Story Composition by Sherwin Cody (1897)

 

Story Composition 

BY  

SHERWIN CODY 

Author of "How to Write Fiction," "In the Heart of the Hills,-' etc.

 

 FOREWORD BY OLIVIA SALTER

In an era where creativity is celebrated and storytelling holds immense power, the art of crafting a compelling narrative has become more significant than ever. Each story we encounter has the ability to transport us to different worlds, stir our emotions, and leave a lasting impact on our lives. Whether it be through books, movies, or even the anecdotes we share with friends, storytelling is an integral part of human existence.

It is with great pleasure that I introduce you to Story Composition, an extraordinary guide to the art of storytelling written by the esteemed author Sherwin Cody. With his vast experience and deep understanding of the craft, Cody offers invaluable insights and practical advice to aspiring writers and storytellers. His profound knowledge and passion for storytelling shine through every page, making this book an essential resource for anyone seeking to harness the power of storytelling.

Cody begins by delving into the very essence of storytelling, exploring its origins and significance throughout history. He discusses various genres and forms of storytelling, illustrating the diverse ways in which narratives have influenced societies and cultures across the globe. By examining the elements that make stories captivating, Cody guides readers on an exploratory journey into the depths of imagination and emotion.

This book is not merely a theoretical examination of storytelling; it is a hands-on manual that equips aspiring writers with the tools needed to weave compelling narratives. Cody's step-by-step approach to story composition is methodical and comprehensive. He covers a wide range of topics, including character development, plot structure, dialogue, pacing, and much more. With each chapter, he unveils the secrets behind creating engaging stories that captivate readers and keep them spellbound.

What sets story composition apart is Cody's ability to strike a balance between practical instruction and artistic inspiration. While providing guidance on the technical aspects of storytelling, he also emphasizes the importance of originality, imagination, and authenticity. He encourages writers to tap into their unique voices, draw from their personal experiences, and let their creativity flow freely. Through his words, Cody inspires writers to embrace the power of storytelling as a medium for self-expression and connection with others.

It is my sincere belief that Story Composition has the potential to transform aspiring writers into accomplished storytellers. Cody's teachings, filled with wisdom and expertise, provide a roadmap to crafting narratives that resonate deeply with readers. Whether you aspire to be a novelist and screenwriter or simply wish to convey your thoughts and experiences through storytelling, this book will serve as an invaluable companion on your journey.

As you embark on this adventure into the realm of storytelling, be prepared to unleash your imagination to explore uncharted territories and to give life to characters that will live on in the hearts and minds of your readers. Story Composition is a gateway to a world where words have the power to transcend time and space and where stories have the ability to change lives.

I extend my heartfelt gratitude to Sherwin Cody for sharing his profound wisdom and expertise in this remarkable book. May it inspire and empower generations of storytellers to come, and may the stories they create continue to illuminate our world.

Now, dear reader, I invite you to dive into the pages of Story Composition. May it unlock your creative potential and guide you on a transformative journey into the art of storytelling.

Olivia Salter

01/12/2017

 

CONTENTS.

Introduction.

I. Story Writing as an Exercise in Composition.

II. The Practical Construction of a Snake Story.

III. The Art of Description.

IV. Plot-Construction. Imagination.

V. Dialogue.

VI. Characterization.

VII. Sentiment.

VIII. The Love Story.

IX. Fancy and Invention.

X. The Complete Story.

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Writing Books Index

How To Write Fiction, Especially The Art Of Short Story Writing : A Practical Study Of Technique by Sherwin Cody (1896)

I. THE DIFFERENT KINDS OF SHORT STORIES

II. GENERAL OUTLINE OF METHOD OF WRITING 

III. MATERIAL FOR SHORT STORIES

IV. THE CENTRAL IDEA

V. THE SOUL OF THE STORY

VI. CHARACTER STUDY

VII. THE SETTING OF A STORY

PART SECOND

THE GENERAL PRINCIPLES OF FICTION

I. THE DIFFERENCE BETWEEN THE SHORT STORY AND THE NOVEL

II. HOW TO OBTAIN A GOOD COMMAND OF LANGUAGE

III. NARRATIVE, DESCRIPTION, AND DIALOGUE 

IV. HARMONY OF STYLE

V. PLOT CONSTRUCTION

VI. IMAGINATION AND REALITY 

VII. THE USE OF MODELS IN WRITING FICTION

VIII. CONTRAST

IX. MOTIVE

X. WHAT MAKES A STORY WORTH TELLING

XI. HOW TO OBSERVE MEN AND WOMEN .

XII. THE TEST OF ABILITY

XIII. CONCLUSION

APPENDICES

EXAMPLES

I. THE NECKLACE

II. A STORY RE-WRITTEN

III. A SHORT HISTORY OF MODERN ENGLISH FICTION

Most young writers imagine, when they first think of writing stories that one writes well or ill by nature, and if one does not write well in the first place, improvement is a matter of chance or the working out of inherent ability in some blind way. That the art of story writing is something that can be learned seems not yet to have suggested itself very practically to authors or critics. Yet Maupassant studied seven years with Flaubert before he began to print at all, with the result of a very obvious, skill, and this suggests the possibility that others also can learn the art. But any writer, young or old, who has gone to an acknowledged master of literature in order to get instruction, knows how Iittle practical assistance is commonly obtained.  

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