in which the story is told, and can range from the straightforward and linear to the complex and experimental. Some novels use a traditional third-person omniscient narrator, while others employ a first-person or unreliable narrator, or even multiple perspectives. The narrative style can also be influenced by literary devices such as flashbacks, foreshadowing, and symbolism, which can add depth and complexity to the story.

Point of view is another important aspect of narrative, as it determines who is telling the story and how much information the reader has access to. A first-person narrator offers a limited perspective, as the reader only sees the events through the eyes of the protagonist, while a third-person narrator can provide a more objective view of the story. The choice of point of view can also influence the reader's emotional response to the story, as it affects their connection to the characters and their understanding of their motivations and actions.

Voice is the final element of narrative, and refers to the author's unique style and tone. A strong narrative voice can draw the reader in and create a sense of intimacy with the story, while a weak or inconsistent voice can be distracting and disorienting. The author's voice can also be influenced by the genre of the novel, with some genres such as romance or comedy emphasizing a more light-hearted and playful tone, while others such as horror or tragedy may require a more serious and somber voice.

In conclusion, narrative is an essential component of any novel, providing the structure and framework for the story to unfold. The narrative style, point of view, and voice all contribute to the reader's experience of the story and can shape their understanding and engagement with the text. By carefully choosing and crafting these elements, authors can create a compelling and unforgettable narrative that resonates with readers long after the book is finished.

Also see:

• How to Ground Your Reader with Story Setting

 

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A Quick Note on Settings and Atmosphere in Fiction Writing for the Novice Writer by Ryker J. Phoenix

 

 A Quick Note on Settings and Atmosphere in Fiction Writing for the Novice Writer

 

by Ryker J. Phoenix

 

When reading a story, the setting and atmosphere play a crucial role in immersing readers into a vivid story world. By creating a sensory experience for the reader, authors can transport their readers to a different time, place, or even universe. Setting and atmosphere are two literary tools that writers use to make the reader feel as though they are part of the story.

The setting is the physical location and time period in which the story takes place. It can be as specific as a city street corner in downtown New York City in the 1960s or as broad as a fantasy world inhabited by mythical creatures. The setting provides a backdrop for the plot and shapes the characters, influencing their behavior, values, and beliefs. But it’s not just about painting a picture of the location, it’s about using sensory details to bring it to life.

One way to bring the setting alive is to describe the sounds, smells, and textures of the environment. For example, describing the sound of waves crashing on the shore, the smell of saltwater in the air, and the feel of the sand between one's toes can transport the reader to a beach scene. By using sensory details, the reader feels as though they are experiencing the location firsthand.

Atmosphere refers to the emotional tone or mood of the story. It is created by the setting, characters, and plot, and it sets the tone for the reader’s emotional experience. A tense atmosphere will keep the reader on the edge of their seat while a peaceful atmosphere may lull the reader into a sense of calm. It is the writer’s job to set the atmosphere and bring the reader along for the ride.

The atmosphere can be created through the use of descriptive language, symbolism, and pacing. For example, describing a dark, ominous sky can set a foreboding atmosphere, while the constant ticking of a clock can create a sense of urgency. By using these techniques, writers can tap into the emotional state of the reader, leaving them feeling elated, scared, or even sad.

In conclusion, setting and atmosphere are crucial tools in bringing a story world to life. By using vivid sensory details, symbolic language, and pacing, writers can transport readers to a different place and time. When done well, the reader feels as though they are part of the story, creating a deeper and more meaningful experience. So, the next time you sit down to write, remember to harness the power of setting and atmosphere to create a story world that jumps off the page.

 

Also see:

• How to Ground Your Reader with Story Setting

 

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A Quick Note on Dialogue in Fiction Writing for the Novice Writer by Ryker J. Phoenix

 

 A Quick Note on Dialogue in Fiction Writing for the Novice Writer

 

by Ryker J. Phoenix

 

Dialogue is one of the most essential elements of fiction writing. It holds the power to bring characters to life and helps readers feel connected to the narrative. It is through dialogue that the characters can express their thoughts, emotions and reactions to the situations they face in the story. This article will discuss the significance of dialogue in fiction writing and how it helps in the creation of a compelling story.

