Writing Quote: The beautiful part of writing is that you don't have to get it right the first time, unlike, say, a brain surgeon. --Robert Cormier

 

 

The Writing Process: Embracing the Freedom to Revise and Refine

 

by Olivia Salter

 

 Writing is a powerful form of expression that allows individuals to convey their thoughts, emotions, and experiences in a creative and unique way. Unlike professions that require precision and accuracy, such as being a brain surgeon, writing offers the freedom to explore, experiment, and revise without the pressure of getting it right the first time.

Robert Cormier, an acclaimed author known for his thought-provoking young adult novels, perfectly captures the essence of writing with this quote. He highlights the beauty of the writing process, emphasizing that it is okay to make mistakes, take risks, and learn from failures. Unlike a brain surgeon, who must perform flawlessly in a high-stakes environment, writers have the luxury of crafting and perfecting their work over time.

The journey of writing is filled with twists and turns, challenges, and breakthroughs. It is a continuous process of discovery and growth where creativity thrives and possibilities are limitless. Writers have the power to create worlds, characters, and narratives that resonate with readers on a deep and meaningful level.

So, embrace the beauty of writing, knowing that you have the freedom to explore, experiment, and evolve. Don't be afraid to make mistakes or take risks, for it is through these experiences that true creativity emerges. And remember, just like a skilled surgeon hones their craft through practice and perseverance, writers can refine their skills and craft by embracing the beauty of imperfection.
 

Writing Quote: Don't say the old lady screamed. Bring her on and let her scream. --Mark Twain

 

 

Crafting Compelling Narratives: The Art of Pace and Prosody in Writing

 

by Olivia Salter

Mark Twain once famously said, "Don't say the old lady screamed. Bring her on and let her scream." This quote embodies the essence of good storytelling—showing rather than telling. It emphasizes the importance of immersing readers in the narrative, allowing them to experience the story firsthand.

In writing, pace and prosody play a crucial role in captivating the audience and drawing them further into the story. Pace refers to the speed at which events unfold in a narrative, while prosody involves the rhythm, stress, and intonation of language. By mastering these elements, writers can create a dynamic and engaging reading experience that resonates with their audience.

One way to enhance pace in writing is to vary the speed at which events are presented. Short, snappy sentences can quicken the tempo and create a sense of urgency, while longer, descriptive passages can slow things down, allowing readers to savor the moment. By carefully orchestrating the pace of a story, writers can build tension, evoke emotions, and keep readers on the edge of their seats.

Prosody, on the other hand, involves the musicality of language. Just as a skilled musician uses rhythm and melody to create a symphony, a writer can use prosody to infuse their words with emotion and drama. By paying attention to the flow of sentences, the cadence of dialogue, and the placement of pauses, writers can give their writing a natural, fluid quality that captures the reader's attention.

Ultimately, pace and prosody are tools that writers can use to craft a compelling and immersive narrative. By striking the right balance between the two, authors can create a story that not only entertains but also resonates with readers on a deeper level. So the next time you sit down to write, remember Mark Twain's advice: don't just tell your readers what happened; show them, and let the story unfold before their eyes. 

About the Author of the Quote

Samuel Langhorne Clemens (November 30, 1835 – April 21, 1910), known by the pen name Mark Twain, was an American writer, humorist, essayist, entrepreneur, publisher, and lecturer. He was praised as the "greatest humorist the United States has produced", and William Faulkner called him "the father of American literature". His novels include The Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1884) with the latter often called the "Great American Novel". Twain also wrote A Connecticut Yankee in King Arthur's Court (1889) and Pudd'nhead Wilson (1894), and co-wrote The Gilded Age: A Tale of Today (1873) with Charles Dudley Warner. Wikipedia

Also see:

• Mark Twain at Amazon
• Writing Books Index

Fiction Writing: Point of View Basics by Olivia Salter

 Point of view is one of the most essential elements in the craft of fiction. It serves as the lens through which both storytellers and readers perceive the narrative world. By choosing a specific point of view, writers can determine how readers interact with the characters, plot, and themes of their stories. Point of view influences the way readers experience the story, enabling them to see, hear, feel, smell, and taste the events from particular conscious and sensory perspectives.

In contemporary fiction, the evolution of characters' perceptions often plays a central role in the narrative arc. The choice of point of view is crucial in shaping how readers connect with characters and their journeys of growth and change. The narrator's perspective influences the content of the story, guiding readers through the narrative landscape and shaping their understanding of the characters and events unfolding before them.

A key decision that writers must make is determining who will tell the story. The narrator can be a character within the story (first-person point of view), an outside observer with limited knowledge of the characters' thoughts and feelings (third-person limited point of view), or an all-knowing entity with insights into all characters and events (third-person omniscient point of view). Each perspective offers unique advantages and challenges, influencing the reader's immersion in the story and their emotional engagement with the characters. 

A first-person point of view allows readers to experience the story directly through the eyes of a specific character, creating an intimate and immediate connection with their thoughts, emotions, and experiences. This perspective can offer a deep insight into the protagonist's inner world, fostering empathy and understanding between readers and characters. However, it may limit readers' access to other characters' perspectives and the broader events of the story. 

A third-person point of view, whether limited or omniscient, offers a more expansive view of the narrative world, allowing readers to follow multiple characters and storylines simultaneously. This perspective can provide a comprehensive understanding of the story's complexities and nuances, offering readers a broader perspective on the characters and events. However, it may create emotional distance between readers and characters, reducing the immediacy and intimacy of the storytelling experience.

The choice of point of view is a powerful tool that writers can use to shape the reader's engagement with the story. By selecting the appropriate perspective, writers can enhance the emotional impact of their narratives, deepen readers' connections to the characters, and guide them through the intricate web of plot twists and revelations. Point of view is a fundamental element that writers must consider carefully, as it plays a vital role in shaping the content, structure, and impact of their fiction.

Writing Quote: The Art of Storytelling vs. Plotting in Fiction Writing

 

 

The Art of Storytelling vs. Plotting in Fiction Writing

 

by Olivia Salter 

Of course, the writer can impose control; It’s just a really shitty idea. Writing controlled fiction is called “plotting.” Buckling your seatbelt and letting the story take over, however… that is called “storytelling.” Storytelling is as natural as breathing; plotting is the literary version of artificial respiration.

― Stephen King

Storytelling is a craft that has been passed down through generations, from the oral traditions of ancient civilizations to the modern-day masterpieces found in literature, film, and other forms of media. At the heart of storytelling is the ability to tap into the universal human experience, to connect with readers on a deep emotional level, and to transport them to new worlds where their imaginations can run wild.

In contrast, plotting can feel rigid and contrived, like a puzzle that must be meticulously pieced together. While there is certainly a place for structure and planning in the writing process, there is also something to be said for allowing the story to unfold organically, to let the characters guide the narrative, and to see where they will lead you.

When a writer relinquishes control and allows the story to take on a life of its own, the results can be surprising, exhilarating, and profoundly satisfying. It is in these moments of creative freedom that true magic can happen, where characters can break free from their constraints and the plot can twist and turn in unexpected ways.

Ultimately, the best stories are those that feel alive, vibrant, and authentic, that resonate with readers on a deep emotional level, and that linger in their minds long after the final page has been turned. By embracing the art of storytelling and trusting in the creative process, writers can tap into a wellspring of inspiration and craft narratives that are as natural and compelling as the act of breathing itself. 

