Mastering Dialogue: A Fiction Writer’s Guide

 

Mastering Dialogue: Crafting Authentic Dialogue in Fiction

By Olivia Salter 

A Fiction Writer’s Guide

👉 This guide is from one of my workshops. You can use it for yourself or in a workshop setting. 

Dialogue is one of the most powerful tools in fiction writing. It shapes characters, builds tension, reveals subtext, and propels the plot forward. Great dialogue isn’t just about what’s said—it’s about how it’s said, what’s left unsaid, and the rhythm of conversation. When executed well, dialogue can seamlessly blend with narrative to reveal deeper layers of meaning, guiding both character development and plot progression.

At its core, dialogue is the heartbeat of character interactions. It brings personalities to life and shows the intricacies of relationships. Characters’ unique voices, their underlying motivations, and even their silences all play pivotal roles in shaping the reader's understanding. Whether it's the quick exchanges that signal rising tension, the introspective pauses that hint at inner conflict, or the casual conversations that mask deeper emotional stakes, dialogue is the vehicle for dynamic storytelling.

However, dialogue must do more than simply mimic the rhythms of everyday speech. Fictional dialogue should be purposeful, engaging, and rich with meaning. It's about crafting words that not only sound authentic but also serve the larger narrative. Writers must learn to balance what’s said directly with the implications of what’s left unsaid. This balance is key in creating dialogue that rings true to life yet remains engaging and impactful on the page.

This guide accompanies the Dialogue Writing Workshop, providing practical tips, examples, and exercises designed to help you refine your skills and write compelling, character-driven dialogue. Through this workshop, you will learn to infuse your characters' words with emotional depth, master the art of subtext, and discover how to make each conversation count. By the end, you’ll have the tools to write dialogue that feels both authentic and dynamic, driving your story forward and leaving a lasting impact on your readers.

1. The Foundations of Fictional Dialogue

What makes dialogue sound natural yet purposeful?

Key Principles of Strong Dialogue

• Purposeful: Every line of dialogue should serve a clear function within the narrative. Whether it reveals character traits, advances the plot, or creates tension, dialogue must never feel like filler. A conversation can reveal underlying motives, deepen relationships, or create conflict—all of which help to propel the story forward. When writing dialogue, always ask, "How does this conversation serve the character or plot?"

• Natural but Polished: While dialogue should feel authentic, it shouldn't mimic every detail of real speech. In real life, conversations often meander, with excessive pauses, ums, and interruptions. However, in fiction, these details can slow down the pacing or lose reader engagement. Striking the balance between realism and readability is essential. Dialogue should flow smoothly, capturing the essence of real speech but without unnecessary fillers that distract from the story.

• Distinct Voices: Each character should have a unique voice, influenced by their personality, background, and current emotional state. This allows readers to immediately distinguish between characters, even without dialogue tags. For instance, a character raised in a formal environment might speak with more restraint, while another might use slang or informal phrasing, revealing their background and personality through their speech. Ensuring each character's voice is distinct makes the dialogue feel more authentic and immersive.

Common Dialogue Mistakes to Avoid

❌ Over-explaining: When characters state information that's already known or obvious, it can feel unnatural and patronizing. For example:

• “As you know, I’m your brother and I’ve always been there for you.”

✅ Better: Instead of over-explaining, allow the character’s actions or tone to convey their history. For example:

• “I’ve always had your back. Don’t forget that.”

❌ Too Much Small Talk: Many writers fall into the trap of including mundane exchanges that don't move the plot forward. For example:

• “Hey, how are you?”
• “I’m good, how about you?”
• “Fine, thanks.”

✅ Better: Skip the small talk, and jump into a more purposeful conversation, perhaps starting with a conflict or a revelation. For instance:

• “You didn’t mention the wedding until two days ago. Why?”

By cutting out unnecessary exchanges and focusing on conversations that reveal something important, you keep the reader engaged and maintain narrative momentum.

Exercise: Write a conversation where one character is hiding a secret. The reader should sense something is off without being told directly.

This exercise will challenge you to convey hidden emotions or secrets through subtle cues in dialogue—things like tone, hesitation, word choice, and body language. The goal is to craft a conversation that feels realistic but layered with unspoken tension, letting readers pick up on what's unsaid.

2. Subtext & What’s Left Unsaid

Mastering what characters mean vs. what they say.

How to Use Subtext in Dialogue

• Imply, Don’t State: One of the most effective ways to convey subtext is to avoid direct statements. When a character is angry, sad, or hurt, they don't always need to announce it. Instead, focus on their tone, choice of words, and delivery. For instance, instead of saying, “I’m furious with you,” show their anger through clipped sentences, sarcasm, or avoidance. The subtext lies in how they say something, rather than what they say.

• Use Strategic Pauses: Silence and pauses can carry just as much weight as dialogue. A well-placed pause in a heated conversation can speak volumes, allowing the tension to build and giving the reader time to read between the lines. Pauses also create space for the reader to interpret the emotional undercurrent of the conversation. Characters who avoid direct answers or leave sentences unfinished often suggest something unsaid or unresolved, heightening the dramatic impact.

• Create Misdirection: Subtext can also be used for misdirection, where a character talks about one subject, but their real feelings or motivations lie elsewhere. A character might deflect or change the subject in order to avoid confronting an uncomfortable truth. The key here is subtlety—this misdirection will engage readers and encourage them to pick up on the true meaning behind the words.

Example of Subtext in Conflict:

❌ Too Direct:
Ava: “I’m mad because you forgot my birthday.”
Ben: “I’m sorry. I’ll make it up to you.”

✅ With Subtext:
Ava: “I see you had time to go out last night.”
Ben: “What does that have to do with anything?”
Ava: “Nothing. Forget it.”

In the second example, the anger is clear without being directly stated. Ava’s words imply she feels neglected or unimportant, while Ben’s defensive response suggests guilt or avoidance. The real issue—the forgotten birthday—is only hinted at through Ava’s pointed remark, and Ben’s attempt to change the subject creates further tension. This exchange allows the reader to sense the conflict without it being explicitly spelled out.

