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Showing posts with label Writing Flash Fiction. Show all posts
Showing posts with label Writing Flash Fiction. Show all posts

Thursday, August 8, 2024

Writing Craft: How to Write a Short, Short Story, or Flash Fiction




How to Write a Short, Short Story, or Flash Fiction

 

By Olivia Salter


Writing a short, short story, also known as flash fiction, microfiction or sudden fiction, can be a challenging yet rewarding endeavor. To enhance your understanding and improve your writing skills in this genre, here are some additional tips to consider:
 

  1. Experiment with Different Formats: While flash fiction traditionally ranges from 100 to 1,000 words, there are no hard and fast rules. Explore micro fiction (less than 100 words) or sudden fiction (up to 750 words) to push the boundaries of brevity.
  2. Embrace Constraints: The limited word count in flash fiction requires you to make every word count. Embrace the challenge and use it as an opportunity to sharpen your editing skills and create impactful stories within tight constraints.
  3. Focus on a Single Moment: Flash fiction often captures a single moment or scene, allowing readers to glimpse a larger story within a small space. Explore the power of capturing a poignant moment or a transformative event in your narrative.
  4. Experiment with Structure: While the classic story structure works well for flash fiction, don't be afraid to experiment with unconventional structures. Consider using non-linear narratives, fragmented scenes, or even a single sentence story to create unique and memorable experiences for your readers.
  5. Use Symbolism and Imagery: In the limited space of flash fiction, every word and image carries weight. Utilize symbolism and vivid imagery to convey deeper meanings and evoke emotions in your readers. Show, don't tell, and let the reader make their own interpretations.
  6. Edit and Revise: With flash fiction, the editing process becomes even more crucial. Trim unnecessary words, tighten sentences, and ensure each sentence serves a purpose. Consider reading your story aloud to identify any awkward phrasing or pacing issues.
  7. Embrace Ambiguity: Flash fiction often leaves room for interpretation and invites readers to fill in the gaps. Embrace ambiguity and allow your readers to engage with your story on a deeper level by leaving some elements open-ended or unresolved.
  8. Read Widely: To expand your understanding of flash fiction and gain inspiration, read widely within the genre. Explore anthologies, online publications, and flash fiction contests to discover different styles, themes, and techniques employed by accomplished flash fiction writers.


Remember, writing flash fiction requires discipline, precision, and a keen eye for detail. Embrace the challenge, experiment with different approaches, and enjoy the process of crafting concise and impactful stories. 

 

Happy writing!!!

Also see:

Sunday, May 19, 2024

Flash Fiction: Crafting Worlds on a Single Page

 


Flash Fiction: Crafting Worlds on a Single Page

 

 by Olivia Salter

 

Flash fiction, also known as microfiction or sudden fiction, is a captivating literary form that thrives on brevity. In just a few hundred words, flash fiction writers create entire universes, evoke emotions, and leave readers pondering long after the last sentence. Let’s explore the art of crafting one-page fiction that packs a punch.

The Essence of Flash Fiction

Flash fiction is like a concentrated elixir—a drop of storytelling magic that lingers on the tongue. Its constraints are liberating: a tight word count, limited space, and the challenge of conveying depth in mere paragraphs. Here’s how to distill your ideas into potent one-page narratives:

  1. Start in Medias Res: Dive straight into the heart of the story. No lengthy introductions—just plunge the reader into a moment of tension, mystery, or revelation.

  2. Character Economy: Choose one or two characters and reveal their essence swiftly. A single gesture, a line of dialogue, or a vivid detail can speak volumes.

  3. Conflict in a Teacup: Flash fiction thrives on conflict. Whether it’s an internal struggle or an external clash, make every word count toward resolving or intensifying it.

  4. Implied Backstories: Hint at characters’ pasts without spelling them out. Readers love to fill in the gaps, so leave breadcrumbs of history.

  5. Twists and Turns: Surprise your audience. Twist endings, unexpected revelations, or subtle shifts in perspective keep readers engaged.

Crafting a One-Page World

Example: “The Forgotten Locket”

In a dimly lit attic, Sarah discovered an old locket. Its tarnished silver held secrets—whispers of love, betrayal, and loss. She traced the engraved initials: E.M. Was this her grandmother’s? Or a stranger’s?

Sarah’s fingers trembled as she opened the locket. Inside, a sepia photograph revealed two faces—a young woman with haunted eyes and a soldier in uniform. Their love story, etched in sepia tones, transcended time. Sarah wondered: Did they reunite after the war? Or did fate tear them apart forever?

In just a few sentences, “The Forgotten Locket” transports us to an attic, introduces Sarah, and hints at a poignant history. The locket becomes a portal to a bygone era, leaving readers to imagine the rest.

The Power of Constraints

Flash fiction thrives on limitations. By condensing narratives, we sharpen our storytelling skills. Each word becomes a brushstroke, painting vivid scenes. So, next time you have a single page, embrace the challenge. Write a flash fiction piece that lingers—an echo of eternity in a fleeting moment.

Remember, in the world of flash fiction, brevity is not a constraint; it’s an invitation to dance with imagination.

What stories will you tell on a single page?