 

 

About the Author of the Quote

Stephen Edwin King (born September 21, 1947) is an American author of horror, supernatural fiction, suspense, crime, science-fiction, and fantasy novels. Described as the "King of Horror", a play on his surname and a reference to his high standing in pop culture, his books have sold more than 350 million copies, and many have been adapted into films, television series, miniseries, and comic books. King has published 64 novels, including seven under the pen name Richard Bachman, and five non-fiction books. He has also written approximately 200 short stories, most of which have been published in book collections. Wikipedia

Stephen King Books at Amazon

 

Also see:

👉Free Writing Resources
👉Fiction Writing books at Amazon

Writing Quote: Imagination is more important than knowledge. For knowledge is limited to all we know and understand, while imagination embraces the entire world, and all there ever will be to know and understand ―Michael Scott

 

 

Writer's Knowledge vs. Writers Imagination

by Olivia Salter

 

 
Michael Scott, the fictional character from the popular TV show "The Office," once famously said, "Imagination is more important than knowledge. Knowledge is limited to all we know and understand, while imagination embraces the entire world and all there ever will be to know and understand." This profound quote encapsulates the power and significance of imagination in comparison to knowledge.

The statement highlights a fundamental truth about the human experience—that while knowledge is crucial for understanding the world around us, it is ultimately limited by what we have learned and experienced. Knowledge is based on facts, evidence, and information that we have accumulated through education, observation, and exploration. It provides us with a foundation to navigate our lives, make informed decisions, and solve problems. However, knowledge alone can be restrictive, as it is confined to what has already been discovered or understood.

On the other hand, imagination is boundless and limitless. It allows us to explore possibilities beyond the constraints of the known world and envision a reality that has not yet come to fruition. Imagination enables us to dream, create, and innovate, pushing the boundaries of what is considered possible. It fosters creativity, ingenuity, and originality, opening doors to new ideas, inventions, and discoveries.

While knowledge may provide us with answers to existing questions, imagination propels us to ask new questions and seek innovative solutions. It sparks curiosity, drives progress, and inspires breakthroughs in various fields, from science and technology to art and literature. Imagination encourages us to think outside the box, challenge the status quo, and envision a future that is different from the present.

Moreover, imagination plays a crucial role in shaping our perception of the world and influencing our beliefs, values, and aspirations. It allows us to empathize with others, see things from different perspectives, and cultivate a sense of wonder and awe. Through imagination, we can connect with our innermost desires, fears, and emotions, forging deep and meaningful experiences that enrich our lives.

In conclusion, Michael Scott's insightful quote reminds us of the transformative power of imagination and its ability to transcend the limitations of knowledge. While knowledge is essential for understanding the world as it is, imagination empowers us to envision the world as it could be. By embracing our capacity to imagine, we can unlock new possibilities, inspire change, and shape a reality that is filled with endless potential and boundless creativity.

 Also see:

• Michael Scott Books at Amazon

 

Unleashing the Power of the Monster: The Essence of Storytelling According to Billy Marshall

 

by Olivia Salter

Billy Marshall's quote, "What monster sleeps in the depths of your story? You need a monster. Without a monster, there is no story," encapsulates the essence of storytelling. The monster represents conflict, adversity, and the challenges that characters face. It drives the plot forward, evokes emotions, and captivates the audience. Whether literal or metaphorical, the monster symbolizes the central obstacle that characters must overcome. Embracing the presence of a monster in a story adds depth, tension, and meaning, making the journey more compelling and rewarding for both the characters and the audience.

 In essence, the monster serves as a catalyst for growth and transformation. It pushes characters out of their comfort zones, forces them to confront their fears, and ultimately leads to their development. Without the presence of a monster, the story lacks conflict, resolution, and emotional resonance. Embrace the monster in your storytelling, for it is the key to creating a rich, engaging narrative that will resonate with audiences and leave a lasting impact. As Billy Marshall suggests, the monster in your story is not something to be feared but rather embraced as an essential component of a compelling and unforgettable tale.

Also see:

👉Free Writing Resources
👉Fiction Writing books at Amazon

Writing: What Is an Urban Legend?

 

What Is an Urban Legend?

 

by Olivia Salter

 

 Urban legends, also known as urban myths, urban tales, or contemporary legends, are intriguing narratives that have been passed down through generations, capturing the imagination of communities around the world. These stories are designed to evoke a mix of shock, humor, and disbelief, often leaving listeners both entertained and slightly unsettled. While urban legends are not typically graphic in nature, they often contain elements of the supernatural, the mysterious, or the bizarre.

One of the defining characteristics of urban legends is their ability to spread rapidly through word of mouth, gaining new details and variations as they are retold by different individuals. While the specifics of these stories may change depending on the region or cultural context in which they are shared, the core elements remain consistent, giving each tale a sense of shared history and authenticity.

Urban legends are commonly shared as true events, with many stories purported to have actually happened to someone's friend, relative, or acquaintance. This blending of fact and fiction adds to the allure of urban legends, blurring the line between reality and fantasy. As these stories are passed around, they often take on a life of their own, evolving and adapting to suit the fears, desires, and sensibilities of each new audience.

Despite their often fantastical nature, urban legends are not merely flights of fancy—they serve as a form of contemporary folklore, reflecting the values, fears, and beliefs of a particular culture or community. In this sense, they can be seen as a kind of folk art, preserving and sharing the collective wisdom and experiences of a group of people.

Urban legends are not confined to any specific setting or time period; they can emerge in any community, whether rural or urban, ancient or modern. The stories may center around haunted houses, mysterious creatures, unsolved crimes, or inexplicable events, drawing on universal themes that resonate with audiences across cultures.

In today's digital age, urban legends have found a new platform for dissemination through social media, online forums, and viral content. The rapid spread of these stories on the internet has given rise to a new wave of urban legends, continuing the tradition of storytelling in a global and interconnected world.

While the veracity of urban legends may be questionable, the enduring appeal of these tales lies in their ability to captivate and intrigue audiences, inviting them to explore the boundaries between truth and fiction, the known and the unknown. As long as there are storytellers and listeners eager for a thrill, urban legends will continue to thrive, shaping the cultural landscape with their tantalizing blend of fact and fiction.

 

Love Your Story: The Heart of Writing

 

by Olivia Salter

 

Embrace Your Passion

Every writer has a treasure trove of ideas, a collection of seeds that could grow into captivating stories. Yet, among these, there’s often one that stands out—the story that stirs your soul and sets your heart racing. This is the story you must tell.

Invest in Your Characters

Your characters are the lifeblood of your story. When you love them, your readers will too. Dive deep into their lives and understand their desires, fears, and secrets. Let them surprise you. Your passion for your characters will breathe life into them, making them leap off the page.

Craft Your Plot with Care

A plot is more than a series of events; it’s the journey your characters undertake and the transformation they undergo. When you’re invested in the plot, every twist and turn becomes a labor of love, a chance to challenge your characters and delight your readers.

Write with Authenticity

Your best writing happens when you’re true to yourself. Love your story, and let that love shine through your words. Authenticity resonates with readers, creating a bond that transcends the pages of your book.