Exercise:

Rewrite an argument where characters can’t directly state what they’re upset about. Use implication and tone instead.

In this exercise, focus on creating dialogue where the characters’ emotions are conveyed through indirect means. Instead of saying exactly what they’re angry, sad, or disappointed about, let the subtext emerge through their tone, word choice, or refusal to acknowledge the real issue. This approach will help you practice building deeper layers of meaning and tension in your dialogue.

3. Distinct Voices & Characterization Through Speech

Making every character sound unique without dialogue tags.

Elements of a Distinct Voice

• Word Choice: The words a character uses tell us a lot about their personality, background, and emotional state. A character from a formal background might use more precise, polished language, while a more casual character might speak in a laid-back, colloquial way. Slang or specific jargon can also help define a character’s voice. For example, a character who uses technical terms or formal language could contrast sharply with one who speaks in more casual, everyday language, showcasing a difference in education, social class, or temperament. Additionally, word choice can reveal someone’s emotions or intentions. Someone in denial might use vague language, while someone who’s direct might speak plainly and without hesitation.

• Sentence Length & Structure: How a character constructs their sentences can also differentiate their voice. A character who speaks in short, blunt sentences might come across as impatient or straightforward. On the other hand, a character who uses long, flowing sentences may sound more thoughtful or poetic. The rhythm of their speech also conveys mood or urgency—quick exchanges can indicate excitement or tension, while drawn-out dialogue can suggest calmness, contemplation, or indecision.

• Speech Patterns & Tics: The little habits a character develops when speaking—like repeating certain words or phrases, stuttering, or using filler words (like "um" or "you know")—can add layers to their personality and help the reader identify them. A character who tends to ramble might come across as nervous, insecure, or just overly talkative. Conversely, a character who uses few words and pauses often could signal a reserved or mysterious nature. These speech patterns are subtle but can be a key part of making each character’s voice distinct without relying on tags like “he said” or “she said.”

Example – Two Characters Saying the Same Thing in Different Ways:

❌ Bland Dialogue:
Bob: “I don’t like the way you did that.”
Marcus: “I don’t either.”

✅ With Distinct Voices:
Bob (stern, authoritative): “That’s not how we do things here.”
Marcus (casual, sarcastic): “Yeah, ‘cause your way is working so well.”

In the second example, both characters express dissatisfaction, but their voices are distinct. Bob’s response is direct and commanding, while Marcus’s response is sarcastic and dismissive. These differences reveal much about their personalities—Bob is likely someone in charge or with high standards, while Marcus is more rebellious or indifferent. The way they speak—Bob with his assertiveness and Marcus with his irreverence—makes it clear who is speaking without needing to rely on a dialogue tag.

Exercise:

Write a dialogue exchange where the reader can infer who is speaking without any dialogue tags.

This exercise will help you focus on crafting unique, recognizable voices for your characters. Pay close attention to how the choice of words, sentence structure, and speech patterns work together to make each character stand out. The goal is to allow the reader to understand who is speaking purely from the dialogue itself, without any overt identifiers.

4. Pacing & Tension in Dialogue

How to speed up or slow down a scene with dialogue.

Techniques for Controlling Pacing

• Short Sentences & Interruptions: To increase tension or urgency, use short, sharp sentences. This can simulate the rapid-fire exchanges common in heated arguments, action scenes, or moments of high stress. When characters interrupt one another or speak over each other, the flow becomes faster, mirroring the heightened emotions of the situation. This technique helps create a sense of chaos or impatience in the dialogue, forcing readers to feel the rush.

• Longer Dialogue & Pauses: To slow down the pacing, use longer, more contemplative sentences, and give space for pauses. These moments of silence or slow exchanges can build suspense or allow readers to focus on the emotional complexity of a scene. Pauses are particularly effective when characters are processing something deeply, unsure, or working through difficult emotions. The rhythm of the conversation will signal to readers that something significant is about to unfold or is weighing heavily on the characters.

• Avoiding Over-Explaining: Instead of characters explaining everything explicitly, let their dialogue suggest things through implication. This slows down the pace naturally, as readers must work to understand the emotional landscape and underlying tensions, making the exchange feel more nuanced. Over-explaining can feel artificial and remove the tension, whereas leaving things unsaid keeps the atmosphere charged and engaging.

Example – Tightening Dialogue for Tension

❌ Slow, Overwritten Scene: Maya: “Why did you do that? I told you not to. Now everything is ruined.”
Jake: “I don’t know, I thought I was helping. I didn’t realize it would turn out this way.”

This example is slow and overly explanatory. Jake's long sentences feel like a justification, slowing down the scene and removing the sense of urgency or emotional tension.

✅ With Tension & Urgency: Maya: “I told you not to.”
Jake: “I thought—”
Maya: “You didn’t.”

By tightening the dialogue, the exchange is more abrupt and filled with emotional urgency. Maya’s short, clipped sentences heighten the tension, and Jake’s interruption emphasizes his guilt or confusion. The reader can feel the quick rise in tension, which helps push the scene forward more powerfully.

Exercise:

Take a slow-moving scene and rewrite it using snappier, tighter dialogue to create urgency.

This exercise will help you practice tightening the pacing in your writing. Focus on cutting unnecessary explanations, shortening the sentences, and utilizing interruptions or pauses strategically. Consider what the scene's emotional stakes are and how you can enhance the sense of urgency or tension through the rhythm of dialogue.

5. Editing & Polishing Dialogue

Trimming the fat while keeping emotional impact.

How to Strengthen Dialogue in Revision

• Cut Unnecessary Words: Dialogue can often become bloated with filler words such as “well,” “you know,” or excessive greetings. These words can break the flow of the conversation and make it feel less authentic. By cutting them out, the dialogue becomes more direct and powerful, allowing the character's true emotions and intentions to shine through without the distractions.

• Show, Don’t Tell: Instead of having a character explicitly say, “I’m scared,” use their actions or the way they speak to convey that emotion. Hesitation, broken sentences, or avoidance in their speech can indicate fear or uncertainty without directly stating it. This technique enhances emotional depth and engages the reader more effectively.

