A Quick Note on Writer's Block for the Novice Writer by Ryker J. Phoenix

A Quick Note on Writer's Block for the Novice Writer

by Ryker J. Phoenix

 

Writing is not always an easy task. There are times when your mind gets stuck and you can't seem to find the right direction to take your story. You may feel alone in the middle of the woods, unsure of which path to take. In moments like these, it's important to remember the advice, "Don't sit down in the middle of the woods. If you're lost in the plot or blocked, retrace your steps to where you went wrong. Then take the other road. and/or change the person. Change the tense. Change the opening page."

Retracing your steps is a crucial step in writing. It allows you to go back to a point where you felt more confident and had a clear direction. This can be compared to having a map that you can refer to when you get lost. By retracing your steps, you can see where you went wrong and determine what caused you to feel stuck. You can then take a different path and move in a new direction.

Changing the person or tense is another way to find inspiration and get back on track. Sometimes the issue may not be with your plot or characters but with the way you are telling the story. Changing the person or tense can give you a fresh perspective and help you see the story from a different angle. This might be exactly what you need to jumpstart your creativity and make progress in your writing.

Changing your opening page can also be a helpful strategy. The opening page is the first impression your reader will have of your story, so it's important to make it engaging and captivating. If you're struggling with the rest of your story, going back to the beginning and changing the opening can help you find the spark you need to continue. You might find that a different opening sets a different tone for the whole story and that new inspiration comes flooding in.

When faced with writer's block, it's important to stay calm and not give up. Everyone, even the most successful writers, goes through periods of creative drought. I have to reiterate the advice to "Don't sit down in the middle of the woods. If you're lost in the plot or blocked, retrace your steps to where you went wrong. Then take the other road. and/or change the person. Change the tense. If you change the opening page, you can get back on track and continue making progress on your story.

It's important to note that every writer's creative process is unique, and what works for one person may not work for another. However, these strategies are time-tested and have helped countless writers overcome writer's block. It's up to you to experiment and find what works best for you.

For some writers, taking a break is the best way to overcome writer's block. This may mean stepping away from your writing for a few hours, days, or even weeks. During this time, you can focus on other aspects of your life and allow your mind to reset. This can be particularly helpful if you've been working on the same project for an extended period of time. When you come back to it, you might find that you have a new perspective and fresh ideas.

Another helpful strategy is to do writing exercises. This can be a great way to challenge yourself and flex your creative muscles. Writing exercises can range from simple prompts that give you a starting point to more elaborate exercises that require you to think outside the box. Some writers also find it helpful to keep a journal to jot down ideas or freewrite when they're feeling stuck.

In conclusion, writer's block can be a frustrating and discouraging experience, but it doesn't have to stop you in your tracks. By retracing your steps, changing the person or tense, changing the opening page, taking a break, or doing writing exercises, you can overcome writer's block and continue making progress on your story. Remember that everyone experiences writer's block from time to time and that it's a natural part of the creative process. With patience, persistence, and a willingness to try new things, you can push through and produce work that you're proud of.

Also see:

• How to Force the Muse and Eliminate Writer's Block

 

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A Quick Note on Creating Characters Your Readers Will Love and Follow from Beginning to End, for the Novice Writer

A Quick Note on Creating Characters Your Readers Will Love and Follow from Beginning to End, for the Novice Writer

by Ryker J. Phoenix

 
 

Who are the characters that make up your story, and how have they developed and grown throughout the narrative? Without their depth, emotions, and motivations, a story can feel lifeless and unfulfilling.

First, strong and well-developed characters allow readers to connect with the story on a deeper level. A reader invests time and energy in caring about characters and their journeys. They want to see them grow, succeed, and overcome their obstacles. For instance, Harry Potter would not have become one of the most beloved book series of all time without distinctly unique and well-developed characters such as Harry, Ron, Hermione, Dumbledore, Voldemort, and Severus Snape. Readers were fully invested in their lives, and because of the individual complexity and depth of each character, the story became more relatable and engaging.

Furthermore, audience engagement is what sets apart good stories from great ones. Characters are what drive the plot and enable the action to occur. Without the unique perspectives and motivations of each character, every event and interaction would take on a generic and uninteresting tone. For example, in the epic Game of Thrones, the nuanced and flawed characters give depth and meaning to the conflicts and political schemes of the fictional world of Westeros. The characters' complex moral and ethical codes reveal the human nature of each one, giving readers a deep understanding of the challenges the characters face.