Conclusion

To love your story is to commit to it and nurture it from a fledgling idea to a fully-fledged narrative. It’s about believing in the world you’ve created and the journey you’re inviting your readers to join. So, start with the story that captures your heart, for that’s where your best writing will flourish.

 

Also see:

👉Free Writing Resources
👉Fiction Writing books at Amazon

Every story I create, creates me. I write to create myself. —Octavia E. Butler

 

The Transformative Power of Storytelling

 

by Olivia Salter 

 Octavia E. Butler, a groundbreaking science fiction writer, once said, "Every story I create, creates me. I write to create myself." These profound words capture the essence of Butler's relationship with her craft and the transformative power of storytelling. Throughout her illustrious career, Butler crafted narratives that pushed boundaries, challenged norms, and delved deep into complex themes such as power, identity, and humanity.

Born in 1947, Octavia Estelle Butler overcame numerous obstacles to become one of the most celebrated voices in science fiction. As an African American woman writing in a genre dominated by white men, Butler's work was revolutionary in its exploration of diverse perspectives and marginalized experiences. Her commitment to inclusivity and social commentary set her apart in the world of speculative fiction.

Butler's quote speaks to the symbiotic relationship between the creator and their creations. For her, writing was not just a means of storytelling but a form of self-discovery and self-definition. Through the act of crafting narratives, Butler unearthed truths about herself, her beliefs, and her place in the world. Each story she wrote was a mirror reflecting different facets of her identity, shaping her understanding of herself and the world around her.

In Butler's works, readers encounter characters who grapple with issues of power dynamics, resilience, and the complexities of human nature. Whether exploring dystopian futures, post-apocalyptic landscapes, or alien encounters, Butler's stories are imbued with a deep sense of empathy and understanding. Her characters, often outsiders or underdogs, navigate challenging circumstances with courage and tenacity, reflecting Butler's own resilience in the face of adversity.

The act of creation, for Butler, was an act of empowerment. Through her writing, she carved out spaces for herself and others like her in a genre that had long been dominated by a narrow, homogenous perspective. By crafting stories that centered on diverse voices and experiences, Butler not only created rich and immersive narratives but also paved the way for future generations of writers to expand the boundaries of science fiction and speculative fiction.

Butler's quote serves as a poignant reminder of the transformative power of storytelling. As we weave tales and craft worlds, we not only entertain and enlighten others but also embark on a journey of self-discovery and self-realization. Like Butler, we have the opportunity to create ourselves anew with each story we tell and each word we pen. In the vast landscape of creativity, we discover not just the limits of our imagination but also the boundless potential of our own selves.

Octavia E. Butler's legacy endures as a testament to the enduring power of storytelling to shape minds, hearts, and souls. Through her words and worlds, she continues to inspire and challenge readers to imagine new possibilities, question the status quo, and embrace the transformative nature of creation. In the act of writing, as Butler reminds us, we have the power to not only create stories but to create ourselves.

👉Octavia E. Butler's books at Amazon

Writing Quote: Voice is not just the result of a single sentence or paragraph or page. It’s not even the sum total of a whole story. It’s all your work laid out across the table like the bones and fossils of an unidentified carcass. — Chuck Wendig

 

Writer's Voice

by Olivia Salter

 

Chuck Wendig, a prolific author and blogger, once remarked, "Voice is not just the result of a single sentence, paragraph, or page. It’s not even the sum total of a whole story. It’s all your work laid out across the table like the bones and fossils of an unidentified carcass." This insightful quote encapsulates the complexity and depth of establishing a unique voice in writing.

Wendig's analogy of voice being akin to the bones and fossils of an unidentified carcass is a striking image that underscores the intricacies involved in crafting a distinct voice as a writer. Just as paleontologists painstakingly piece together fragments of bones to reconstruct the skeleton of a prehistoric creature, writers must layer their words, sentences, and stories to construct a cohesive and authentic voice that resonates with readers.

Voice in writing is more than just the words on the page; it is the essence of the author laid bare for all to see. It is the cadence, tone, style, and perspective that infuse a piece of writing with individuality and personality. A writer's voice is a reflection of their experiences, beliefs, fears, and joys—it is the sum of all the parts that make them unique.

For writers, developing a strong voice requires introspection, experimentation, and practice. It involves honing your craft, taking risks, and pushing boundaries to discover what sets your writing apart from others. Like a paleontologist carefully assembling the bones of a long-extinct creature, writers must meticulously craft each word and sentence to reveal the hidden contours of their voice.

Furthermore, Wendig's analogy suggests that a writer's voice is not static but continually evolving, much like an archaeological discovery slowly revealing its secrets over time. Just as new fossils shed light on previously unknown aspects of ancient life, writers uncover new facets of their voice as they delve deeper into their craft and storytelling.

In essence, Wendig's quote serves as a poignant reminder to writers that voice is not a fixed element but a dynamic force that permeates every aspect of their work. It is the culmination of their creativity, passion, and dedication, laid bare for all to see, like the bones and fossils of an unidentified carcass waiting to be unearthed and examined.

Also see:

•  Chuck Wendig Books at Amazon

Writing Quote: A good writer refuses to be socialized. He insists on his own version of things, his own consciousness. And by doing so, he draws the reader’s eye from its usual groove into a new way of seeing things. ― Bill Barich

 

 

A Good Writer Refuses to be Socialized

 

by Olivia Salter

 

Bill Barich, in his insightful quote, "A good writer refuses to be socialized. He insists on his own version of things, his own consciousness. And by doing so, he draws the reader’s eye from its usual groove into a new way of seeing things." encapsulates the essence of creative expression and the power that writers hold in shaping perspectives. At the heart of this statement lies the notion that writers who dare to challenge conventions and societal norms are the ones who truly stand out in the literary landscape.

The act of writing is inherently an act of rebellion against conformity. A good writer, according to Barich, is one who resists the pressure to conform to established patterns of thought and expression. Instead, they assert their unique voice, bringing forth their own interpretation of the world around them. This refusal to be socialized is not a rejection of society per se, but rather a declaration of independence—a commitment to staying true to one's own beliefs and vision.

By insisting on their own version of things and their own consciousness, writers have the power to stir the imagination of their readers. Through their words, they invite audiences to view the world through a different lens, prompting them to question their preconceived notions and consider new perspectives. In essence, good writers have the ability to disrupt the status quo and offer fresh insights that challenge and inspire.

When a writer departs from the familiar and ventures into uncharted territory, they have the potential to profoundly impact their readers. By drawing the reader's eye from its usual groove into a new way of seeing things, writers have the capacity to broaden minds, evoke empathy, and spark meaningful conversations. In essence, they act as catalysts for change, encouraging individuals to reflect on their beliefs and engage with the world in a more nuanced way.

In conclusion, Bill Barich's quote serves as a poignant reminder of the transformative power of literature and the unique role that writers play in shaping our understanding of the world. Through their refusal to be socialized and their commitment to their own consciousness, writers have the ability to challenge, provoke, and enlighten. In doing so, they not only enrich our understanding but also help us see the world in a new and profound light.

 Also see:

• Bill Barich Books at Amazon

 

Writing Quote: Writers, Never Ever Forget that You Enlisted in the Ranks

 

Writers, Never Ever Forget that You Enlisted in the Ranks

by Olivia Salter

 

"Never ever forget that you enlisted in the ranks – you weren’t press ganged or drafted. Nobody owes you anything – least of all respect for your work – until you’ve earned it with what you put on the page."