One of the primary functions of dialogue in fiction writing is to reveal the character's personalities, their relationships, and their motivations. The way a character speaks can tell a reader a great deal about them. For instance, if a character is prone to using slang or speaking in a vulgar manner, it can reveal their social status or background, their level of education or experience. Dialogue can also demonstrate a character's personality traits such as wit, humour, impatience, anxiety, etc. For instance, a character who makes humorous quips without thinking may be seen as irreverent, while another who pauses and reflects before speaking may be seen as introspective.

Furthermore, dialogue is critical in fiction writing because it brings a sense of realism to the story and helps readers feel connected to the characters. Dialogue can transport the reader into the story world and make them feel like they are part of the conversation. It can enhance the emotional impact of a scene by adding depth and resonance to the characters' emotions. Dialogue can allow readers to relate to characters, which is essential for creating compelling stories.

Dialogue in fiction is also essential for advancing the plot of a story. Characters speak for a reason, and it is through dialogue that actions take place. Dialogue can lead to revelations, conflicts, confrontations, and decisions, all of which move the story forward. Without dialogue, the story could feel stagnant, and the characters would never move beyond the opening scenes.

Finally, dialogue brings pacing and tension to a story. Good dialogue is snappy, terse, and full of tension. It keeps readers on the edge of their seats, wondering what will happen next. Dialogue can build suspense, evolve subplots within the main plot, and add richness to the story. It offers readers a break from long paragraphs of description and action and provides fresh voices, which invigorate a story’s plot.

In conclusion, dialogue is an essential aspect of creating good fiction writing. It reveals characters, advances the plot, and brings a sense of realism to the story. Dialogue is also a powerful way to engage readers, enhance emotional impact, and create tension. Writing good dialogue is a skill that writers can use to bring their characters to life and keep readers connected and engaged with the story.

 

Also see:

• How to Write Dialogue: 7 Great Tips for Writers (With Examples)

 

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A Quick Note on Types of Conflict in Literature for the Novice Writer by Ryker J. Phoenix

 

 A Quick Note on Types of Conflict in Literature for the Novice Writer

 

by Ryker J. Phoenix

 

Conflict is one of the major themes in literature, and it is essential for the development of the plot and characters in stories. Conflict acts as a catalyst, creating tension and suspense, and it helps to engage readers by generating curiosity about the eventual outcome of the story. There are various types of conflicts in literature, and understanding them is essential for analyzing and interpreting literary works effectively.

Man vs. Self Conflict is the most common type of conflict prevalent in literature. This kind of conflict occurs as a result of internal struggles that characters face within themselves. In such conflicts, a character's thoughts, feelings, fears and internal dilemmas are pitted against each other. In this type of conflict, the characters are presented with difficult choices and decisions, which they must make. For example, in William Shakespeare’s "Hamlet," the protagonist Hamlet's decision to take revenge on his father's killer is an example of a man vs. self-conflict. He battles his conscience and doubts whether he should go ahead with his revenge plans, or instead focus on getting on with his life.

Man vs. Man Conflict is another type of conflict found in literature. In such conflicts, two or more characters are in opposition to each other, resulting in intense competition or rivalry. This kind of conflict is often fueled by differences in values, beliefs, personalities, or goals of the characters. For instance, in Harper Lee’s "To Kill a Mockingbird," the main character Scout battles with Bob Ewell's daughter Mayella, who accuses Scout's father of rape, which he did not commit. Scout and Mayella are pitted against each other, and they both defend their sides vigorously, leading to a dramatic and intense conflict.

Man vs. Nature Conflict is also quite common in literature. This type of conflict typically features a character struggling with the elements of nature, such as weather, animals or illness. In this type of conflict, the character is in a battle against a natural force, which may act as an obstacle or an enemy. For example, in "The Old Man and The Sea” by Ernest Hemingway, the protagonist, Santiago, battles a huge marlin in the ocean for three days, leading to a win or lose situation for the old man.

Man vs. Society Conflict is another popular conflict in literature. In this type of conflict, a character is in opposition to the norms, values or traditions of society. This conflict often arises as a result of differences in class, culture, race, or gender. For example, in "To Kill a Mockingbird," Attie, the protagonist, faces societal pressures and prejudices as he defends a black man in court during a racially charged period in history.