In addition, the character arc, which leads to their evolution and growth throughout the story, is a significant factor in the audience's engagement. Characters who experience growth and change are more memorable and relatable as they overcome the trials they face. A character who always remains static may become dull and predictable, and the audience may quickly lose interest. For example, the character of Walter White in Breaking Bad goes from a mundane chemistry teacher to a ruthless drug kingpin, showcasing his gradual transformation throughout the series. Walter White's evolution increases viewer engagement and keeps readers hooked until the end of the story.

In conclusion, strong, compelling, and well-developed characters are essential to a captivating plot. Without this element, a story can fall flat and leave readers unsatisfied. The depth and complexity of characters their motivations and their growth contribute to their relatability and evoke the audience's emotions. Ultimately, the characters leave lasting impressions in the minds of the readers, making them the heart of any great story.

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A Quick Note on Characters: Round and Flat, Major and Minor Writing for the Novice Writer

 

 

A Quick Note on Characters: Round and Flat, Major and Minor Writing for the Novice Writer

 

by Ryker J. Phoenix

 

 Characters are the heart of any good story, and they come in many different forms. In literature, characters can be divided into several categories, including round and flat characters, and major and minor characters. Understanding these distinctions can help readers better understand the role that characters play in the story and the different ways in which they are developed.

Flat characters are those that are relatively one-dimensional and do not undergo significant changes throughout the course of the story. These characters are often used to provide exposition or to move the plot forward, but they do not typically have complex motivations or relationships. Examples of flat characters might include the sidekick in a superhero movie or the stock characters that populate a romance novel.

On the other hand, round characters are those that are multi-dimensional and have more complex motivations and relationships. These characters undergo significant development throughout the course of the story, and readers are able to see them grow and change over time. Round characters often have internal conflicts, motivations that are not immediately apparent, and unexpected actions or decisions that challenge readers' expectations.

Major characters are those that play a significant role in the story and are often central to the plot. They are typically the characters that the story revolves around, and they may have dynamic relationships with other characters or experience significant shifts in their own personalities or values. Examples of major characters include the protagonist in a novel or the main character in a film.

Minor characters, on the other hand, are those that play a smaller role in the story. They may provide secondary plotlines or support for the major characters, but they do not typically have as much development or screen time as major characters. Examples of minor characters might include the friends or coworkers of the main character or the supporting players in a sports movie.

Understanding the distinctions between round and flat characters and major and minor characters can help readers better appreciate the complexity of the characters in a story and the ways in which they contribute to the narrative. By examining the traits, motivations, and relationships of each character, readers can gain a deeper understanding of the story's themes and messages. Whether in literature, film, or television, well-developed characters are key to creating engaging and memorable storytelling experiences.

 

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Writing a Novel is Like Cutting a Path Through the Jungle by James Salter | Writing Quote

Writing a Novel is Like Cutting a Path Through the Jungle

 

by James Salter

 

 If you’re writing a novel, I would say it’s like cutting a path through the jungle. You’ve got a machete and you don’t know exactly where you’re going except you’re heading east and the rest of it is luck each day and you get tired. You’re exhausted on this long march, which is the book, so if you don’t have some discipline, it’s going to take you a very long time. You may not finish; as a matter of fact, you may abandon it, turn back. 

 

About the Author 

James Arnold Horowitz (June 10, 1925 – June 19, 2015), better known as James Salter, his pen name and later-adopted legal name, was an American novelist and short-story writer. Originally a career officer and pilot in the United States Air Force, he resigned from the military in 1957 following the successful publication of his first novel, The Hunters. Wikipedia

James Salter books at Amazon

A Quick Note on Tropes in Genre Writing in Fiction Writing for the Novice Writer by Ryker J. Phoenix

 

A Quick Note on Tropes in Genre Writing in Fiction Writing for the Novice Writer

 

by Ryker J. Phoenix

 

 Tropes are often used in literature as a way to create familiarity and provide a sense of structure to the story. They are commonly used because theyhave been successful in the past and resonate with readers. However, overuse of tropes can lead to predictable and mundane storytelling.

A trope can be a plot device, such as the hero's journey or love triangle, or a character attribute, suchas the brooding anti-hero or the wise mentor. These tropes have become so ingrained in the genre that they are now seen as commonplace and expected by readers.

One of the most common tropes in literature is the love triangle. This occurs when a protagonist is torn between two love interests, often with very different personalities or backgrounds. The love triangle trope can be found in many genres, including romance, young adult, and even science fiction.

While the love triangle can add drama and tension to a story, the overuse of this trope can become formulaic and predictable. The same can be said for other popular tropes such as the chosen one, the underdog, and the revenge plot. These are all tropes that have been used so often that they have lost their originality and impact.