• Replace Exposition with Implication: When characters explain backstory or details in dialogue, it can come off as clunky and unnatural. Instead of having a character explain a past event directly, incorporate that backstory through what they do or how they react to a present situation. Let readers infer the context through implication rather than exposition, creating a more engaging and subtle narrative.

Before & After Editing Example:

❌ Overwritten Dialogue:
Lisa: “I can’t believe you didn’t tell me about the job offer earlier. I was completely shocked when I found out. You should have said something.”
Mike: “I was waiting for the right time. It’s complicated, and I wasn’t sure how you’d feel.”

In this version, there’s too much repetition and unnecessary explanation. Lisa’s outrage and Mike’s reasoning are clear, but the dialogue feels a bit too explanatory.

✅ Tighter, More Impactful:
Lisa: “You knew, and you didn’t tell me?”
Mike: “I was waiting.”

Here, the dialogue is sharper and more to the point. Lisa's reaction is just as intense, but the emotional weight is conveyed through the brevity of her words. Mike's response is more enigmatic, creating space for tension and ambiguity. This trimmed version is much more impactful, making the moment feel urgent and emotionally charged.

Exercise:

Trim a passage of dialogue by 30% while keeping its emotional impact intact.

This exercise will help you refine the art of brevity in dialogue, ensuring that every word serves a purpose. When trimming, focus on maintaining the emotional core of the exchange while eliminating any superfluous details or redundant phrasing. The goal is to make each line count and keep the dialogue tight, leaving no room for filler.

Final Challenge: Writing a Scene with Pure Dialogue

Convey setting, emotion, and conflict without action beats or description.

Rules for the Challenge:

• No dialogue tags (he said, she asked).
• No action beats or setting descriptions.
• The conversation should hint at location, mood, and conflict.

This challenge encourages you to focus solely on dialogue to communicate everything about the scene—emotion, tension, and even the setting—without relying on traditional narrative techniques like dialogue tags or action beats. This pushes you to think carefully about how dialogue can create atmosphere and convey deeper meanings indirectly.

Example:

"You sure this is the place?"
"Yeah. The lights are on."
"That doesn’t mean she’s home."
"You’re nervous."
"I’m careful. Big difference."

In this example, the absence of any description allows the reader to infer several things: there’s uncertainty about a location (suggested by the question), a sense of tension (hinted at through the exchange about being “nervous”), and possibly a deeper conflict (suggested by the differences between the characters). While we don’t know where they are or what the immediate situation is, the dialogue provides enough clues to build a scene.

Exercise:

Write a short scene (10–15 lines) using only dialogue, where readers can infer the setting, emotions, and conflict.

As you work through the exercise, think about the following:

• Tone: Does the tone of the conversation suggest the environment? Are the characters tense, relaxed, hurried, or contemplative?
• Unsaid Information: What’s left unsaid? The emotional subtext, like a hidden argument or a deep-seated fear, can be conveyed through what’s implied in the dialogue.
• Pacing: How can the rhythm of the conversation reflect urgency, calmness, or building tension?

This challenge will help you develop your ability to write focused, impactful dialogue that reveals much more than it explicitly states.

Conclusion: Becoming a Master of Dialogue

By applying the techniques in this guide, you’ll strengthen your ability to craft compelling, purposeful dialogue that enhances character, deepens subtext, and drives your story forward.

Final Tips for Dialogue Mastery:

✅ Read your dialogue aloud – Does it sound natural? Does it flow?
Reading your dialogue out loud is one of the most effective ways to ensure it feels realistic and engaging. This technique helps you hear awkward phrasing, unnatural speech patterns, or a lack of rhythm that can break immersion. Characters should sound like real people, so if they don’t sound like someone you’d meet in real life, it’s worth revisiting.

✅ Cut anything unnecessary – Keep it sharp and engaging.
Great dialogue isn’t cluttered with unnecessary fillers or redundant information. Every line should serve a purpose, whether it’s revealing character, advancing the plot, or building tension. If a line doesn’t do this, consider trimming it or reworking it.

✅ Study great dialogue in books & films – Analyze how tension, voice, and subtext are handled.
Immersing yourself in high-quality dialogue from literature and films is invaluable. Pay attention to how different writers and directors use dialogue to establish mood, convey conflict, or reveal character traits. The best dialogue often isn’t about what’s said but what’s implied. Observe how characters reveal emotions and backstory without explicitly saying it.

✅ Keep practicing – The more you write, the stronger your dialogue will become.
Dialogue writing, like any skill, improves with practice. Challenge yourself to write dialogue-heavy scenes or conversations where you try to reveal as much as possible without relying on description or action. The more you experiment and refine, the more natural and powerful your dialogue will become.

Great dialogue isn’t just about words—it’s about what’s felt between the lines. Every conversation should carry emotional weight, whether it’s tension, humor, or conflict. Keep writing, keep experimenting, and let your characters speak in voices that leave a lasting impact. Through consistent practice, you’ll develop a deep understanding of how to make your characters come to life through their words, transforming simple exchanges into meaningful moments within your story.

Mastering Dialogue: Crafting Authentic Dialogue in Fiction

By Olivia Salter

Dialogue Writing  Workshop

👉 This guide is from one of my workshops. You can use it for yourself or in a workshop setting. 

Dialogue is more than just characters speaking—it's a powerful tool that reveals personality, deepens relationships, and drives the story forward. In this workshop, we will explore how to craft dialogue that breathes life into characters, advances the plot, and reveals deeper layers of subtext. Participants will learn how to balance authenticity, rhythm, and emotional depth while avoiding common pitfalls such as info-dumping, unnatural speech patterns, and dialogue that lacks purpose.

Through a combination of targeted exercises, discussion, and analysis of compelling examples from literature and film, participants will refine their ability to write conversations that feel real, resonate with readers, and shape unforgettable characters. This workshop will also emphasize the importance of what is left unsaid—the power of subtext, body language, and silence in dialogue.

By the end of the session, participants will have a deeper understanding of how to craft distinct character voices, create tension through verbal exchanges, and use dialogue to immerse readers in the emotional landscape of their stories. Whether writing contemporary fiction, historical dramas, thrillers, or fantasy epics, participants will leave with the skills to craft conversations that not only sound real but also elevate their storytelling to new heights.