Also see:

Sunday, April 16, 2023

A Quick Note on Writing Flash Fiction for the Novice Writer by Ryker J. Phoenix

A Quick Note on Writing Flash Fiction for the Novice Writer by Ryker J. Phoenix

 

 A Quick Note on Writing Flash Fiction for the Novice Writer

 

by Ryker J. Phoenix

 

  Flash fiction, also known as micro fiction or sudden fiction, is a genre of writing that is a form of short fiction that tells a complete story in a very brief amount of space, often under 1500 words.

The most renowned writers in the English-speaking world like flash fiction because it can capture profound truths and common human emotions in only a few brief phrases. Flash fiction, when written correctly, has the power to speak universal truths and touch readers of different backgrounds. 

Take this one for instance,  "For sale: baby shoes, never worn," is a six-word story, popularly attributed to Ernest Hemingway, although the link to him is unlikely. It is an example of flash fiction in it's shortest form. The amount of emotion packed into these words inspired many writers to try their hand at the genre.

Here are some tips to help you write flash fiction:

1. Start with a concept or idea: Flash fiction often relies on a single idea or concept that is explored and executed in a concise and engaging way. This can be something simple, like a thought or a feeling, or it could be something more complex, like a specific event or situation.

2. Focus on a single character or moment: Because flash fiction is so short, it's important to limit the scope of the story. Focus on a single character or a single moment in time to create a sense of intimacy and immediacy.

3. Use sensory detail to create atmosphere: Flash fiction often relies on sensory detail to create atmosphere and evoke emotion in the reader. Use vivid detail to create a rich and immersive reading experience.

4. Make every word count: Because space is limited, every word in a piece of flash fiction needs to be carefully chosen to convey the maximum amount of information and emotion.

5. Experiment with form and structure: Flash fiction can take many different forms, from traditional narratives to experimental structures. Try playing around with different forms to find the one that best suits your story.

6. Edit ruthlessly: Because flash fiction is so condensed, editing is incredibly important. Cut any unnecessary words or phrases and make sure every sentence is contributing to the overall purpose of the story.

7. End with a twist or surprise: Flash fiction often has a twist or surprise ending that subverts the reader's expectations. Think creatively about ways to surprise your reader in the final moments of your story.

 The number one thing to remember is flash fiction writing requires control. You have to choose words wisely because of the word count restriction.

Also see:

 

 More Quick Notes for the Novice Writer

Thursday, September 29, 2022

A Short Short Theory by Robert Olen Butler

A Short Short Theory 

BY ROBERT OLEN BUTLER


TO BE BRIEF, it is a short short story and not a prose poem because it has at its center a character who yearns.

Fiction is a temporal art form. Poetry can choose to ignore the passage of time, for there is a clear sense of a poem being an object, composed densely of words, existing in space. This is true even when the length of the line is not an objectifying part of the form, as in a prose poem. And a poem need not overtly concern itself with a human subject. But when you have a human being centrally present in a literary work and you let the line length run on and you turn the page, you are, as they say in a long storytelling tradition, “upon a time.” And as any Buddhist will tell you, a human being (or a “character”) cannot exist for even a few seconds of time on planet Earth without desiring something. Yearning for something, a word I prefer because it suggests the deepest level of desire, where literature strives to go. Fiction is the art form of human yearning, no matter how long or short that work of fiction is.

James Joyce spoke of a crucial characteristic of the literary art form, something he called the epiphany, a term he appropriated from the Catholic Church meaning, literally, a “shining forth.” The Church uses it to describe the shining forth of the divinity of the baby Jesus. The word made flesh. In literary art, the flesh is made word. And Joyce suggests that a work of fiction moves to a moment at the end where something about the human condition shines forth in its essence.

I agree. But I also believe that all good fiction has two epiphanies. There is the one Joyce describes, and there is an earlier epiphany, very near the beginning of a story (or a novel), when the yearning of the character shines forth. This does not happen in explanatory terms but rather is a result of the presence of that yearning in all the tiny, sense-driven, organically resonant moments in the fiction, the accumulation of which reaches a critical mass which then produces that shining forth.

And because of the extreme brevity of the short short story, these two epiphanies often—even typically—occur at the same moment. The final epiphany of a literary short short is also the shining forth of the character’s yearning.

It has been traditional to think that a story has to have a “plot,” while a poem does not. Plot, in fact, is yearning challenged and thwarted. A short short story, in its brevity, may not have a fully developed plot, but it must have the essence of a plot: yearning.

 

A Flash Fiction Exercise

Write a story that depicts two characters who are both yearning for something. They should be in a relationship—romantic, familial, social—and their needs should be in opposition to each other, or should be challenged and thwarted, one by the other. Create background events that provide a foil to the characters' inner desires, further layering your plot.

  

Except from "The Rose Metal Press Field Guide to Writing Flash Fiction: Tips from Editors, Teachers, and Writers in the Field by Tara L. Masih."

 

About the Author 

Robert Olen Butler
Robert Olen Butler is the author of numerous works of fiction, including A Good Scent from a Strange Mountain, winner of the 1993 Pulitzer Prize; Weegee Stories (Narrative Library); A Small Hotel; The Hot Country; The Star of Istanbul; The Empire of Night; and the story collection Tabloid Dreams, which has been reissued. Among his numerous accolades are two National Magazine Awards in Fiction, the Richard and Hinda Rosenthal Award from the American Academy of Arts and Letters, and the 2013 F. Scott Fitzgerald Award for Outstanding Achievement in American Literature. Butler teaches creative writing at Florida State University.

Robert Olen Butler Books at Amazon