One of the dangers of relying too heavily on tropes is that they can lead to flat and stereotypical characters. For example, the "damsel in distress" trope portrays women as weak and helpless, while the "macho hero" trope depicts men as emotionless and invincible. Using these tropes perpetuates harmful gender stereotypes and limits the range of character development.

However, when used effectively, tropes can add depth and nuance to a story. They can be subverted or twisted to create unexpected twists and turns. For example, in the movie "Frozen," the true love between sisters subverted the traditional romantic love triangle trope.

In conclusion, tropes are a common and expected part of literature. While they can be effective in creating familiarity and structure, they should be used carefully and judiciously. Overusing tropes can lead to predictable and formulaic storytelling, while subverting tropes can add depth and nuance. Ultimately, it is up to the writer to use tropes in a way that enriches the story and breaks new ground.

 

Also see:

• Romantic Tropes: Guide to Help Romance Novel Writers
•  4 YA Fantasy Tropes That Aren't Overdone and How to Write Them
•  80 Sci-Fi Tropes for Writers
•  Why You Should Create Your Own Genre
   

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Why Quality is Not About Talent by Randy Ingermanson | Advanced Fiction Writing

 

Why Quality is Not About Talent

 

by Randy Ingermanson 

 

Advanced Fiction Writing

 

---

( The dates are in the past, but the information is still relevant. )

 

In the January 2015 issue of this e-zine, I wrote an article titled “The Success Equation,” which spelled out my ideas at the time for why some authors are successful and most aren’t.

Over the past six years, I’ve honed those ideas by teaching them at conferences and by putting them into practice in my own life.

This year, in this e-zine, I’d like to walk you through my ideas as they stand right now. I’ll teach you what I’ve been doing since 2015.

I recently wrote a blog post, “The Success Equation,” that briefly summarizes the five factors that drive success.

Two of the factors that drive success (Target Audience size and Quality) have to do with your writing craft, and I’ll begin the discussion of those in this month’s Craft column.

A third factor that drives success is your Discoverability. This is a large topic and is going to take months to cover. We’ll get started in this month’s Marketing column.

A fourth factor that drives success is your Production, and that’s the subject of this column.

The fifth factor that drives your current success is something you have absolutely no control over--the success you’ve had in the past. You can’t change the past. But you can change the future, by taking actions now in the present to make today more successful. Because today is the yesterday you won’t be able to control tomorrow.

Why Production Matters

What is Production? It’s the speed that you publish your books.

If all other things are equal, the author who publishes five books per year is going to do better than the author who publishes one. And the author with ten books published in past years will do better than the author with only one, because some marketing methods only work when you have several books published.

That’s why your Production matters. If you want to be more successful, do your best to maximize your Production.

You might argue that the Quality of your work will suffer if you publish five books per year. That’s true for some authors and not for others. I would never tell you to publish shlock, just to publish fast. I don’t write five books per year, for three reasons:

1. I have a day job that consumes half my time. It’s a fun job that I love, and it pays well, and I don’t see any reason to give it up. I get to do science, and I get to write code, and they actually pay me! What could be better?
2. The books I write are huge. The last novel I wrote was 180k words. My current work in progress weighs in at over 240k words.
3. The books I write take a lot of research. My readers know that I connect a lot of dots. That’s my superpower, and my readers like that, but connecting dots takes a lot of time. I try to spend several weeks per year doing on-site research for my books. Time spent on research is time spent not writing. It is what it is.

So how do you set your production rate and then live with it?

Your Production Rate

The two factors you need to look at are these:

• How long does it take, realistically, to write a book?
• How many hours do you have in your time budget per week?

Once you know those, you can figure out a reasonable production rate.

For myself, once the research is done, I can write 500 to 1000 words per hour. So a book of 200k words would take 200 to 400 hours to write. And it would take another 200 hours to edit and polish.

My current time budget for writing fiction is one hour per day, every day of the year. As of this moment, I have a streak of 506 days in a row, writing one hour per day. (The only exceptions are when I’m sick or traveling. Every other day of the year, I work. That includes Christmas. And my birthday. And weekends.)

Once you know how long it takes to write a book and how many hours per week you write, you know your optimal production rate. In my case, let’s say the book will take 500 hours at 7 hours per week. So that’s about 72 weeks. Which is why I can’t publish even one book per year.

A Production Plan is a Production Habit

If you want to boost your Production, you need a Production Plan.

And a Production Plan is just another name for a Production Habit. A famous writer once said, “I write when the spirit moves me … and the spirit moves me every day.”

Stephen King writes 2000 words every day. That’s over 700k words per year. That’s Production, and that’s a key element of his success.

Your life will change amazingly if you create a Production Habit.