 Workshop Structure:

1. The Foundations of Fictional Dialogue

• Dialogue is one of the most immersive tools in storytelling, allowing readers to engage with characters in an immediate and personal way. However, writing compelling dialogue requires a balance between natural speech patterns and narrative purpose. In this section, we will explore:

  • What makes dialogue sound natural yet purposeful?
    Real-life conversations are often messy, filled with interruptions, hesitations, and tangents. In fiction, however, dialogue should serve a purpose—revealing character, advancing the plot, or building tension—without sacrificing authenticity. We will analyze examples of well-crafted dialogue to understand how writers make it feel organic while still driving the story forward.

  • The balance between realism and readability
    Too much realism—such as excessive filler words (“um,” “like,” “well”)—can slow the narrative, while overly polished dialogue can feel unnatural. We will discuss how to create speech patterns that feel true to life without overwhelming the reader with unnecessary clutter.

  • Dialogue as character development
    How a character speaks—word choice, sentence structure, rhythm—can reveal their background, personality, and emotions. A nervous character may use short, fragmented sentences, while a confident character might speak in longer, fluid statements. We will explore how to craft distinct voices for different characters, ensuring they don’t all sound the same.

  Exercise:

  Write a conversation between two characters where one is hiding a secret. The goal is to make the reader sense something is off without explicitly stating the secret. Focus on subtle cues such as word choice, pauses, evasive responses, or abrupt changes in subject. This exercise will help participants practice layering meaning beneath the surface of dialogue.

  This section will provide the foundational skills necessary to craft dialogue that is both believable and compelling, setting the stage for more advanced techniques in subtext, pacing, and emotional depth.

2. Subtext & What’s Left Unsaid

• In real life, people rarely say exactly what they mean, especially in moments of tension, vulnerability, or conflict. Subtext—the meaning behind the words—adds depth to dialogue by allowing characters to communicate emotions, desires, and conflicts indirectly. This section will explore how to craft dialogue that engages readers on multiple levels by utilizing implication, tone, and what remains unsaid.

  Key Topics:

  • Writing between the lines
    Subtext emerges when characters say one thing but mean another, or when their words contrast with their true emotions. For example, a character might insist, "I'm fine," while their body language or clipped tone suggests the opposite. We will examine how to use contradictions, hidden motives, and coded language to create richer, more layered dialogue.

  • The power of pauses and silence
    Sometimes, what a character doesn’t say is just as important as what they do. Awkward silences, long pauses, or sudden subject changes can indicate discomfort, avoidance, or emotional weight. We will analyze how writers use strategic silence to build tension, shift power dynamics, and deepen a scene’s emotional impact.

  • How to show conflict through subtext
    Conflict in dialogue doesn’t always require shouting or dramatic confrontations. A passive-aggressive remark, a forced smile, or a subtle dig can be just as powerful as an outright argument. We will study how subtext can transform an ordinary conversation into a charged, compelling exchange.

  Exercise:

  Rewrite a scene where two characters are arguing—but they can’t directly state what they’re upset about. Instead of explicitly naming the issue, use implication, indirect statements, and changes in tone to reveal their underlying frustration. This exercise will help participants practice writing tension-filled dialogue that engages readers on a deeper level.

  By mastering subtext, writers can create more engaging, realistic dialogue that makes readers lean in, eager to uncover the emotions and truths hidden beneath the surface.

3. Distinct Voices & Characterization Through Speech

One of the hallmarks of masterful dialogue is the ability to distinguish characters by their speech patterns alone. Readers should be able to tell who is speaking, even without dialogue tags or description. This section will focus on developing unique, authentic character voices that reflect personality, background, and emotional state.

Key Topics:

• How to make each character sound unique
  Every character should have their own way of speaking based on their personality, upbringing, education, and worldview. Consider how a sarcastic teenager, a reserved professor, and a fast-talking hustler would each phrase the same sentence differently. We will examine ways to create distinct voices using:

  • Word choice (formal vs. informal, slang vs. precise vocabulary)
  • Sentence structure (short and punchy vs. long and flowing)
  • Rhythm and pacing (quick-witted banter vs. slow, measured speech)
  • Repetitive quirks (catchphrases, verbal tics, or habitual phrases)

• The role of background, personality, and motivation in dialogue
  Speech patterns are shaped by experience. A character raised in the South might have a different rhythm and vocabulary than someone from New York. A highly educated scientist might speak differently from a self-taught entrepreneur. Additionally, emotions and motivations affect how characters communicate. Someone trying to impress may use elaborate language, while someone in distress might speak in fragments. We will explore how to reflect a character’s inner world through their dialogue.

• Avoiding dialogue that sounds too “written”
  One common pitfall in dialogue writing is making characters sound unnatural—either too polished or overly expository. In real conversations, people interrupt, trail off, and don’t always speak in complete sentences. We will discuss how to:

  • Remove “on-the-nose” dialogue where characters state exactly what they feel
  • Use contractions and informal phrasing to make speech more natural
  • Balance realism with clarity to ensure dialogue remains engaging

Exercise:

Write a dialogue exchange between two or more characters where the reader can infer who is speaking without any dialogue tags or description. Focus on making each voice distinct through word choice, sentence structure, and rhythm.

This exercise will help participants develop a sharper ear for character voice, ensuring their dialogue feels authentic and engaging while making characters more memorable and unique.

4. Pacing & Tension in Dialogue

• Dialogue isn’t just about what characters say—it’s also about how they say it and how quickly (or slowly) information is revealed. The rhythm of an exchange can build tension, create urgency, or slow the narrative down for introspection. This section will focus on how to manipulate pacing in dialogue to enhance emotional impact and drive the plot forward.

  Key Topics:

  • Short vs. long exchanges: When to speed up or slow down
    The length of dialogue exchanges affects the reader’s perception of time.