Man vs. Technology Conflict is also becoming a more prevalent conflict featured in literature, with the advancements in technology present in modern society. In this type of conflict, a character struggles with a machine, device or computer system, which is often portrayed as a menacing force competing against humanity. This conflict is often used in Science Fiction literature, such as George Orwell's "1984," in which the protagonist, Winston, battles a futuristic society controlled by artificial intelligence.

In conclusion, conflict plays a significant role in literature, and the different types of conflict form the building blocks of various literary works. Understanding these types of conflicts is essential for analyzing and interpreting literature effectively. Whether it is man vs. self, man vs. man, man vs. nature, man vs. society or man vs. technology, conflict remains a powerful and necessary tool that creates the tension and suspense needed to keep readers engaged and interested in a story.

 

Also see:

• 7 Types of Conflict in Literature: How to Use Them (with Examples)

 

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A Quick Note on Writing Stream of Consciousness Fiction for the Novice Writer by Ryker J. Phoenix

 

 

 A Quick Note on Writing Stream of Consciousness Fiction for the Novice Writer

 

by Ryker J. Phoenix

 

Stream of consciousness is a narrative style that tries to capture a character’s thought process in a realistic way. It’s an interior monologue, but it’s also more than that. Because it’s mimicking the non-linear way our brains work, stream-of-consciousness narration includes a lot of free association, looping repetitions, sensory observations, and strange (or even nonexistent) punctuation and syntax—all of which helps us to better understand a character’s psychological state and worldview. It’s meant to feel like you have dipped into the stream of the character’s consciousness—or like you’re a fly on the wall of their mind.

Authors who use this technique are aiming for emotional and psychological truth: they want to show a snapshot of how the brain actually moves from one place to the next. Thought isn’t linear, these authors point out; we don’t really think in logical, well-organized, or even complete sentences.

 Here are some tips on how to write stream of consciousness fiction:

1. Choose a character and a situation: Choose a character that you understand and can see how their personality will play out in their thoughts, feelings and reactions to situations. Set the scene and the situation.

2. Use first person narrative: Write in the first person to create an intimacy between the reader and the character.

3. Don’t filter the thoughts: In stream of consciousness, there is no filter. Every thought that a character has will be expressed on the page. Avoid editing or correcting the thoughts of your character to maintain the realism.

4. Focus on their thoughts: Stream of consciousness is all about thoughts so focus the description on your character’s innermost thoughts and their feelings rather than actions or dialogue.

5. Use repetition and the senses: Repetition is often used in stream of consciousness writing, as is describing the senses experienced by the character - what can they see, smell, hear, touch etc.

6. Include flashback: Stream of consciousness is like a memory or a dream. It may be helpful to include flashbacks, so the reader can understand the character better.

7. Use punctuation sparingly: Using stream of consciousness means following the way someone thinks, so punctuation will be more scarce. You may go without full stops or commas if the thoughts are a long series of impressions or ideas.

8. Arrange the text in an organic way: Allow the text to flow organically. There is no need for a linear plot or storyline, but the text should be divided into paragraphs or sections for readability.

 In conclusion, stream of consciousness is a literary technique which involves following the random, unfiltered thoughts and emotions of a character in real-time.

Also see:

• Stream of Consciousness: What Is It & How To Use

 

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A Quick Note on Writing Flash Fiction for the Novice Writer by Ryker J. Phoenix

 

 A Quick Note on Writing Flash Fiction for the Novice Writer

 

by Ryker J. Phoenix

 

  Flash fiction, also known as micro fiction or sudden fiction, is a genre of writing that is a form of short fiction that tells a complete story in a very brief amount of space, often under 1500 words.

The most renowned writers in the English-speaking world like flash fiction because it can capture profound truths and common human emotions in only a few brief phrases. Flash fiction, when written correctly, has the power to speak universal truths and touch readers of different backgrounds. 

Take this one for instance,  "For sale: baby shoes, never worn," is a six-word story, popularly attributed to Ernest Hemingway, although the link to him is unlikely. It is an example of flash fiction in it's shortest form. The amount of emotion packed into these words inspired many writers to try their hand at the genre.

Here are some tips to help you write flash fiction:

1. Start with a concept or idea: Flash fiction often relies on a single idea or concept that is explored and executed in a concise and engaging way. This can be something simple, like a thought or a feeling, or it could be something more complex, like a specific event or situation.

2. Focus on a single character or moment: Because flash fiction is so short, it's important to limit the scope of the story. Focus on a single character or a single moment in time to create a sense of intimacy and immediacy.

