The Edit-As-You-Go Method
by Randy Ingermanson
Advanced Fiction Writing
Finishing your first draft is an essential milestone on the way to publishing your novel. If you don’t finish that first draft, you probably won’t finish the second, or third, and you probably won’t ever get a polished final draft.
And how do you write your first draft? There’s no one right answer. Different writers are different, and what works for one writer doesn’t work for another. Here are four options that have worked for large numbers of writers:
- Writing by the seat of your pants—you just start typing with no planning.
- Writing to an outline—you create a detailed outline and use it to write your first draft.
- The Snowflake Method—the 10-step method I invented to plan your novel’s plot and characters, starting simple and expanding out the details bit by bit.
- Editing as you go—you type the first scene as if you were writing by the seat of your pants, but then you polish it until it’s perfect before moving on to the next scene. You repeat this until you’re done.
And of course many writers mix and match elements from these methods. The right way for you is the one that works.
I created the Snowflake Method, so naturally I’ve talked about it a lot in this e-zine over the years.
In this article, I’d like to focus on the Edit-As-You-Go approach, because I think it hasn’t gotten as much airtime as it deserves. My understanding is that Dean Koontz uses the Edit-As-You-Go method, and that gives it all the credibility it needs.
Why Edit As You Go?
Why might you decide to give the EAYG method a try?
One very good reason to try it is that you resonate with the idea. If you’ve read the short descriptions of the methods above and EAYG has emotional appeal for you, then your instincts are telling you something. I think it’s always smart to listen to your instincts. They might be wrong, but very often, they’re right.
Another good reason to try EAYG is that you’ve tried the other methods, and none of them have clicked for you. That doesn’t make you a bad writer or a defective human. It just means you tried things that didn’t click for you. That’s all it means. If you try EAYG, it’ll either click for you or it won’t. If it doesn’t click, then you’re no worse off than before. But if it does click, then that’s a win. A big win. There’s just no downside to experimenting.
A third reason to try EAYG is when your story and characters are only partly formed in your mind, and you need a lab for trying out different ideas to get them to gel. The novel I’m currently writing is a historical novel in which history records a number of disconnected events, but we don’t know the exact order of the events, and we don’t know the character motivations. The story is unclear, and my job is to find the story. So I’ve found EAYG useful as a lab. I can write a scene in which I audition characters and plot ideas. If they don’t seem to be right, I can edit them again and again and again, until they ooze into focus. Then I can move on. This is not my preferred way to write, but I’ll do what it takes to find my story.
This is Not Complicated
Unlike outlining or the Snowflake Method, the EAYG approach has very few moving parts. You type a scene. Then you edit it once or many times, until you’re happy with it. Then you repeat until done.
So there’s not a lot to say here. Either you like the idea or you don’t. If you hate it, then move on; life is short. But if you love it, give it a whirl and see if you like it as much in practice as you do in theory.
The acid test of any kind of writing is this question: Are you having fun? This matters, because we novelists spend thousands of hours writing fiction. For most novelists, the writing is not super profitable. So it had better be fun, or what’s the point?
About The Author
No comments:
Post a Comment