― T. F. Rigelhof

 

 T. F. Rigelhof's powerful quote serves as a poignant reminder to writers that their craft is not a privilege granted by others but a conscious choice made by themselves. The metaphorical enlistment in the ranks of writers represents the voluntary nature of pursuing a career in writing. Just like a soldier who joins the military willingly, a writer chooses to embark on the journey of creative expression, often driven by a deep passion for storytelling, communication, or exploration of ideas.

The comparison to being press-ganged or drafted emphasizes the idea that no external force compels someone to become a writer. Unlike a conscripted soldier forced into service, a writer enters the arena of literature of their own accord, driven by personal motives and aspirations. This distinction underscores the agency and autonomy writers have in shaping their own destinies and creative paths.

Rigelhof's assertion that nobody owes a writer anything, particularly respect for their work, until it has been earned with what is put on the page encapsulates a fundamental truth about the writing process. The act of writing is not merely the mechanical arrangement of words on a page but a deeply personal and creative endeavor that demands skill, dedication, and authenticity.

Respect in the realm of writing is not handed out freely but must be earned through the quality of one's work, the originality of their ideas, and the sincerity of their voice. Just as a soldier must prove their valor and dedication on the battlefield, a writer must demonstrate their talent and commitment through the pages they produce.

The notion of earning respect through one's writing underscores the importance of honing one's craft, striving for excellence, and continually pushing the boundaries of creativity. It serves as a motivating force for writers to pour their heart and soul into their work, to craft narratives that resonate with authenticity and depth, and to engage readers on a profound level.

Ultimately, Rigelhof's quote encourages writers to embrace the responsibility that comes with their chosen vocation, to approach their craft with humility and diligence, and to never lose sight of the profound impact their words can have. By recognizing that respect in the literary world is a currency that must be earned, writers can channel their passion and dedication into creating works that leave a lasting impression on both themselves and their audience.

 

About the Author of the Quote

 

Terrence Frederick "Terry" (T. F.) Rigelhof (born April 24, 1944) is a Canadian writer and academic. He is best known for A Blue Boy in a Black Dress, his memoir of his time studying at a Roman Catholic seminary school prior to abandoning the priesthood; the book was a shortlisted finalist for the Governor General's Award for English-language non-fiction at the 1996 Governor General's Awards, and won the Mavis Gallant Prize for Non-Fiction at the Quebec Writers' Federation Awards.

Originally from Regina, Saskatchewan, Rigelhof joined the seminary in the 1960s. He left those studies after a crisis of faith which left him suicidal, but retained an academic interest in the history and sociology of religion, becoming a longtime instructor at Montreal's Dawson College. He published the novel The Education of J.J. Pass (1983) and the short story collection Je t'aime, Cowboy (1993) prior to writing A Blue Boy in a Black Dress; he published one further novel, Badass on a Softail, in 1997 before concentrating on non-fiction writing thereafter. In addition to his books, he was a regular literary critic for The Globe and Mail and other publications.

His later non-fiction works included the Canadian literature studies This Is Our Writing (2000) and Hooked on Canadian Books: The Good, the Better, and the Best Canadian Novels Since 1984 (2010); the George Grant biography George Grant: Redefining Canada (2001); and a second memoir, Nothing Sacred: A Journey Beyond Belief (2004).

T. F. Rigelhof's Books at Amazon

The Intriguing Connection Between Interesting People and Compelling Stories

 

The Intriguing Connection Between Interesting People and Compelling Stories

 

by Olivia Salter

 

Every person has a story to tell, but it's those who lead interesting lives that captivate us the most. They possess a certain spark, a unique quality that sets them apart from the mundane. It is this very quality that draws us in, making us eager to learn more about their journey and experiences. Fascinating people tell interesting stories because they have lived through extraordinary and unconventional circumstances that fuel their narratives with depth and richness.

As storytellers, writers often search for the extraordinary hidden within the ordinary. It is by paying attention to the unusual that one can uncover the most compelling stories. Humans are naturally drawn to the unconventional, the unexpected, and the peculiar. It is in these moments of uniqueness that stories come alive, weaving a tapestry of emotions, experiences, and insights that captivate the audience.

What sets people apart is not just their experiences but also their outlook on life. They possess a certain curiosity—a hunger for exploration and discovery—that propels them into the unknown, uncovering hidden gems and untold tales. These individuals are not content with a conventional existence; they crave novelty, excitement, and adventure, which in turn shape their stories into captivating narratives that resonate with audiences.

Intriguing individuals regularly possess a diverse range of interests, talents, and passions that color their stories with vibrancy and authenticity. They are not afraid to embrace their quirks and idiosyncrasies, turning them into sources of inspiration and originality. By daring to be different, these individuals break free from the constraints of societal norms and expectations, opening up a world of possibilities and adventures that add depth and complexity to their stories.

Moreover, interesting people are often driven by a sense of purpose or a mission that propels them forward on their journey. Whether it be a quest for knowledge, a pursuit of justice, or a desire for change, these individuals are guided by a higher calling that gives their stories meaning and significance. It is this sense of purpose that infuses their narratives with passion, conviction, and resilience, captivating audiences and inspiring others to embark on their own transformative journeys.

In conclusion, the connection between interesting people and compelling stories is undeniable. It is through their unconventional lives, unique perspectives, and courageous pursuits that these individuals become the storytellers of our time, sharing their experiences and insights with the world. As writers, we must pay attention to the unusual, embrace the unexpected, and celebrate the extraordinary to unveil the most compelling stories waiting to be told. After all, it is in the richness of life's tapestry that we find the most captivating tales that resonate with our hearts and souls.

 

Also see:

👉Free Writing Resources
👉Fiction Writing books at Amazon

Writing Quote: To Plot, Or Not To Plot, That Is The Question

 

Writing Quote: To Plot, Or Not To Plot, That Is The Question

by Olivia Salter

 

 Of course, the writer can impose control; It’s just a really shitty idea. Writing controlled fiction is called “plotting.” Buckling your seatbelt and letting the story take over, however… that is called “storytelling.” Storytelling is as natural as breathing; plotting is the literary version of artificial respiration.

― Stephen King

 

 

Stephen King, a prolific and celebrated author known for his contributions to the horror and suspense genres, once famously remarked on the distinction between writing controlled fiction and storytelling. In his insightful quote, King captures the essence of creativity and spontaneity in the art of writing, highlighting the contrast between rigidly plotting out a narrative and allowing the story to organically unfold.

“Of course, the writer can impose control; it's just a really shitty idea,” King asserts, challenging the notion that meticulously planning every detail of a story is the optimal approach. While structured plotting can offer a sense of control and direction, it may stifle the natural flow of creativity and limit the narrative’s potential for unpredictability and depth.

King goes on to suggest that writing controlled fiction is synonymous with “plotting,” a term often associated with outlining the storyline, mapping out character arcs, and meticulously planning every twist and turn. This method prioritizes structure and order, aiming to guide the reader through a carefully constructed plot.

In contrast, King champions the art of “storytelling” as a more organic and spontaneous form of writing. By likening storytelling to breathing, King emphasizes its innate and instinctual nature, proposing that the best stories arise when the writer surrenders control and allows the narrative to evolve naturally.