3. Use sensory detail to create atmosphere: Flash fiction often relies on sensory detail to create atmosphere and evoke emotion in the reader. Use vivid detail to create a rich and immersive reading experience.

4. Make every word count: Because space is limited, every word in a piece of flash fiction needs to be carefully chosen to convey the maximum amount of information and emotion.

5. Experiment with form and structure: Flash fiction can take many different forms, from traditional narratives to experimental structures. Try playing around with different forms to find the one that best suits your story.

6. Edit ruthlessly: Because flash fiction is so condensed, editing is incredibly important. Cut any unnecessary words or phrases and make sure every sentence is contributing to the overall purpose of the story.

7. End with a twist or surprise: Flash fiction often has a twist or surprise ending that subverts the reader's expectations. Think creatively about ways to surprise your reader in the final moments of your story.

 The number one thing to remember is flash fiction writing requires control. You have to choose words wisely because of the word count restriction.

Also see:

• What Is Flash Fiction? Meaning, Characteristics, and Examples
  

 

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A Quick Note on Writing Realistic Historical Fiction for the Novice Writer by Ryker J. Phoenix

 

 A Quick Note on Writing Realistic Historical Fiction for the Novice Writer

 

by Ryker J. Phoenix

 

Historical fiction is a genre that blends historical facts with fictional elements to create a compelling story. Writing historical fiction requires a great deal of research, attention to historical accuracy, and creativity to bring the past to life. It's a challenging task on many levels, but it can be a rewarding experience for both the writer and reader. 

 Through historical fiction, authors can explore and interpret the past in new ways. They can give voice to those whose stories may have been overlooked or forgotten, and they can shed light on experiences of people during a particular time period.

In this article we will explore some of the key considerations when writing historical fiction.

1. Research the time period and setting: Before you begin writing, it's important to do thorough research to understand the historical context of your story. This includes everything from the political landscape to the social customs and everyday life of the time period.

2. Incorporate real historical events and characters: One of the defining elements of historical fiction is the inclusion of real historical events and figures. This helps to ground the story in reality and give it a sense of authenticity.

3. Strike a balance between accuracy and storytelling: While accuracy is important in historical fiction, you also want to create a compelling story that engages readers. Find a balance between staying true to historical facts and using literary devices to create tension and suspense.

4. Use vivid description to immerse readers in the setting: Historical fiction should transport readers to a different time and place. Use vivid description to bring the setting to life and help readers feel like they are experiencing the scene firsthand.

5. Bring the characters to life: Characters in historical fiction should be fully developed and realistic. They should be influenced by the time period they live in but also have unique personalities, motivations and desires that drive the plot forward.

6. Be mindful of cultural sensitivity: When writing about another time period or culture, it's important to be sensitive and respectful. Avoid stereotypes and do your best to accurately portray the culture and people you are writing about.

 Ultimately you are seeking to immerse yourself in a past world then judiciously select the best ways to bring that world to life as you tell your story.

In closing, I'll leave you with a quote from well-known historical fiction author Bernard Cornwell: 

“The most important thing, the all important thing, is to get the story right. Write, rewrite, rewrite again, and do not worry about anything except story. It is story, story, story. That is your business. Your job is not to educate readers on the finer points of Elizabethan diplomacy or Napoleonic warfare, your job is to divert and amuse people who have had a hard day at work. What will get you published? Not style, not research, but story. Once the story is right, everything else will follow.”

Also see:

• How to Write Historical Fiction: 10 Steps to Writing a Great Story
• Get Started in Writing Historical Fiction

 

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A Quick Note on How to Write Weird Fiction for the Novice Writer by Ryker J. Phoenix

 

A Quick Note on How to Write Weird Fiction for the Novice Writer

 

by Ryker J. Phoenix

 

 

Weird fiction is a genre of literature that has gained immense popularity over the years. It involves the creation of stories that are strange, bizarre, and completely surreal. It is this sense of the uncanny in weird fiction that has made it appealing to many readers. One particular work of weird fiction that has captivated readers for generations is H.P Lovecraft's "The Call of Cthulhu".

"The Call of Cthulhu" tells the story of a group of sailors who discover an ancient tomb that houses a monstrous entity known as Cthulhu. The existence of Cthulhu is said to be tied to a cosmic, unknown force. As the sailors explore the depths of this ancient tomb, they uncover several horrifying truths about the universe and its inhabitants.

