Science Fiction is the Most Important Literature by Ray Bradbury | Writing Quote

 Science Fiction is the Most Important Literature by Ray Bradbury

Science fiction is the most important literature in the history of the world, because it’s the history of ideas, the history of our civilization birthing itself. …Science fiction is central to everything we’ve ever done, and people who make fun of science fiction writers don’t know what they’re talking about. 

― Ray Bradbury

 

About the Author 

Ray Douglas Bradbury (/ˈbrædˌbɛri/; August 22, 1920 – June 5, 2012) was an American author and screenwriter. One of the most celebrated 20th-century American writers, he worked in a variety of modes, including fantasy, science fiction, horror, mystery, and realistic fiction. Wikipedia
 

Born: August 22, 1920, Waukegan, IL
Died: June 5, 2012, Los Angeles, CA
Movies and TV shows: Fahrenheit 451, The Ray Bradbury Theater, A Sound of Thunder, and more
Awards: Medal of Distinguished Contribution to American Letters, National Medal of Arts, Pulitzer Prize Special Citations and Awards, and more

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Quote from Anton Chekhov to Maria Kiselyova, January 14, 1887 on Writing

"Your statement that the world is "teeming with villains and villanesses" is true. Human nature is imperfect, so it would be odd to perceive none but the righteous. Requiring literature to dig up a "pearl" from the pack of villains is tantamount to negating literature altogether. Literature is accepted as an art because it depicts life as it actually is. Its aim is the truth, unconditional and honest. Limiting its functions to as narrow a field as extracting "pearls" would be as deadly for art as requiring Levitan to draw a tree without any dirty bark or yellowed leaves. A "pearl" is a fine thing, I agree. But the writer is not a pastry chef, he is not a cosmetician and not an entertainer. He is a man bound by contract to his sense of duty and to his conscience. Once he undertakes this task, it is too late for excuses, and no matter how horrified, he must do battle with his squeamishness and sully his imagination with the grime of life. He is just like any ordinary reporter. What would you say if a newspaper reporter as a result of squeamishness or a desire to please his readers were to limit his descriptions to honest city fathers, high-minded ladies, and virtuous railroadmen?

 To a chemist there is nothing impure on earth. The writer should be just as objective as the chemist; he should liberate himself from everyday subjectivity and acknowledge that manure piles play a highly respectable role in the landscape and that evil passions are every bit as much a part of life as good ones."

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The Two Supreme and Highest Arts by Oscar Wilde

THE TWO SUPREME AND HIGHEST ARTS

by

Oscar Wilde

Life and Literature, life and the perfect expression of life.  The principles of the former, as laid down by the Greeks, we may not realise in an age so marred by false ideals as our own.  The principles of the latter, as they laid them down, are, in many cases, so subtle that we can hardly understand them.  Recognising that the most perfect art is that which most fully mirrors man in all his infinite variety, they elaborated the criticism of language, considered in the light of the mere material of that art, to a point to which we, with our accentual system of reasonable or emotional emphasis, can barely if at all attain; studying, for instance, the metrical movements of a prose as scientifically as a modern musician studies harmony and counterpoint, and, I need hardly say, with much keener æsthetic instinct.  In this they were right, as they were right in all things.  Since the introduction of printing, and the fatal development of the habit of reading amongst the middle and lower classes of this country, there has been a tendency in literature to appeal more and more to the eye, and less and less to the ear which is really the sense which, from the standpoint of pure art, it should seek to please, and by whose canons of pleasure it should abide always.  Even the work of Mr. Pater, who is, on the whole, the most perfect master of English prose now creating amongst us, is often far more like a piece of mosaic than a passage in music, and seems, here and there, to lack the true rhythmical life of words and the fine freedom and richness of effect that such rhythmical life produces.  We, in fact, have made writing a definite mode of composition, and have treated it as a form of elaborate design.  The Greeks, upon the other hand, regarded writing simply as a method of chronicling.  Their test was always the spoken word in its musical and metrical relations.  The voice was the medium, and the ear the critic.  I have sometimes thought that the story of Homer’s blindness might be really an artistic myth, created in critical days, and serving to remind us, not merely that the great poet is always a seer, seeing less with the eyes of the body than he does with the eyes of the soul, but that he is a true singer also, building his song out of music, repeating each line over and over again to himself till he has caught the secret of its melody, chaunting in darkness the words that are winged with light.  Certainly, whether this be so or not, it was to his blindness, as an occasion, if not as a cause, that England’s great poet owed much of the majestic movement and sonorous splendour of his later verse.  When Milton could no longer write he began to sing.—The Critic as Artist.



Excrept from "Selected Prose of Oscar Wilde by Oscar Wilde"


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