“Buckling your seatbelt and letting the story take over, however, is called'storytelling,” King explains, painting a vivid metaphor that urges writers to relinquish their preconceived notions and let the story guide them. This approach encourages writers to trust their instincts, embrace the unknown, and let the characters and plot develop organically, resulting in a more authentic and engaging narrative.

For King, storytelling is a deeply personal and intuitive process that taps into the writer’s creativity, imagination, and emotional depth. By allowing the story to unfold without rigid constraints, writers can explore new ideas, discover unexpected twists, and connect with readers on a deeper level.

In contrast, King views plotting as the “literary version of artificial respiration,” a forced and contrived way of breathing life into a story. While plotting can provide structure and coherence, it runs the risk of stifling creativity, dampening spontaneity, and creating a predictable and formulaic narrative.

In conclusion, Stephen King's insightful quote offers a valuable perspective on the art of writing, challenging writers to embrace storytelling as a natural and intuitive process that unfolds organically. By trusting in the creative process, allowing the characters to drive the narrative, and embracing the unknown, writers can craft compelling and authentic stories that resonate with readers on a profound level.

 

About the Author of the Quote

Stephen Edwin King (born September 21, 1947) is an American author of horror, supernatural fiction, suspense, crime, science-fiction, and fantasy novels. Described as the "King of Horror", a play on his surname and a reference to his high standing in pop culture, his books have sold more than 350 million copies, and many have been adapted into films, television series, miniseries, and comic books. King has published 64 novels, including seven under the pen name Richard Bachman, and five non-fiction books. He has also written approximately 200 short stories, most of which have been published in book collections. Wikipedia

Stephen King Books at Amazon

Writing Fantasy: The Art of Storytelling in the Realm of Fantasy Literature

 

Writing Fantasy: The Art of Storytelling in the Realm of Fantasy Literature

by Olivia Salter

 

The art of storytelling in the realm of fantasy literature involves a delicate balance of world-building, character development, and plot twists. Writers strive to create rich and immersive worlds that capture the imagination of readers, populate these worlds with complex and relatable characters, and craft narratives filled with unexpected twists and turns that keep readers engaged until the very end. However, navigating these aspects can be a daunting task for any storytellers. To better understand how writers approach these challenges, let's explore the world of fantasy literature through the lens of three beloved fantasy books: “The Lord of the Rings” by J. R. R. Tolkien, “A Song of Ice and Fire” by George R. R. Martin, and “Harry Potter” by J. K. Rowling.

World-building:

One of the hallmarks of great fantasy literature is its ability to transport readers to other worlds filled with magic, wonder, and adventure. In “The Lord of the Rings,” J. R. R. Tolkien masterfully creates the world of Middle-earth, complete with its own rich history, languages, cultures, and mythologies. Tolkien's attention to detail and world-building expertise immerse readers in a fully realized fantasy realm that feels both familiar and fantastical.

Similarly, George R. R. Martin's “A Song of Ice and Fire” series introduces readers to the gritty and complex world of Westeros, where noble houses vie for power, dark forces threaten the realm, and political intrigue abounds. Martin's meticulous world-building creates a vivid and immersive setting that feels both real and fantastical, drawing readers into a web of alliances, betrayals, and epic battles.

J. K. Rowling's “Harry Potter” series takes readers to the magical world of Hogwarts School of Witchcraft and Wizardry, where students learn spells, brew potions, and battle dark wizards. Rowling's world-building combines whimsy and wonder with a deep mythology that captivates readers of all ages, inviting them to explore a world where magic is real and anything is possible.

To navigate the challenges of world-building, storytellers must pay attention to every detail, from geography and history to culture and magic systems. By creating a cohesive and immersive world that feels alive and authentic, writers can transport readers to fantastical realms that spark their imagination and keep them coming back for more.

Character Development:

Great fantasy literature is populated with memorable and multidimensional characters who undergo growth, change, and transformation throughout the story. In “The Lord of the Rings,” Tolkien's characters, such as Frodo, Aragorn, and Gandalf, are not only iconic but also deeply human, grappling with themes of heroism, friendship, sacrifice, and power. Tolkien's skillful character development creates a cast of characters that feel real and relatable, drawing readers into their epic journey to save Middle-earth.

Similarly, George R. R. Martin's “A Song of Ice and Fire” series is renowned for its complex and morally ambiguous characters, such as Jon Snow, Daenerys Targaryen, and Tyrion Lannister, who navigate a treacherous political landscape filled with intrigue, betrayal, and conflict. Martin's character development challenges readers' preconceptions about good and evil, heroism and villainy, creating a cast of characters who defy easy categorization and keep readers guessing.

J. K. Rowling's “Harry Potter” series follows the journey of the boy wizard Harry Potter as he discovers his magical abilities, battles dark forces, and learns the true meaning of friendship and courage. Rowling's character development shines through in her diverse cast of characters, from the brave Hermione Granger to the conflicted Severus Snape, each of whom undergoes growth, change, and redemption throughout the series.

To navigate the challenges of character development, storytellers must create characters who are complex, flawed, and relatable, with their own goals, motivations, and conflicts. By allowing characters to evolve and grow organically within the story, writers can create emotionally resonant narratives that draw readers into the lives and struggles of the characters they love.

Plot Twists:

Plot twists are an essential element of fantasy literature, injecting tension, surprise, and excitement into the narrative. In “The Lord of the Rings,” Tolkien keeps readers on the edge of their seats with unexpected twists and turns, such as Gandalf's fall in Moria, the betrayal of Saruman, and the ultimate destruction of the One Ring. Tolkien's masterful use of plot twists adds depth and complexity to the story, keeping readers engaged and invested in the fate of Middle-earth.

In “A Song of Ice and Fire,” George R. R. Martin is known for his shocking plot twists, from the sudden deaths of major characters to the unexpected betrayals and alliances that change the course of the story. Martin's willingness to subvert genre conventions and defy reader expectations creates a sense of unpredictability and suspense that keeps readers guessing until the very end.

J. K. Rowling's “Harry Potter” series is filled with surprising plot twists, from the revelation of Harry's true destiny to the identity of the Half-Blood Prince and the final showdown with Lord Voldemort. Rowling's skillful use of foreshadowing and misdirection sets up these twists in a way that feels earned and satisfying, adding layers of complexity and intrigue to the story.

To navigate the challenges of crafting compelling plot twists, storytellers must strike a balance between surprise and plausibility, setting up clues and hints throughout the story that lead to a satisfying payoff. By planting seeds of deception and misdirection, writers can keep readers guessing and engaged, creating a sense of suspense and anticipation that drives the narrative forward.

In conclusion, the art of storytelling in fantasy literature is a delicate dance between world-building, character development, and plot twists. By immersing readers in rich and immersive worlds, creating memorable and multidimensional characters, and crafting narratives filled with unexpected twists and turns, writers can captivate readers and take them on epic journeys beyond their wildest imaginations. By studying the works of beloved fantasy authors like J. R. R. Tolkien, George R. R. Martin, and J. K. Rowling, aspiring storytellers can learn valuable lessons on how to navigate the daunting challenges of crafting compelling and unforgettable tales of magic, adventure, and wonder.