What makes "The Call of Cthulhu" an exceptional example of weird fiction is its ability to use the concept of the unknown to create a sense of horror and dread. The dread that surrounds Cthulhu in the story is not because of his physical appearance but rather what he represents. Lovecraft is able to create a sense of dread by making his readers question the very nature of reality.

Throughout the story, Lovecraft makes use of a particular style of writing that adds to the eeriness of the work. His use of long, complicated sentences adds to the sense of desolation that pervades the story. Moreover, his descriptive language paints vivid images in the reader's mind, making them feel as though they are a part of the story.

Another aspect that makes "The Call of Cthulhu" stand out is its themes of cosmic horror and the existence of a deity-like figure that exists beyond human comprehension. This theme of cosmic horror shows up across other works of weird fiction and creates a sense of an uncaring, hostile universe that is indifferent to the fate of human beings.

Here are some guidelines on how to write weird fiction:

1. Incorporate surreal and complex imagery: Weird fiction typically features bizarre or otherworldly images that challenge the reader's perception of reality. Consider exploring strange locations, unusual objects or creatures, and other oddities that will make your story feel alien and unsettling.

2. Create an atmosphere of unease: Use language and description to establish an unsettling tone throughout your narrative. Characters should feel anxious, uneasy or disoriented, and the setting should be mysterious and disconcerting.

3. Use non-linear storytelling: Instead of following a traditional narrative structure, experiment with unconventional methods of storytelling such as stream-of-consciousness, disjointed timelines or unreliable narrators. These techniques create a sense of disorientation and can enhance the feeling of weirdness in your story.

4. Draw from mythology and folklore: Many weird fiction stories incorporate elements of mythology or folklore, combining real-world legends with fantastical elements. Researching these myths and legends can provide inspiration for your story and help you create a thoroughly unique experience.

5. Don't be afraid to experiment: Weird fiction is a genre that allows for a lot of experimentation and creativity, so don't be afraid to try something new. Take risks with your storytelling and embrace the strange and unusual in your writing.

In conclusion, Lovecraft's "The Call of Cthulhu" is an excellent example of weird fiction that has captured readers' imaginations for generations. The use of cosmic horror, the unknown, and a surreal world create an atmosphere of dread that is unmatched in the realm of literature. Its themes of cosmic horror and the idea of a universe beyond human comprehension are still relevant today, and it is why "The Call of Cthulhu" continues to inspire readers across the world.

Also see:

• The Call of Cthulhu
• Classic Weird Tales
• Weird Fiction at Amazon

 

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A Quick Note on Writing Science Fiction for the Novice Writer by Ryker J. Phoenix

 

 A Quick Note on Writing Science Fiction for the Novice Writer

 

by Ryker J. Phoenix

 

"Science fiction is any idea that occurs in the head and doesn't exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible."

-- Ray Bradbury

 Science fiction is one of the most popular genres of writing today. It is a genre that is constantly evolving, and the possibilities are endless. It is a genre that can be used to explore social issues, and it can be used to explore the future.

Science fiction can be used to explore the future by looking at social issues. For example, a writer might explore the issue of climate change by looking at the future and how it might impact the environment. Alternatively, a writer might explore the issue of technology by looking at the future and how it might impact society.

Elements of Science Fiction

• Realistic and fantastic details
•  Grounded in science
•  Usually set in the future
•  Unknown inventions
•  Makes a serious comment about the world
•  Often contains a warning for humankind

Science Fiction Settings

• Another planet
•  Under the oceans
•  Another dimension of existence
•  May be a utopia or dystopia
•  May be in the future
•  May time travel to the past (or future)
•  May take place in present, but alternate reality

Science Fiction Characters

• Protagonist (Hero)
•  Antagonist (Villain)
•  These characters may be a being (human or other) or may be a force
•  Protagonist or Antagonist may be society’s laws, a disease or other problem, technology, etc.
•  Creatures, robots, aliens, etc. Science is Important to the Story
•  Advanced technology
•  Genetics
•  Disease
•  Exploration
•  Special powers or senses as a result of science
•  Science can be the savior or the root of the problem

Message or Warning for Humans

• Science Fiction stories often contain a message or warning
•  Think of the message Ray Bradbury was trying to send in Fahrenheit 451

Science is Important to the Story

• Advanced technology
•  Genetics
•  Disease
•  Exploration
•  Special powers or senses as a result of science
•  Science can be the savior or the root of the problem

 

"Science fiction encourages us to explore... all the futures, good and bad, that the human mind can envision."

