Writers, Never Ever Forget that You Enlisted in the Ranks
by Olivia Salter
"Never ever forget that you enlisted in the ranks – you weren’t press ganged or drafted. Nobody owes you anything – least of all respect for your work – until you’ve earned it with what you put on the page."
― T. F. Rigelhof
T. F. Rigelhof's powerful quote serves as a poignant reminder to writers that their craft is not a privilege granted by others but a conscious choice made by themselves. The metaphorical enlistment in the ranks of writers represents the voluntary nature of pursuing a career in writing. Just like a soldier who joins the military willingly, a writer chooses to embark on the journey of creative expression, often driven by a deep passion for storytelling, communication, or exploration of ideas.
The comparison to being press-ganged or drafted emphasizes the idea that no external force compels someone to become a writer. Unlike a conscripted soldier forced into service, a writer enters the arena of literature of their own accord, driven by personal motives and aspirations. This distinction underscores the agency and autonomy writers have in shaping their own destinies and creative paths.
Rigelhof's assertion that nobody owes a writer anything, particularly respect for their work, until it has been earned with what is put on the page encapsulates a fundamental truth about the writing process. The act of writing is not merely the mechanical arrangement of words on a page but a deeply personal and creative endeavor that demands skill, dedication, and authenticity.
Respect in the realm of writing is not handed out freely but must be earned through the quality of one's work, the originality of their ideas, and the sincerity of their voice. Just as a soldier must prove their valor and dedication on the battlefield, a writer must demonstrate their talent and commitment through the pages they produce.
The notion of earning respect through one's writing underscores the importance of honing one's craft, striving for excellence, and continually pushing the boundaries of creativity. It serves as a motivating force for writers to pour their heart and soul into their work, to craft narratives that resonate with authenticity and depth, and to engage readers on a profound level.
Ultimately, Rigelhof's quote encourages writers to embrace the responsibility that comes with their chosen vocation, to approach their craft with humility and diligence, and to never lose sight of the profound impact their words can have. By recognizing that respect in the literary world is a currency that must be earned, writers can channel their passion and dedication into creating works that leave a lasting impression on both themselves and their audience.
About the Author of the Quote
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Terrence Frederick "Terry" (T. F.) Rigelhof (born April 24, 1944) is a Canadian writer and academic. He is best known for A Blue Boy in a Black Dress, his memoir of his time studying at a Roman Catholic seminary school prior to abandoning the priesthood; the book was a shortlisted finalist for the Governor General's Award for English-language non-fiction at the 1996 Governor General's Awards, and won the Mavis Gallant Prize for Non-Fiction at the Quebec Writers' Federation Awards.
Originally from Regina, Saskatchewan, Rigelhof joined the seminary in the 1960s. He left those studies after a crisis of faith which left him suicidal, but retained an academic interest in the history and sociology of religion, becoming a longtime instructor at Montreal's Dawson College. He published the novel The Education of J.J. Pass (1983) and the short story collection Je t'aime, Cowboy (1993) prior to writing A Blue Boy in a Black Dress; he published one further novel, Badass on a Softail, in 1997 before concentrating on non-fiction writing thereafter. In addition to his books, he was a regular literary critic for The Globe and Mail and other publications.
His later non-fiction works included the Canadian literature studies This Is Our Writing (2000) and Hooked on Canadian Books: The Good, the Better, and the Best Canadian Novels Since 1984 (2010); the George Grant biography George Grant: Redefining Canada (2001); and a second memoir, Nothing Sacred: A Journey Beyond Belief (2004).
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