Also see:

• FREE Fantasy Writing Summit
  

ProWritingAid Presents: Fantasy Writers’ Week 2024 April 22-26, 2024

 

ProWritingAid Presents: Fantasy Writers’ Week 2024

 

April 22-26, 2024

 

Can't make it live? No problem! All sessions will be available for replay after the event, but you must still register to view them.

Details: Fantasy Writers' Week is free for all to attend, Monday-Thursday, with Friday being for Premium and Premium Pro users only.

 

Registration page link: Fantasy Writers' Week

 

Hey Fellow Writers!

Do you want to write a bestselling fantasy novel?

Then you won’t want to miss what ProWritingAid has in store for you this April!

Our friends at ProWritingAid are excited to announce the return of Fantasy Writers’ Week, five days jam-packed with events specifically designed for Fantasy writers.

Best part?

You can register for FREE!

Monday-Thursday’s events are entirely FREE for all to attend, with Friday being Premium Day for Premium and Premium Pro subscribers of ProWritingAid.

During Fantasy Writers’ Week, you’ll attend live sessions with bestselling and award-winning authors including Jenna Moreci, Z.S. Diamanti, and Marvellous Michael Anson, as well as software demos, craft and editing workshops, and networking events to help you create spell-binding fantasy writing!

Fantasy Writers’ Week kicks off on April 22nd and runs until April 26th. If you can't make it live, don't worry! The sessions will be available via replay, so you can sign up anyway and watch the sessions at your convenience.

You can learn more, see all the session names, and register for this free event here: Fantasy Writers' Week

We hope you check it out, and look forward to seeing you there!!!

Full Event Schedule and Details Marketing Your Fantasy Novel

April 22 (10:00 AM EDT / 3:00 PM UK)

Presented by Sue Campbell

One of the toughest, but most necessary, parts of being an author is tackling your own marketing. Too often, writers rely on tactics without having an underlying strategy and flail around like they've just landed in another realm.

Book marketing and mindset coach Sue Campbell of Pages & Platforms will help you understand the foundation of every good book marketing plan. Sue works with award winning and best selling authors, traditionally published and self-published, to help them build an engaged audience, spread their message and sell more books.

IN THIS FREE WEBINAR, YOU WILL LEARN:

Why marketing your book using a slapdash playbook of tactics from the internet is likely to fail

Your number one book marketing goal

The foundational 4-part book marketing strategy that will actually grow your audience of fantasy readers

Essentials of Writing Fantasy

April 22 (12:00 PM EDT / 5:00 PM UK)

Presented by Anne Hawley and Rachelle Ramirez of Pages & Platforms

In this webinar, you will learn how to build, evaluate, and improve your fantasy story using four tools: marketing categories, Story Types, essential story elements, and worldbuilding. By the end of our time together you‘ll be able to evoke empathy for your characters, create tension and excitement, provide emotional satisfaction for your intended reader, convey a thoughtful takeaway, and meet reader expectations for the type of story you’re telling.

World-Changing Worldbuilding: How to Use Your World to Challenge the Status Quo

April 22 (2:00 PM EDT / 7:00 PM UK)

Presented by Dani Abernathy

Fantasy has a superpower that other genres don’t, and it’s worldbuilding. In fantastical worlds, readers encounter difficult topics in ways that don’t feel threatening. A purposeful world, challenges difficult ideas like racism and transphobia without raising the defensiveness that comes through realistic stories and straightforward conversations. In this workshop, you’ll discover how your worldbuilding is tied to you, gain valuable tools for creating your world, and find the courage to use your novel to make the world a better place, one reader at a time.

The Fantasy Writer's Guide to Effective Story Editing

April 22 (4:00 PM EDT / 9:00 PM UK)

Presented by Kristina Stanley

Are you dreaming of publishing your fantasy novel? A story edit will help you turn your draft into a novel readers love. Kristina Stanley, CEO of Fictionary, will take you through a 9-step process to self-edit your novel. You’ll get a peek inside the Fictionary software and see an edit in progress. You’ll leave this session with actionable advice you can immediately apply to your book. She’ll also leave you with 3 tips on how to turn your fantasy novel into a series.

Building Diverse Worlds – Using Historical Events and Cultural Nuances in Fantasy Worldbuilding

April 22 (6:00 PM EDT / 11:00 PM UK)

Presented by Kyle Cisco

This presentation gives a deep dive into Worldbuilding by using events throughout history and examples of how political groups and nations deal with one another to build a more realistic fantasy world. It also provides a look into utilizing different cultural examples to populate those worlds with a diverse set of people to reflect the diverse world we live in. By using these real-world references to flesh out the details, you can make your worlds more tangible and believable.

Writing Compelling Fantasy Antagonists: The Art of Creating Multi-Dimensional Villains

April 23 (10:00 AM EDT / 3:00 PM UK)

Presented by Dana Pittman

Do you want your fantasy story to resonate with readers long after they've turned the last page? Join us for "Writing Compelling Fantasy Antagonists," where we'll delve into the art of crafting villains that are more than just obstacles for your heroes. Discover how to create nuanced, multi-dimensional antagonists that challenge your protagonists, drive your plot, and add depth to your fantasy world. Join us and learn the secrets to making your villains memorable and your story unforgettable.

Presentation by World Anvil

April 23 (12:00 PM EDT / 5:00 PM UK)

Presented by Janet Forbes & Dimitris Havlidis of World Anvil

More information coming soon.

Bringing Order to Creative Chaos: Project Management for Writers

April 23 (2:00 PM EDT / 7:00 PM UK)

Presented by Kerry Savage

Writing a book is a massive, complex undertaking. It is easy to get bogged down in the many different tasks and elements and miss something or get frustrated. Applying project management techniques can help writers get and stay organized, set and meet writing goals, and be motivated and accountable to themselves throughout the process, from planning to pitching.

In this session, we will walk through how to plan a book project from start to finish. We’ll cover SMART goals, creating a project roadmap to track progress, and how building a plan helps keep your creative energies focused. We’ll normalize the rollercoaster of the creative process and talk about how to get your book project across the finish line!

How To Start Planning A Book Series

April 23 (4:00 PM EDT/ 9:00 PM UK)

Presented by Savannah Gilbo

Want to write a multi-book series? In this presentation, Savannah will talk through what makes certain book series successful, while others are not—including how to avoid the biggest mistakes she sees writers make when crafting a series. She’ll also talk through 5 steps to start planning your book series, including how to craft a cohesive message and story world across your books and how to map out your plot points and character arcs across books as well.
Networking Session

April 23 (6:00 PM EDT / 11 PM UK)

During this networking session, you will have the opportunity to meet other people in the fantasy writing community through speed dating. We will be sending you into breakout rooms in groups of 4 or 5.

World Anvil Demo

April 24 (10:00 AM EDT / 3:00 PM UK)

Presented by Janet Forbes & Dimitris Havlidis

See an in-depth walkthrough of the World Anvil software with co-founders, Janet Forbes and Dimitris Havlidis.
Writing Crossroads: How Four Big Decisions Shape Your Story

April 24 (12:00 PM EDT / 5:00 PM UK)

Presented by Lewis Jorstad

Which is more important when writing a novel: page-turning plots or engaging characters? Believe it or not, neither can exist without the other! In this workshop, Lewis Jorstad will guide you through the four key turning points of every successful story, and how each one is tied to an active decision your hero makes. By the end of this class, you'll not only have a deeper understanding of your novel, but an actionable plan for adding these turning points to your next draft.
The 3 Keys to Enchant Readers for Meaningful Impact

April 24 (2:00 PM EDT / 7:00 PM UK)


Presented by Gina Kammer


Learn how to have a lasting impact on readers by discovering the 3 kEys to Reader Enchantment (not a typo, just a corny mnemonic!). These keys are based in the brain science of how readers experience a story and what immerses them page after page. Through guided steps, you will put three of the hardest-hitting exercises for each key into practice.