-- Marion Zimmer Bradley

 Writing science fiction can feel daunting, but it’s also a fulfilling and enlightening process. Use this and the website below as your guide, and you’re well on your way to pulling together your first story.

 Also see:

• Writing Science Fiction: The Ultimate Guide

 

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The First Rule of Writing: Show, Don’t Tell for the Novice Writer

 

"Don’t tell me the moon is shining; show me the glint of light on broken glass."

 – Anton Chekhov

 
“Show, Don’t Tell” is an important rule when it comes to writing your story, it is the magic technique that breathes life and energy into any story.

The single best piece of advice you can receive to become a good writer is “Don’t tell me, show me.” Don’t tell me the character is angry; show me that the character is angry. Don’t tell me that the character had a good time at the party; show me how the character had a good time. This is The First Rule of Writing.

Telling sentences tell us something. They give information but it is general, non‐specific, and often vague. They don’t involve the reader. Telling sentences are written in a dull and lifeless manner. You leave out the action, emotion, and sensory detail — all the vital ingredients that make the reader believe in your story. “Telling” is a way of communicating facts to the reader — the wrong way. The right way is to “show” information through the use of action, dialogue, and the five senses. (If you’re still confused, please read on and let me “show” you what I mean.)

Imagine yourself in a darkened movie theater. All of a sudden the screen goes black and you can hear only the sound track — the dialogue and a few sound effects. How frustrated you’d be! If the technician didn’t get the projector fixed fast, you’d get bored and leave. The same is true for writing. If you fail to make the reader see your story, she’ll lose interest, put down the book, and never pick it up again. If that reader happens to be the editor to whom you’ve submitted your manuscript, then you’ve lost a sale.

Showing sentences show us — they describe the scenes and actions; they help us see by using clear, specific details to create clear, strong pictures in our minds. Showing sentences dramatize the events of your plot. The reader experiences the story as if he’s right there, participating in the story. In his imagination, he becomes the character. A showing sentence has a different “sound” and “feeling” when you read it.

Look at the following examples: 

1) First Example
Telling sentence: Jack was afraid.

Showing sentence: As the footsteps tapped closer and closer, Jack felt his stomach muscles tighten. He flattened himself to the wall, the gritty bricks against his cheek. Sweat chilled his palms. He used both hands to steady the gun.

Telling Sentences Give Information

Notice in the “telling” sentence, we’re given information, but in a way that doesn’t involve us in any scene. It’s as if we’re sitting in that movie theater, staring at a black screen and growing increasingly annoyed by our inability to see what’s happening.

In the “showing” sentence, however, we live through the scene along with Jack. We hear the tap of footsteps. We feel the tension in his stomach, the cold dampness of his hands, and the grittiness of the brick. We see the gun in his shaking hands. We live his fear, rather than merely being told of it.

And along the way, something miraculous happens: Jack becomes a real person. Even if he’s the bad guy, we can identify with him because we experience his fear, and fear is a universal human emotion. We want to turn the page and find out what happens to Jack. This is the power of “showing” instead of “telling.”
 

The Secret to “Showing” a Scene

So what is the secret to “showing” a scene? It’s beautifully simple. Use specific details. Specific details breathe life into your story. They stimulate the reader’s imagination so he can project himself into the scene and become a part of it. By the way, watch out whenever you name an emotion, such as Jack was afraid. It’s lazy writing. The reader won’t feel the emotional impact. How much better it is to “show” the emotion through action, the five senses, and dialogue.

2) Second Example
Telling sentence: Dave thought Brenda was acting secretive.

Showing sentence: Brenda slammed his dresser drawer shut and spun around, her hands hidden behind her back. Her lips jerked into a stiff smile. “Dave! I‐I thought you wouldn’t be home until six o’clock.”

Showing Brings a Vivid Picture

The “showing” example uses physical action, facial expression, and dialogue to convey the same information as the “telling” sentence. But with “showing,” we get a vivid picture. We watch the scene as if it were playing on a movie screen.