    • Short, rapid-fire dialogue speeds up a scene, increasing urgency, excitement, or conflict. It works well in arguments, action scenes, and moments of heightened tension.
    • Longer, meandering exchanges slow the pacing, allowing room for reflection, emotional depth, or subtle character development. These are useful for building suspense before a revelation or creating intimacy between characters.
      Writers must learn to control pacing to match the mood of the scene and avoid unnecessary drag.

  • Interruptions, overlaps, and realistic rhythm
    In real conversations, people interrupt, talk over one another, and cut each other off, especially in heated moments. Writing these elements effectively can create a sense of realism and urgency.

    • Use dashes ("—") to show interruptions.
    • Let characters trail off with ellipses ("…") to suggest hesitation or an unfinished thought.
    • Overlapping dialogue can indicate tension, confusion, or excitement.

    We will analyze examples of dialogue where interruptions and pauses enhance realism and tension.

  • How dialogue drives plot forward
    Well-crafted dialogue isn’t just filler—it should serve a purpose, whether that’s revealing information, escalating conflict, or changing the course of the story. We will explore how to:

    • Use dialogue to create conflict (verbal sparring, misunderstandings, power struggles).
    • Reveal critical details without dumping exposition.
    • Show shifting dynamics between characters (who has control in the conversation, who’s backing down, who’s pushing forward).
    • Keep dialogue engaging by ensuring every line has a reason to exist.

  Exercise:

  Take a slow-moving scene—perhaps a mundane conversation or an exposition-heavy exchange—and rewrite it using snappier, tighter dialogue to create urgency. Focus on:

  • Cutting unnecessary words.
  • Using interruptions and short sentences to add tension.
  • Letting subtext and body language replace excessive explanation.

  This exercise will help participants refine their dialogue pacing, ensuring that every conversation feels dynamic, emotionally charged, and essential to the story.

5. Editing & Polishing Dialogue

• Writing strong dialogue isn’t just about what’s included—it’s also about what’s left out. Effective dialogue is concise, engaging, and emotionally resonant. In this section, we’ll focus on refining dialogue through editing techniques that make every word count.

  Key Topics:

  • Cutting the fluff: What doesn’t need to be said
    In real life, people speak with a lot of filler—“um,” “like,” “well,” and unnecessary pleasantries. While this can add realism, too much can bog down a scene. Every line of dialogue should serve a purpose: revealing character, advancing the plot, or building tension. We will explore:

    • Identifying and removing redundant words.
    • Cutting small talk that doesn’t add value.
    • Condensing long-winded speech into sharper, more impactful lines.

  • Avoiding “on the nose” dialogue
    “On the nose” dialogue is when characters state exactly what they think or feel, making the conversation too obvious. In real life, people often speak in layers, hinting at emotions rather than outright declaring them. We’ll examine ways to:

    • Use subtext and body language to replace overly direct statements.
    • Show conflict through what isn’t said.
    • Create more natural, engaging dialogue that allows readers to infer meaning.

  • Making every word count
    The best dialogue is precise and purposeful. Each line should:

    • Reveal something about the character or situation.
    • Move the story forward.
    • Engage the reader with rhythm and flow.
      We’ll look at examples of dialogue before and after editing to see how small tweaks—such as tightening sentences, removing filler, and replacing clichés—can elevate the conversation.

  Exercise:

  Take a passage of dialogue and trim it by 30% while keeping its emotional impact intact. Focus on:

  • Removing unnecessary words and filler.
  • Strengthening subtext by cutting overly direct statements.
  • Preserving the rhythm and tone of the conversation.

  This exercise will help participants sharpen their editing skills, ensuring that their dialogue is lean, engaging, and emotionally powerful.

Final Challenge: The Power of Pure Dialogue

The ultimate test of strong dialogue is whether it can stand on its own—without narration, action beats, or description—while still conveying setting, emotions, and conflict. In this final challenge, participants will put everything they’ve learned into practice by crafting a short scene using only spoken words.

Objectives:

• Create a vivid setting through speech alone.

  • How can dialogue hint at the location?
  • Can background noise, atmosphere, or physical space be implied through what the characters say?
  • Example: “Do you hear that? That damn train again. Every night at 2 AM, shaking the whole house.” → Implies a house near train tracks.

• Reveal emotions without stating them outright.

  • Characters shouldn't say, "I'm angry" or "I'm scared," but their words and tone should make it clear.
  • Example: “Oh, so now you care? That’s rich.” → Sarcasm and resentment are evident without explicitly saying “I’m mad at you.”

• Develop conflict naturally.

  • Every great scene has tension, whether subtle or overt.
  • Is there an argument brewing? Is someone lying? Is one person desperately trying to avoid saying something?

Guidelines for the Challenge:

1. No action beats or descriptions (e.g., She sighed. He clenched his fists.)
2. No dialogue tags (e.g., he said, she asked)—the voices must be distinct enough for readers to follow.
3. Use speech patterns, word choice, and rhythm to differentiate characters.

Example (without action or tags):

"You’re late."

"I know. I—"

"Don’t. Just don’t."

"Come on, let me explain."

"Explain what? That I sat here for two hours, like an idiot? That I told everyone you’d be here? That I kept making excuses for you?"

"I got held up."

"Held up where? With who?"

"Does it matter?"

"Wow. You’re not even trying, are you?"

"I messed up, okay? But I’m here now."

"Yeah. When it doesn’t matter anymore."

—This short exchange suggests an emotional conflict (betrayal, disappointment) and hints at an implied setting (a place where someone was waiting).

Exercise Instructions:

Write a short scene (10–15 lines of dialogue) where:

• The setting is evident without description.
• The characters’ emotions are clear through their words alone.
• There is conflict or tension that drives the conversation forward.

By mastering this challenge, participants will sharpen their ability to write dialogue that is immersive, emotionally charged, and engaging without relying on external narration.

Conclusion: Elevating Your Dialogue-Writing Skills

Throughout this workshop, participants have explored the art of writing compelling, dynamic dialogue—honing skills in authenticity, subtext, pacing, voice, and tension. By engaging in targeted exercises and the final challenge, they have developed a deeper understanding of how to craft conversations that feel real, resonate with readers, and drive their stories forward.