This workshop is perfect for authors who want their stories to better connect with and enchant readers. Do you have something you really want to share with readers and at least inspire a few who need your story? You’re exactly the kind of passionate creative who will benefit from knowing the “whys” behind craft advice, and when and how to implement such advice in your story. You don’t want to miss this session if you want to unlock your novel's fullest potential.

Making Magic with Reader Magnets

April 24 (4PM EDT / 9PM UK)


Presented by Z.S. Diamanti

If you've done much research on selling books, you've likely noticed a vast general consensus that an author newsletter is a must! Reader magnets are what get readers to subscribe to your newsletter. Seems simple enough, but what are reader magnets, really? What do they look like? How do you make them? What do you do with them after you make them? What should they do? Maybe you've even tried to make some, but they don't seem to be doing what you hoped they would. In this presentation, award-winning fantasy author, Z.S. Diamanti, demystifies what he considers to be one of the three foundational pillars for author growth. Let's make magic with reader magnets.
A Guide to Writing Romantasy

April 24 (6:00 PM EDT / 11 PM UK)


Presented by Jenna Moreci


Interested in tackling one of the most popular genres in our current literary landscape? This workshop will teach you all about romantasy: What it is, how it’s structured, how it differs from fantasy and romance, and how to appeal to your target audience while also honoring your passion. If you want to craft a swoon-worthy “ship” and thrust them into a fantastical world, this workshop is for you..

How to Use Technology to Make Your Editing Process Simple and Efficient

April 25 (10:00 AM EDT / 3:00 PM UK)

Presented by Hayley Millliman

Join ProWritingAid's Director of Community Engagement, Hayley Milliman, on a deep-dive into making your editing process easier with ProWritingAid.



Beyond the Fantasy Archetype: Creating Memorable Characters

April 25 (12:00 PM EDT / 5:00 PM UK)


Presented by Julie Artz




What do the first ancient playwrights, Carl Jung, and Dungeons and Dragons have in common? They all understood the power of character archetypes. Join author, editor, and book coach Julie Artz as she explores how writers can not only use the classic fantasy character archetypes to maximize tension on the page, but move beyond them to create fresh, resonant characters in their fiction. In addition to the helpful tips provided in the lecture, participants will also receive Julie's bonus Fantasy Archetype Checklist to keep on hand as they craft their characters.



Social Media Magic: Reveal Your Fantasy Writer Archetype

April 25 (2:00 PM EDT / 7:00 PM UK)

Presented by Lara Ferrari

Lara Ferrari is an author marketing specialist on a quest to help you attract readers and sell more books without any of the usual social media awkwardness. Join her for this Fantasy-focused workshop as she introduces us to 12 author archetypes, each with their own spell-binding strategies for crafting connections with readers and building a legion of fans (before your book is even published). Tune in to discover whether you’re an Alchemist, a Changeling, a Dark Wizard or something else entirely…



Beyond Burnout: How to Stay in Love with Writing & Build a Sustainable Author Career

April 25 (4:00 PM EDT / 9:00 PM UK)


Presented by Isabel Sterling

Writers work for years—if not decades—to break into publishing, but once they get there, many find themselves trapped in a cycle of hustle and burnout. Writing stops being fun. Anxiety skyrockets. Every new publishing milestone brings another layer of imposter syndrome. In Beyond Burnout: How to Stay in Love with Writing & Build a Sustainable Author Career, traditionally published author and master certified coach Isabel Sterling breaks down the root cause of author burnout and provides actionable steps that every author can take to burnout-proof their career.



Networking

April 25 (6:00 PM EDT / 11:00 PM UK)


Presented by ProWritingAid

During this networking session, you will be placed into small break-out rooms to collaborate on building your own fantasy world.



Workshop: Adding Depth to Your Fantasy World

April 26 (10:00 AM EDT / 3:00 PM UK)

Presented by Hayley Millliman

Join us for an interactive workshop designed to elevate your storytelling to new heights! In "Adding Depth to Your Fantasy World," we'll delve into the secrets of creating rich and believable worlds that will mesmerize readers and bring your stories to life.
Exclusive Q&A with Story Editing Expert Kristina Stanley

April 26 (12:00 PM EDT / 5:00 PM UK)

Presented by Kristina Stanley, CEO of Fictionary

Kristina Stanley is an award-winning author, professional editor, and creator of the StoryCoach Story Editing Certification. She has spent the last decade designing a practical story editing process that any writer or editor can use to make sure that the plot, characters, structure, and settings are as impactful as possible.


From building captivating characters to weaving seamless plots and infusing your writing with emotion, Kristina is here to help. Bring your burning questions and editing dilemmas for personalized guidance and expert insights that will transform your manuscripts..

Pitch to Query Perfect

April 26 (2:00 PM EDT / 7:00 PM UK)

Presented by Marvellous Michael Anson

Join our interactive workshop to master the art of crafting compelling query letters. This session offers hands-on learning with live critiques of your queries. Discover the key elements that make your pitch stand out and learn how to effectively communicate your book's essence to literary agents or publishers. Whether you're a seasoned writer or just starting, this workshop provides invaluable insights and personalized feedback to enhance your query letter writing skills. Don't miss this opportunity to fine-tune your pitches and increase your chances of getting noticed in the competitive world of publishing.


Networking

April 26 (6:00 PM EDT / 11:00 PM UK)


Presented by ProWritingAid

During this networking session, you will be placed into small break-out rooms to get to know each other and discuss your takeaways from the week.

Speaker Bios

Sue Campbell has helped hundreds of writers, from newbies to bestsellers, transform their inhibitive mindset around marketing and realize their full potential as authors. Her clients have exponentially increased their email lists and book sales, landed articles in prestigious publications such as The New York Times, done guest spots on popular podcasts and more.

Anne Hawley is a certified developmental editor of literary, historical, and fantasy fiction, and is the author of Restraint, a novel of forbidden love in Regency England. She was the producer and writer of the popular Story Grid Roundtable Podcast, and currently teaches and develops writing courses at Pages and Platforms..

Rachelle Ramirez is a certified developmental editor, who helps fiction and nonfiction writers structure and finish their projects. She is a co-creator of the Story Path course and numerous writing masterclasses. She is a co-host of The Happily Ever Author Club at Pages and Platforms and the author of the forthcoming book, The ADHD Writer: From Frustrated to Focused to Finished. You can learn more about Rachelle Ramirez and her editing services at Rachelle Ramirez.com.

Dani Abernathy is an Enneagram Teacher and book coach who helps novelists write the stories they need to tell so their readers can feel seen and can see others. Specializing in fantasy, soft sci-fi, and YA, Dani merges how story works with how people work, creating books that help readers have more empathy for themselves and others. Through her Rooted Writers Mentorship, she helps novelists embrace, plan, and write books they're proud of. Dani is a Capricorn, INFJ, and Enneagram Type 4 who believes that stories can change the world, one reader at a time.