So how do you do that?

You do it by making it ridiculously easy:

1. Make a firm promise to yourself that you’re going to write every day of the week for at least 5 minutes. (You get to decide whether that means 5 days per week, or 6, or 7.)
2. Back up that promise with an accountability partner. If you miss even one day in a given week, then you owe your friend a $50 Amazon gift card. (It doesn’t have to be exactly $50. Make it a number that will sting, but won’t impoverish you.) You should have no problem finding a friend who will agree to be your partner on this.

You might argue that 5 minutes per day is too easy.

Yes, it’s easy. The easiness is the point. 5 minutes per day is perfect when you’re starting out. Because when you’re starting out, the value is not in the 5 minutes. The value is in creating the habit.

After you’ve spent 30 days doing 5 minutes per day, your habit will be pretty well in place. Then ramp up the time commitment to 10 minutes. Or 15.

Then after another 30 days, ramp it up again.

At a certain point, you’ll reach your natural limit for the number of minutes you can work in a day. For me, at this point in my life, my natural limit is 60 minutes. I don’t have more. So I make every minute count. Make yours count too.

A year from now, when you look back on your Production for 2021, you’re going to be astounded at how much you’ve achieved.

Astounded. Next year, this time, you’ll see.

Homework:

• How many words do you plan for your current novel? (50k to 100k is a typical range.)
• How many words per hour do you write, on average? (500 words to 2000 words per hour are typical.)
• How many hours do you estimate it would take to write your book and edit it and polish it? (Some writers need as little as 100 hours; others might need up to 500.)
• How many hours do you think you can budget each week for Production? (Most professional writers are producing new content between 5 and 20 hours per week.)
• Now do the math: How many books can you write in a year? (1 to 5 are typical.)

Please note that it’s OK to not be in the “typical” ranges quoted above. The point of the exercise is to define a Production rate goal that works for you, in your life situation

 

About The Author

Randy Ingermanson is a theoretical physicist and the award-winning author of six novels. He has taught at numerous writing conferences over the years and publishes the free monthly Advanced Fiction Writing E-zine.

 

 Randy Ingermanson Books at Amazon

 

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A Quick Note on Genre Fiction in Fiction Writing for the Novice Writer by Ryker J. Phoenix

 

 

A Quick Note on Genre Fiction in Fiction Writing for the Novice Writer

 

by Ryker J. Phoenix

 

 The term “genre fiction” refers to a style of writing where the story is driven by a particular plot structure or narrative framework. This type of fiction is typically categorized into specific genres such as science fiction, romance, horror, or mystery. The purpose of genre fiction is to appeal to a specific audience that is familiar with the tropes and conventions of the genre they are reading, and to provide an escapist reading experience.

One of the main characteristics of genre fiction is the importance placed on plot. The plot is the driving force of the story, creating tension, conflict, and resolution. This structure is intended to keep the reader engaged and invested in the story. For example, the mystery genre is characterized by a plot structure that often includes a crime, a detective figure, a series of clues, and a resolution in which the culprit is revealed. Romance novels, on the other hand, have a formulaic plot structure that includes a love story, a romantic tension, and a happy ending.

Another defining feature of genre fiction is the use of familiar tropes and conventions. These could be character archetypes, plot devices, or settings. These tropes and conventions allow the reader to quickly understand the world and characters they are reading about. In science fiction, for example, readers expect to encounter advanced technology, futuristic settings, and aliens or other non-human creatures. In romance, readers expect to encounter a dashing hero, a love triangle, or a reluctant romance.

Despite the focus on plot and familiar tropes, genre fiction still requires strong writing skills to be successful. While the genre may dictate the structure of the story, it is up to the writer to create vivid settings, well-rounded characters, and engaging dialogue. A good genre writer must be able to balance the formulaic structure of the genre with creative and unique storytelling.

Genre fiction has a wide appeal to a variety of readers. For those who are looking for a fast-paced, exciting read, this type of fiction offers an escapist experience. Many readers enjoy the predictability of genre fiction, knowing that they can expect a certain type of story when they pick up a book in their preferred genre. For others, the label of genre fiction may be seen as a negative aspect, implying that the writing is formulaic and lacking in literary merit.

In conclusion, genre fiction is a style of writing that is focused on plot-driven storytelling, familiar tropes, and conventions within a specific literary genre. While it may not always be seen as literary, genre fiction provides a valuable escape for many readers and highlights the importance of storytelling in modern literature. By understanding the tropes and conventions of genre fiction, writers can provide entertaining and engaging stories for readers, while still showcasing their own unique writing style.

Also see:

• Why You Should Create Your Own Genre
   

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