Key Takeaways:

• Authenticity & Purpose: Dialogue should sound natural yet serve a clear function—whether it's revealing character, advancing the plot, or creating tension.
• Subtext & Emotion: What’s left unsaid is just as powerful as what’s spoken. Layering meaning beneath dialogue adds depth and intrigue.
• Distinct Voices: Every character should have a unique speech pattern that reflects their background, personality, and emotions.
• Pacing & Tension: Well-crafted dialogue controls the rhythm of a scene, building suspense or slowing down for emotional impact.
• Editing & Precision: Strong dialogue is concise, impactful, and free from unnecessary filler or exposition.

Next Steps:

Participants are encouraged to:

1. Apply these techniques to their current works-in-progress.
2. Analyze dialogue in published fiction—noting how authors use subtext, pacing, and characterization through speech.
3. Continue practicing through exercises like rewriting dialogue-heavy scenes, experimenting with different voices, or crafting purely dialogue-driven narratives.
4. Read dialogue aloud to check for authenticity, flow, and emotional impact.

By mastering dialogue, writers can create more engaging, immersive stories that draw readers into the world of their characters. Every conversation should feel alive—charged with emotion, personality, and purpose.

Final Thought: The best dialogue doesn’t just tell a story; it reveals it. Keep writing, keep refining, and let your characters speak in voices that readers will never forget.

Also see:

• Mastering Dialogue: Crafting Authentic Dialogue in Fiction

ProWritingAid Presents: Horror Writers’ Fest 2024

ProWritingAid Presents: Horror Writers’ Fest 2024

October 29-30, 2024

Details: Horror Writers' Fest is a free online summit taking place on October 29-30, with 12 sessions from coaches, editors, and authors like with NY Times Bestselling YA Horror Author Ryan Douglass, and Bram Stoker Award-nominated authors V. Castro and Johnny Compton. All sessions are free for all attendees, and are held via Zoom webinar or meeting, with free replays available after the event.

Register Here  

Unlock the secrets for writing, editing, and publishing a bone-chilling horror story at this free online summit. Free replays will be available after each event.

October 29 - 30, 2024

Register Here

ProWritingAid Presents: Fantasy Writers’ Week 2024 April 22-26, 2024

 

ProWritingAid Presents: Fantasy Writers’ Week 2024

 

April 22-26, 2024

 

Can't make it live? No problem! All sessions will be available for replay after the event, but you must still register to view them.

Details: Fantasy Writers' Week is free for all to attend, Monday-Thursday, with Friday being for Premium and Premium Pro users only.

 

Registration page link: Fantasy Writers' Week

 

Hey Fellow Writers!

Do you want to write a bestselling fantasy novel?

Then you won’t want to miss what ProWritingAid has in store for you this April!

Our friends at ProWritingAid are excited to announce the return of Fantasy Writers’ Week, five days jam-packed with events specifically designed for Fantasy writers.

Best part?

You can register for FREE!

Monday-Thursday’s events are entirely FREE for all to attend, with Friday being Premium Day for Premium and Premium Pro subscribers of ProWritingAid.

During Fantasy Writers’ Week, you’ll attend live sessions with bestselling and award-winning authors including Jenna Moreci, Z.S. Diamanti, and Marvellous Michael Anson, as well as software demos, craft and editing workshops, and networking events to help you create spell-binding fantasy writing!

Fantasy Writers’ Week kicks off on April 22nd and runs until April 26th. If you can't make it live, don't worry! The sessions will be available via replay, so you can sign up anyway and watch the sessions at your convenience.

You can learn more, see all the session names, and register for this free event here: Fantasy Writers' Week

We hope you check it out, and look forward to seeing you there!!!

Full Event Schedule and Details Marketing Your Fantasy Novel

April 22 (10:00 AM EDT / 3:00 PM UK)

Presented by Sue Campbell

One of the toughest, but most necessary, parts of being an author is tackling your own marketing. Too often, writers rely on tactics without having an underlying strategy and flail around like they've just landed in another realm.

Book marketing and mindset coach Sue Campbell of Pages & Platforms will help you understand the foundation of every good book marketing plan. Sue works with award winning and best selling authors, traditionally published and self-published, to help them build an engaged audience, spread their message and sell more books.

IN THIS FREE WEBINAR, YOU WILL LEARN:

Why marketing your book using a slapdash playbook of tactics from the internet is likely to fail

Your number one book marketing goal

The foundational 4-part book marketing strategy that will actually grow your audience of fantasy readers

Essentials of Writing Fantasy

April 22 (12:00 PM EDT / 5:00 PM UK)

Presented by Anne Hawley and Rachelle Ramirez of Pages & Platforms

In this webinar, you will learn how to build, evaluate, and improve your fantasy story using four tools: marketing categories, Story Types, essential story elements, and worldbuilding. By the end of our time together you‘ll be able to evoke empathy for your characters, create tension and excitement, provide emotional satisfaction for your intended reader, convey a thoughtful takeaway, and meet reader expectations for the type of story you’re telling.

World-Changing Worldbuilding: How to Use Your World to Challenge the Status Quo

April 22 (2:00 PM EDT / 7:00 PM UK)

Presented by Dani Abernathy

Fantasy has a superpower that other genres don’t, and it’s worldbuilding. In fantastic worlds, readers encounter difficult topics in ways that don’t feel threatening. A purposeful world, challenges difficult ideas like racism and transphobia without raising the defensiveness that comes through realistic stories and straightforward conversations. In this workshop, you’ll discover how your worldbuilding is tied to you, gain valuable tools for creating your world, and find the courage to use your novel to make the world a better place, one reader at a time.

The Fantasy Writer's Guide to Effective Story Editing

April 22 (4:00 PM EDT / 9:00 PM UK)

Presented by Kristina Stanley

Are you dreaming of publishing your fantasy novel? A story edit will help you turn your draft into a novel readers love. Kristina Stanley, CEO of Fictionary, will take you through a 9-step process to self-edit your novel. You’ll get a peek inside the Fictionary software and see an edit in progress. You’ll leave this session with actionable advice you can immediately apply to your book. She’ll also leave you with 3 tips on how to turn your fantasy novel into a series.