Combining her degree in computer mathematics with her success as a best-selling, award winning author and fiction editor, Kristina Stanley is the creator and CEO of Fictionary, creative editing software for fiction writers and editors. She is a Fictionary Certified StoryCoach. Her novels include the Stone Mountain Mystery series and Look the Other Way. She is the author of The Author's Guide to Selling Books to Non-Bookstores, and she's also a passionate guide dog trainer and hiker.

Kyle Cisco is a Story Grid Certified Editor from Winter Springs, Florida. He is a disabled Air Force Veteran, utilizing his discipline and attention to detail as an aircraft mechanic to check the structural integrity of your story. He is a writer working on a flintlock fantasy thriller series and horror story anthology. He has three kids, three dogs, a wife that supports his dream of editing books, and a love of reading that can never be sated. As an editor he specializes in helping Fantasy authors in bringing their world to life through compelling worldbuilding and his vast knowledge of history.

Dana Pittman is a USA Today and Amazon Bestselling romance and paranormal romance author, Certified Developmental Editor, and the Chief Storyteller with Danja Tales, a boutique romance developmental editing company in Houston, Texas. She specializes in romances (contemporary, steamy, billionaire, etc), paranormal romance, fantasy, suspense/thrillers, and plotting. And she'd love to chat with you about YOUR novel.

Janet Forbes (she/her) is a published fantasy author, game developer and (secretly) a velociraptor, and has been building worlds since she was knee-high to an orc. In 2017 she co-founded World Anvil (https://www.worldanvil.com), the award-winning worldbuilding, writing and tabletop RPG platform which boasts a community of almost 2 million users. As a writer, Janet has published short fiction in several collections, was the lead author of The Dark Crystal RPG (2021), has also written for Infinite Black, Kobold Press, Penny Dragon Games and Tidebreaker, and is notorious for sneaking dinosaurs into every IP she works on.

Dimitris Havlidis (he/him) has been building settings for 30 years, and has made more epic, sandbox worlds than he’s had hot dinners. He holds degrees in Computing, Social Psychology (always useful for tormenting characters) and Graphic Design, and worked as a CTO for some of the top agencies in the UK. He left the corporate world to focus on World Anvil, which is now his life's work. With his wife Janet Forbes, he developed the groundbreaking Agile Worldbuilding Method, and has given talks and seminars at some of the biggest conventions in the world on worldbuilding and game mastery. He loves cheese, lemon pies and top hats.

A voracious reader of all kinds of fiction (and sometimes memoir and non-fiction), Kerry Savage (she/her) is an Author Accelerator certified book coach who works with novelists from the planning stages through revision, helping writers get their best book ready for the world. She is also a J-school grad and former project manager, as well as being hard at work on her first novel (a work of historical fiction based on the life of a real badass female pirate). She serves as a volunteer mentor for the Women’s Fiction Writers Association (WFWA) and Sisters in Crime (SinC). She loves good wine, cheese, and trying to keep her succulents alive.

Savannah Gilbo is a certified developmental editor and book coach who helps fiction authors write, edit, and publish stories that work. She’s also the host of the top-rated Fiction Writing Made Easy Podcast, where she delivers weekly episodes full of simple, actionable, and step-by-step strategies that you can implement in your writing right away. When she’s not busy crafting her own stories, you can find Savannah curled up with a good book, a cozy blanket, and her three furry partners in crime.

As Director of Community at ProWritingAid, Hayley Milliman focuses on building engaging, helpful learning content for the millions of users who rely on ProWritingAid to make their writing clear and effective. Hayley has a robust writing portfolio and has written for dozens of publications on topics related to education, marketing strategy, history, entrepreneurship, and more.

Lewis Jorstad is a book coach and editor who helps passionate fiction writers master their craft and find their readers at The Novel Smithy. When he isn't helping students or writing books of his own, you can find him babying his houseplants and baking far too many homemade bagels.

Book coach and editor Gina Kammer uses brain science hacks to take science fiction and fantasy authors through each step of the novel-writing process to create stories that enchant readers. Gina combines her background in teaching college writing and literature with her insights as a former in-house editor to mentor authors through craft instruction and the publishing industry. With over a decade of professional story-dragon experience, she coaches authors at inkybookwyrm.com so they know exactly which next steps to take on their journeys to publication.

Z.S. Diamanti is the award-winning author of the Stone & Sky series, an epic fantasy adventure and the result of his love for fun and fantastical stories. His short works have been published in magazines, literary journals, newspapers, and books. He went to college for a very long time and has far too many pieces of paper on his wall. He is a USAF veteran of Operation Enduring Freedom and worked in ministry for over 10 years before pursuing creative endeavors full-time. He and his wife reside in Colorado with their four children where they enjoy hikes, camping, and tabletop games.

Jenna Moreci is a bestselling dark fantasy romance and writing craft author, as well as a YouTube sensation with hundreds of thousands of subscribers. Her first installment in The Savior’s Series, The Savior’s Champion, was voted one of the Best Books of All Time by Book Depository. Born and raised in Silicon Valley, Jenna spends her free time snuggling up with her charming partner and their tiny dog, Buttercup.

Julie Artz helps writers who dream of a life spent telling stories that matter slay their doubt demons so they can send their work out into the world with confidence. An active member of the writing community, she has volunteered for SCBWI, TeenPit, and Pitch Wars and is a member of EFA, the Authors Guild, and AWP. A social and environmental justice minded story geek, Julie lives in an enchanted forest outside of Seattle, Washington, with her husband, two strong-willed teenagers, and a couple of naughty furry familiars.

Lara Ferrari is an Instagram marketing specialist who's helped over 100 authors grow an engaged community of readers online (and helped them have fun doing it!). After a passion for marketing landed her a career in copywriting and a love of books led to developmental editing, Lara eventually managed to combine both areas of expertise and find her true purpose. After successfully using Instagram to build her own business, she now channels all her energy into helping authors charm the social media algorithms and share their stories with the readers who will love them most.

Isabel Sterling is a master certified coach and the founder of The Confident Author Academy, where she helps novelists create sustainable, burnout-free authors careers. A traditionally published author herself, Isabel writes twisty paranormal thrillers about magical queer girls who find love after heartbreak. Her novels include These Witches Don’t Burn, This Coven Won’t Break, and The Coldest Touch.

Marvellous Michael Anson has been writing for over a decade and has self-published a thriller, His Dark Reflection, to critical acclaim. She was shortlisted for the Futureworlds Prize in 2023, winning mentorship from a top UK editor. Her debut fantasy novel, FIRSTBORN OF THE SUN was shortlisted for the 2022 Jericho Writers Friday Night Live Competition and the 2022 Kit De Waal Bursary, was longlisted for the 2023 REVPIT competition, and won the 2023 Jericho Writers’ Self Edit Course Bursary. In addition, Marve is a filmmaker who wrote and produced an award-winning short film in 2016 and is a recipient of the 2017 AFRIFF Film School Scholarship Program. She works as a technology consultant during the day and a storyteller at night. She is a member of the Society of Authors, Alliance of Independent Authors and the British Fantasy Society. She is represented by Keia Lupo, Bindery Agency. 

 

Fantasy Writers' Week