Art in Short Story Narration
A Practical Treatise
by Henry Albert Phillips
FOREWORD BY OLIVIA SALTER
Art in Short Story Narration is a remarkable treatise that delves into the intricacies of combining the realms of literature and visual art. Authored by the esteemed Henry Albert Phillips, this practical guide is a testament to his profound knowledge and expertise in the field.
Short stories have enthralled readers for centuries with their ability to encapsulate profound ideas, vivid characters, and captivating narratives within a concise form. They possess the power to transport us to different worlds, challenge our perspectives, and evoke a myriad of emotions. However, what makes this treatise truly exceptional is Phillips' exploration of the symbiotic relationship between short stories and visual art.
Throughout the pages of this book, Phillips leads us on a journey that uncovers the nuanced ways in which visual art can enrich and enhance the medium of short story narration. From examining the use of symbolism and metaphor to analyzing the role of imagery and aesthetics, Phillips meticulously guides both writers and artists in finding a harmonious balance between words and visuals.
Not only does Art in Short Story Narration offer practical advice on how to seamlessly integrate visual art into narratives, but it also delves into the psychological impact that art has on readers. Phillips delves into the intricate details of how visual stimuli can evoke emotions, trigger memories, and deepen our connection to a story. Through his insights and examples, he transforms storytelling into an immersive experience for both the creator and the audience.
Phillips' extensive knowledge is evident throughout the treatise, as he references a wide range of literary and artistic works that exemplify the concepts he explores. From renowned masters like Edgar Allan Poe and Vincent van Gogh to contemporary pioneers such as Haruki Murakami and Banksy, the treatise showcases the powerful fusion of words and visuals across different genres and mediums.
Art in Short Story Narration is not solely intended for seasoned writers or artists; it serves as a valuable resource for anyone interested in storytelling and the creative process. Its accessible language and thought-provoking insights make it a valuable companion for aspiring writers, artists, and even readers who wish to gain a deeper appreciation for the artistry behind short story narration.
As the reader embarks on this literary journey, one will discover the boundless possibilities that exist when narrative and visual art intertwine. Phillips' comprehensive approach to combining these creative expressions inspires us to explore new horizons, challenge conventions, and push the boundaries of traditional storytelling.
In conclusion, Art in a Short Story Narration is an indispensable guide that examines the profound impact that visual art can have on short-story narratives. Through a meticulous exploration of literary and artistic works, Phillips provides invaluable insights and techniques that will undoubtedly elevate both the creative process and the reader's experience. Prepare to embark on a transformative voyage where words and images converge and the true artistry of storytelling is unleashed.
Olivia Salter
07/14/2022
A Searching Analysis of the Qualifications of Fiction in General, and of the Short Story in Particular, with Copious Examples, Making the Work A PRACTICAL TREATISE.
CONTENTS
Introduction vii
Foreword xi
CHAPTER PAGE
I Art and Technique 15
Symbols; Six Mediums; Sphere of the Creator; Significance of Repression.
II Literature and Life 24
The Fiction Deluge; Producer vs. Consumer; to Amuse or to Entertain.
III The Artistry of Narration ... 30
Enter Art; What is Demanded; Essentials; Movement and Action; Vividness.
IV The Short Story 36
Cooperation; Isolation; Selection.
V Fact Versus Fiction 41
Taste vs. Truth; Romance and Realism; the True Story; the Improbable and the Impossible.
VI lUFRESSION AND EXPRESSION .... 48
Personal Equation; Reality; Visualizing; the Writer's Ultimate Aim.
VII The Potency of Suggestion ... 53
Re-Creation; Color Values; Association and Relationships; Figurative Language.
VIII Beauty and Embelushment ... 59
Esthetics; Figures; Taste; Revealment; Imagery; the Artist's Vision.
IX The Appeal That Creates Interest . 66
Entertainment; Sympathy and Tolerance; Plausibility; Four Stages in Development of Interest.
X The Psychology of Emohon ... 72
Mood; Feeling; Passion; Eloquence; Pathos.
XI The Scope of Imagination .... 78
Glamor; Fantasy; the Artist's Right to Fame.
XII The Power of Motive 85
Theme; Morals; Unique Power of the Artist; Sermons; the Unconscious Motive.
XIII The Influence of Atmosphere . . 93
Color of Medium; Metaphor; Atmosphere as an Abstract Quality; Two Aspects.
XIV The Charm of Harmony .... 102
Unity; Organism vs. Organization; Color; Harmony of Plot and Theme; Tone Effects.
XV The Human Element 11 1
Life; Characters; Human Interest; Heart Interest and Story Interest; Naturalness.
XVI The Dramatic Spark 118
Contrasts ; Tragedy ; Melodrama ; Suspense; Drama and Literature.
XVII The Temper op Love 124
Details ad Nauseam; Romance and Love; Illicit Love; the Incomparable Theme.
XVIII The Poignancy of Effect . . . . 130
Climax ; Vividness ; Plausibility ; Art for Art's Sake; to Win Fame; When All is Said and Done.
XIX A Study in Analysis 136
A Short Story, "Sacrifice," Dissected With a View to Art in its Narration.
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