Building Diverse Worlds – Using Historical Events and Cultural Nuances in Fantasy Worldbuilding

April 22 (6:00 PM EDT / 11:00 PM UK)

Presented by Kyle Cisco

This presentation gives a deep dive into Worldbuilding by using events throughout history and examples of how political groups and nations deal with one another to build a more realistic fantasy world. It also provides a look into utilizing different cultural examples to populate those worlds with a diverse set of people to reflect the diverse world we live in. By using these real-world references to flesh out the details, you can make your worlds more tangible and believable.

Writing Compelling Fantasy Antagonists: The Art of Creating Multi-Dimensional Villains

April 23 (10:00 AM EDT / 3:00 PM UK)

Presented by Dana Pittman

Do you want your fantasy story to resonate with readers long after they've turned the last page? Join us for "Writing Compelling Fantasy Antagonists," where we'll delve into the art of crafting villains that are more than just obstacles for your heroes. Discover how to create nuanced, multi-dimensional antagonists that challenge your protagonists, drive your plot, and add depth to your fantasy world. Join us and learn the secrets to making your villains memorable and your story unforgettable.

Presentation by World Anvil

April 23 (12:00 PM EDT / 5:00 PM UK)

Presented by Janet Forbes & Dimitris Havlidis of World Anvil

More information coming soon.

Bringing Order to Creative Chaos: Project Management for Writers

April 23 (2:00 PM EDT / 7:00 PM UK)

Presented by Kerry Savage

Writing a book is a massive, complex undertaking. It is easy to get bogged down in the many different tasks and elements and miss something or get frustrated. Applying project management techniques can help writers get and stay organized, set and meet writing goals, and be motivated and accountable to themselves throughout the process, from planning to pitching.

In this session, we will walk through how to plan a book project from start to finish. We’ll cover SMART goals, creating a project roadmap to track progress, and how building a plan helps keep your creative energies focused. We’ll normalize the rollercoaster of the creative process and talk about how to get your book project across the finish line!

How To Start Planning A Book Series

April 23 (4:00 PM EDT/ 9:00 PM UK)

Presented by Savannah Gilbo

Want to write a multi-book series? In this presentation, Savannah will talk through what makes certain book series successful, while others are not—including how to avoid the biggest mistakes she sees writers make when crafting a series. She’ll also talk through 5 steps to start planning your book series, including how to craft a cohesive message and story world across your books and how to map out your plot points and character arcs across books as well.
Networking Session

April 23 (6:00 PM EDT / 11 PM UK)

During this networking session, you will have the opportunity to meet other people in the fantasy writing community through speed dating. We will be sending you into breakout rooms in groups of 4 or 5.

World Anvil Demo

April 24 (10:00 AM EDT / 3:00 PM UK)

Presented by Janet Forbes & Dimitris Havlidis

See an in-depth walkthrough of the World Anvil software with co-founders, Janet Forbes and Dimitris Havlidis.
Writing Crossroads: How Four Big Decisions Shape Your Story

April 24 (12:00 PM EDT / 5:00 PM UK)

Presented by Lewis Jorstad

Which is more important when writing a novel: page-turning plots or engaging characters? Believe it or not, neither can exist without the other! In this workshop, Lewis Jorstad will guide you through the four key turning points of every successful story, and how each one is tied to an active decision your hero makes. By the end of this class, you'll not only have a deeper understanding of your novel, but an actionable plan for adding these turning points to your next draft.
The 3 Keys to Enchant Readers for Meaningful Impact

April 24 (2:00 PM EDT / 7:00 PM UK)


Presented by Gina Kammer


Learn how to have a lasting impact on readers by discovering the 3 kEys to Reader Enchantment (not a typo, just a corny mnemonic!). These keys are based in the brain science of how readers experience a story and what immerses them page after page. Through guided steps, you will put three of the hardest-hitting exercises for each key into practice.

This workshop is perfect for authors who want their stories to better connect with and enchant readers. Do you have something you really want to share with readers and at least inspire a few who need your story? You’re exactly the kind of passionate creative who will benefit from knowing the “whys” behind craft advice, and when and how to implement such advice in your story. You don’t want to miss this session if you want to unlock your novel's fullest potential.

Making Magic with Reader Magnets

April 24 (4PM EDT / 9PM UK)


Presented by Z.S. Diamanti

If you've done much research on selling books, you've likely noticed a vast general consensus that an author newsletter is a must! Reader magnets are what get readers to subscribe to your newsletter. Seems simple enough, but what are reader magnets, really? What do they look like? How do you make them? What do you do with them after you make them? What should they do? Maybe you've even tried to make some, but they don't seem to be doing what you hoped they would. In this presentation, award-winning fantasy author, Z.S. Diamanti, demystifies what he considers to be one of the three foundational pillars for author growth. Let's make magic with reader magnets.
A Guide to Writing Romantasy

April 24 (6:00 PM EDT / 11 PM UK)


Presented by Jenna Moreci


Interested in tackling one of the most popular genres in our current literary landscape? This workshop will teach you all about romantasy: What it is, how it’s structured, how it differs from fantasy and romance, and how to appeal to your target audience while also honoring your passion. If you want to craft a swoon-worthy “ship” and thrust them into a fantastic world, this workshop is for you..

How to Use Technology to Make Your Editing Process Simple and Efficient

April 25 (10:00 AM EDT / 3:00 PM UK)

Presented by Hayley Millliman

Join ProWritingAid's Director of Community Engagement, Hayley Milliman, on a deep-dive into making your editing process easier with ProWritingAid.



Beyond the Fantasy Archetype: Creating Memorable Characters

April 25 (12:00 PM EDT / 5:00 PM UK)


Presented by Julie Artz




What do the first ancient playwrights, Carl Jung, and Dungeons and Dragons have in common? They all understood the power of character archetypes. Join author, editor, and book coach Julie Artz as she explores how writers can not only use the classic fantasy character archetypes to maximize tension on the page, but move beyond them to create fresh, resonant characters in their fiction. In addition to the helpful tips provided in the lecture, participants will also receive Julie's bonus Fantasy Archetype Checklist to keep on hand as they craft their characters.



