Writing Quote: I must tell you how I work. I don’t have my novel outlined and I have to write to discover what I am doing. Like the old lady, I don’t know so well what I think until I see what I say; then I have to say it over again. --Flannery O’Connor

 

The Uncharted Path: Embracing Discovery in Fiction Writing

By Olivia Salter

In the realm of fiction writing, the process can often feel like a winding journey through uncharted territory. Flannery O’Connor’s insightful quote captures the essence of this experience perfectly: “I must tell you how I work. I don’t have my novel outlined and I have to write to discover what I am doing.” For many writers, the act of writing is not merely a means to an end; it is a vital exploration of thought and creativity, allowing authors to uncover their narratives in real time.

The Art of Discovery

O’Connor’s methodology highlights the notion that writing can be a form of self-discovery. Instead of confining oneself to a rigid outline, writers who adopt this approach often find that the characters and plots evolve organically. This process allows ideas to flow freely, leading to unexpected twists and turns that can enhance the richness of the narrative. Just as the old lady in O’Connor's analogy may not fully grasp her thoughts until she sees them expressed in words, writers can uncover deeper themes and emotions through the act of writing itself.

Breaking Free from Outlines

For many aspiring authors, the pressure to create a detailed outline can be daunting. It often stifles creativity and leads to a fear of deviating from the plan. O’Connor’s perspective encourages writers to embrace spontaneity and intuition. By allowing the story to unfold naturally, writers can tap into their subconscious, leading to authentic and compelling storytelling. This method aligns with the idea that sometimes the best ideas come when we least expect them, often revealing layers of meaning that might remain hidden in a pre-structured framework.

The Power of Revision

O’Connor also emphasizes the importance of revision: “then I have to say it over again.” This is a crucial aspect of the writing process that cannot be overlooked. First drafts are often messy and chaotic, but they provide the foundation for refinement. Writers might discover new angles, character motivations, or plot developments during revisions that were not apparent during the initial writing phase. This iterative process transforms rough ideas into polished narratives, allowing the writer to distill their thoughts into a cohesive story.

Trusting the Process

Ultimately, O’Connor’s approach promotes a sense of trust in the writing process. It encourages writers to let go of the need for control and embrace uncertainty. By doing so, they open themselves up to exploration and creativity, allowing their unique voice to emerge organically. This perspective fosters a deeper connection to the characters and themes being developed, as writers engage fully with their work rather than adhering to a predetermined path.

In conclusion, in the world of fiction writing, Flannery O’Connor’s insights serve as a reminder that the journey of creation is as significant as the destination. By letting go of strict outlines and allowing the writing process to guide them, authors can unlock new dimensions of their stories. The act of writing becomes a dialogue with the self, revealing thoughts and feelings that can only be fully understood through the written word. For those willing to embrace this method, the rewards can be profound, leading to narratives that resonate deeply with both the writer and the reader.

The Ability to Create Life with Words by Flannery O'Connor

The Ability to Create Life with Words 

by 

Flannery O'Connor

I still suspect that most people start out with some kind of ability to tell a story but that it gets lost along the way. Of course, the ability to create life with words is essentially a gift. If you have it in the first place, you can develop it; if you don't have it, you might as well forget it.

But I have found that people who don't have it are frequently the ones hell-bent on writing stories. I'm sure anyway that they are the ones who write the books and the magazine articles on how-to-write-short-stories. I have a friend who is taking a correspondence course in this subject, and she has passed a few of the chapter headings on to me—such as, "The Story Formula for Writers," "How to Create Characters," "Let's Plot!" This form of corruption is costing her twenty-seven dollars.

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About the Author

Flannery O'Connor was born in Savannah, Georgia, in 1925. When she died at the age of thirty-nine, America lost one of its most gifted writers at the height of her powers. O’Connor wrote two novels, Wise Blood (1952) and The Violent Bear It Away (1960), and two story collections, A Good Man Is Hard to Find (1955) and Everything That Rises Must Converge (1964). Her Complete Stories, published posthumously in 1972, won the National Book Award that year, and in a 2009 online poll it was voted as the best book to have won the award in the contest’s 60-year history. Her essays were published in Mystery and Manners (1969) and her letters in The Habit of Being (1979). In 1988 the Library of America published her Collected Works; she was the first postwar writer to be so honored. O’Connor was educated at the Georgia State College for Women, studied writing at the Iowa Writers’ Workshop, and wrote much of Wise Blood at the Yaddo artists’ colony in upstate New York. She lived most of her adult life on her family’s ancestral farm, Andalusia, outside Milledgeville, Georgia.

 

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