So, “showing” makes a scene come alive through the use of details. So take a good, close look at how you present your ideas and characters. All good books touch the reader on an emotional level. You do so by giving proof to the reader — proof of how this character acts and reacts when faced by problems. In other words, you “show” the reader why we should cheer for the character or boo him. And hopefully, in the process, readers will find themselves drawn into the story, unable to put the book down.

So now you have the idea, right? We need details. We need to know thoughts, feelings; we need to see, hear, feel, smell and taste your story. Learn how to put details in your writing. Did you ever wonder why you remember the characters in a book? Or what made a story especially memorable? By combining many elements of writing, you can learn how to write good stories and essays. You have to use the senses, avoid boring dialogue, and write memorable descriptions.

3) Third Example
Telling sentence: Mary was a pretty girl, with blue eyes and blond hair.  

Showing sentence: Mary’s blue eyes glistened with joy, her blond hair bouncing with each step.

4) Fourth Example
Telling sentence: Molly is a wonderful person. 

Showing sentence: Molly is always there when anyone needs her. She’s the first to arrive with a casserole when someone is sick, the first to send a note of encouragement to those who are troubled, the first to offer a hug to anyone ‐‐ man, woman or child ‐‐ at anytime.

5) Fifth Example
Telling sentence: It was very dark inside. 

Showing sentence: I held my hand in front of my eyes but couldn’t see its outline. The walls were invisible and it was impossible to see the bottom of the steep stairs.

6) Sixth Example
Telling sentence: The pizza was delicious. 

Showing sentence: Mushrooms and pepperoni sausage were layered thickly on top of one another while the white mozzarella cheese bubbled over the bright red tomato sauce.

7) Seven Example
Telling sentence: The house was haunted. 

Showing sentence: The old house stood eerily abandoned on the hill, scaring everyone in the neighborhood with creaking, breathing noises.

8) Eight Example
Telling sentence: Eating healthy is good for your body. 

Showing sentence: The calcium in milk, cheese, yogurt, and other dairy products, the vitamins in vegetables, and the protein in meal all help to keep our bodies strong and healthy.

9) Ninth Example
Telling sentence: I was really mad. 

Showing sentence: I ran to the door, threw it open with a loud bang against the wall, and yelled, “Get in this house right this minute! You are three hours late!”

10) Tenth Example
Telling sentence: Jim was so angry that Blair was afraid.  

Showing sentence: Jim grabbed the front of Blair’s shirt and slammed him into the wall. Blair fought to breathe, his heart hammering.

11) Eleventh Example
Telling sentence: The weather was bad. 

Showing sentence: A harsh wind whipped through the trees. Dark clouds poured buckets of rain that overran the gutters and spilled onto the sidewalks.

DRAW the readers in; MAKE them a part of what is happening. SHOW the scene, GET them involved, GIVE it a dramatic impact, SHOW them what’s happening now or how things happened by painting your narrative with words. USE figurative language (similes and metaphors), dialogue and descriptive words.

A Quick Note on the Elements of Crime Writing for Novice Writers by Ryker J. Phoenix

 

A Quick Note on the Elements of Crime Writing for Novice Writers

 

by Ryker J. Phoenix

 

What is Crime Writing?

 Crime fiction, detective story, murder mystery, mystery novel, and police novel are terms used to describe narratives that centre on criminal acts and especially on the investigation, either by an amateur or a professional detective, of a crime, often a murder.

There is no one formula for writing crime fiction, but there are a few things you can do to increase your chances of success. First, make sure your plot is well-constructed and suspenseful. Second, create believable and interesting characters. Third, use strong dialogue and vivid description. And fourth, make sure your pacing is right. Crime fiction can be a very exciting genre to write, but it also requires a lot of hard work and attention to detail.

 Crime fiction focus on transgressions against established order and the specific breaking of either national, social, religious or moral laws. The focus must be on ‘Elements’ and writers need to consider the elements that is needed in a crime story.

Here are some elements and things the crime writer should consider when writing crime fiction:

• the type of the crime text itself, whether it is detective fiction, a post-modern novel, a revenge tragedy, an account of a life lost to crime
• the settings that are created as backdrops for criminal action and for the pursuit of the perpetrators of crime: both places and times will be significant here
• the nature of the crimes and the criminals, the criminals’ motives and actions
• the inclusion of violence, murder, theft, betrayal
• the detection of the criminal and the investigation that leads to his or her capture or punishment
• how far there is a moral purpose and restoration of order
• guilt and remorse, confession and the desire for forgiveness
• the creation of the criminal and their nemesis, the typical detective hero
• the sense that there will be a resolution and the criminal will be punished
• the victims of crime and the inclusion of suffering
• the central motifs of love, money, danger and death
• punishment, justice, retribution, injustice, accusation, the legal system, criminal trials and courtroom dramas, imprisonment, death
• the structural patterning of the text as it moves through a series of crises to some sense of order
• the specific focus on plotting
• the way that language is used in the world that is created; there may be use of a criminal register, legal register, police register
• the way that crime writing is used to comment on society, particularly the representation of society at particular historical periods
• ultimately, how crime stories affect audiences and readers, creating suspense, repugnance, excitement and relief.

 Want to learn more about writing crime fiction?

 

Crime Writers' Week 2023

Discover the secrets for writing, editing, and publishing a crime novel at this free online summit.

April 24 - April 27

 Ready to transform your crime writing? Join ProWritingAid for this FREE online event, featuring live writing workshops, interviews with bestselling authors like Sophie Hannah, and 20 sessions from editors and experts in crime writing.

Can't make it live? A free replay is available after the event.

Also see:

• How to Write Crime Fiction: A Beginner’s Guide
• How to Write a Mystery or Crime Novel: 8 Tips for Writing Crime Fiction
• The Oxford Companion to Crime and Mystery Writing 
• The Crime Writer's Reference Guide: 1001 Tips for Writing the Perfect Murder
  

 

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A Quick Note On Character Types for the Novice Writer by Ryker J. Phoenix

 A Quick Note On Character Types for the Novice Writer

 

by Ryker J. Phoenix

 

There are a number of character types that can be found in writing fiction. The three most commonly used are the protagonist, the antagonist, and the foil.

• The protagonist is the main character of the story. They are usually the one who drives the plot forward, and the reader is typically meant to sympathize with them. 
• The antagonist is the character who stands in opposition to the protagonist, and they are usually the one responsible for creating the most conflict in the story. 
• The foil is a character who is used to highlight the protagonist's traits, and they are typically not as developed as the other characters in the story.

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A Quick Note On Writing Point of View (POV) for the Novice Writer by Ryker J. Phoenix

 

 A Quick Note On Writing Point of View (POV) for the Novice Writer

 

by Ryker J. Phoenix

 

One of the most important elements of fiction is point of view. POV determines how readers experience the story, and it can be used to create different effects. There are three main POVs: first person, second person, and third person.

First person POV is when the narrator is a character in the story and tells the story from their own point of view. This POV is usually limited to what the narrator knows and experiences. First person narration can be intimate and engaging, making readers feel like they are right there with the characters. However, it can also be limiting, since the reader can only see and know what the narrator knows.

Second person POV is when the narrator speaks to the reader directly, as if they are a character in the story. This POV can be used to create a more interactive experience for readers, as if they are directly involved in the story. However, it can also be confusing and difficult to follow, since it is not commonly used.

Third person POV is when the narrator is not a character in the story and tells the story from an outsider’s point of view. This POV can be used to create a more objective and impartial view of the story. However, it can also be less immersive and engaging for readers.

Each POV has its own strengths and weaknesses, and it is important to choose the right POV for your story. First person POV is best for personal stories or stories with a limited point of view. Second person POV can be used to create a more interactive experience, but it can be difficult to follow. Third person POV is best for stories with a more objective point of view.

 

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A Quick Note on Writing Story Endings for the Novice Writer by Ryker J. Phoenix

A Quick Note on Writing Story Endings for the Novice Writer

 

by Ryker J. Phoenix

 

 There is no one “correct” way to write a story’s ending. However, there are some things to keep in mind as you craft your finale.

One important element is to ensure that the ending is satisfying for the reader. This means that the resolution of the story’s conflicts should be clear, and that the ending should feel like a natural culmination of the plot.

It’s also important to ensure that the ending is true to the story’s tone and themes. If the story is dark and cynical, for example, the ending should not be overly optimistic or happy.

In the end, the most important thing is to make sure that the ending feels true to your story and to your characters. If you can do that, then you can be sure that your ending will be satisfying for your readers.

 

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