Social Media Magic: Reveal Your Fantasy Writer Archetype

April 25 (2:00 PM EDT / 7:00 PM UK)

Presented by Lara Ferrari

Lara Ferrari is an author marketing specialist on a quest to help you attract readers and sell more books without any of the usual social media awkwardness. Join her for this Fantasy-focused workshop as she introduces us to 12 author archetypes, each with their own spell-binding strategies for crafting connections with readers and building a legion of fans (before your book is even published). Tune in to discover whether you’re an Alchemist, a Changeling, a Dark Wizard or something else entirely…



Beyond Burnout: How to Stay in Love with Writing & Build a Sustainable Author Career

April 25 (4:00 PM EDT / 9:00 PM UK)


Presented by Isabel Sterling

Writers work for years—if not decades—to break into publishing, but once they get there, many find themselves trapped in a cycle of hustle and burnout. Writing stops being fun. Anxiety skyrockets. Every new publishing milestone brings another layer of imposter syndrome. In Beyond Burnout: How to Stay in Love with Writing & Build a Sustainable Author Career, traditionally published author and master certified coach Isabel Sterling breaks down the root cause of author burnout and provides actionable steps that every author can take to burnout-proof their career.



Networking

April 25 (6:00 PM EDT / 11:00 PM UK)


Presented by ProWritingAid

During this networking session, you will be placed into small break-out rooms to collaborate on building your own fantasy world.



Workshop: Adding Depth to Your Fantasy World

April 26 (10:00 AM EDT / 3:00 PM UK)

Presented by Hayley Millliman

Join us for an interactive workshop designed to elevate your storytelling to new heights! In "Adding Depth to Your Fantasy World," we'll delve into the secrets of creating rich and believable worlds that will mesmerize readers and bring your stories to life.
Exclusive Q&A with Story Editing Expert Kristina Stanley

April 26 (12:00 PM EDT / 5:00 PM UK)

Presented by Kristina Stanley, CEO of Fictionary

Kristina Stanley is an award-winning author, professional editor, and creator of the StoryCoach Story Editing Certification. She has spent the last decade designing a practical story editing process that any writer or editor can use to make sure that the plot, characters, structure, and settings are as impactful as possible.


From building captivating characters to weaving seamless plots and infusing your writing with emotion, Kristina is here to help. Bring your burning questions and editing dilemmas for personalized guidance and expert insights that will transform your manuscripts..

Pitch to Query Perfect

April 26 (2:00 PM EDT / 7:00 PM UK)

Presented by Marvellous Michael Anson

Join our interactive workshop to master the art of crafting compelling query letters. This session offers hands-on learning with live critiques of your queries. Discover the key elements that make your pitch stand out and learn how to effectively communicate your book's essence to literary agents or publishers. Whether you're a seasoned writer or just starting, this workshop provides invaluable insights and personalized feedback to enhance your query letter writing skills. Don't miss this opportunity to fine-tune your pitches and increase your chances of getting noticed in the competitive world of publishing.


Networking

April 26 (6:00 PM EDT / 11:00 PM UK)


Presented by ProWritingAid

During this networking session, you will be placed into small break-out rooms to get to know each other and discuss your takeaways from the week.

Speaker Bios

Sue Campbell has helped hundreds of writers, from newbies to bestsellers, transform their inhibitive mindset around marketing and realize their full potential as authors. Her clients have exponentially increased their email lists and book sales, landed articles in prestigious publications such as The New York Times, done guest spots on popular podcasts and more.

Anne Hawley is a certified developmental editor of literary, historical, and fantasy fiction, and is the author of Restraint, a novel of forbidden love in Regency England. She was the producer and writer of the popular Story Grid Roundtable Podcast, and currently teaches and develops writing courses at Pages and Platforms..

Rachelle Ramirez is a certified developmental editor, who helps fiction and nonfiction writers structure and finish their projects. She is a co-creator of the Story Path course and numerous writing masterclasses. She is a co-host of The Happily Ever Author Club at Pages and Platforms and the author of the forthcoming book, The ADHD Writer: From Frustrated to Focused to Finished. You can learn more about Rachelle Ramirez and her editing services at Rachelle Ramirez.com.

Dani Abernathy is an Enneagram Teacher and book coach who helps novelists write the stories they need to tell so their readers can feel seen and can see others. Specializing in fantasy, soft sci-fi, and YA, Dani merges how story works with how people work, creating books that help readers have more empathy for themselves and others. Through her Rooted Writers Mentorship, she helps novelists embrace, plan, and write books they're proud of. Dani is a Capricorn, INFJ, and Enneagram Type 4 who believes that stories can change the world, one reader at a time.

Combining her degree in computer mathematics with her success as a best-selling, award winning author and fiction editor, Kristina Stanley is the creator and CEO of Fictionary, creative editing software for fiction writers and editors. She is a Fictionary Certified StoryCoach. Her novels include the Stone Mountain Mystery series and Look the Other Way. She is the author of The Author's Guide to Selling Books to Non-Bookstores, and she's also a passionate guide dog trainer and hiker.

Kyle Cisco is a Story Grid Certified Editor from Winter Springs, Florida. He is a disabled Air Force Veteran, utilizing his discipline and attention to detail as an aircraft mechanic to check the structural integrity of your story. He is a writer working on a flintlock fantasy thriller series and horror story anthology. He has three kids, three dogs, a wife that supports his dream of editing books, and a love of reading that can never be sated. As an editor he specializes in helping Fantasy authors in bringing their world to life through compelling worldbuilding and his vast knowledge of history.

Dana Pittman is a USA Today and Amazon Bestselling romance and paranormal romance author, Certified Developmental Editor, and the Chief Storyteller with Danja Tales, a boutique romance developmental editing company in Houston, Texas. She specializes in romances (contemporary, steamy, billionaire, etc), paranormal romance, fantasy, suspense/thrillers, and plotting. And she'd love to chat with you about YOUR novel.

Janet Forbes (she/her) is a published fantasy author, game developer and (secretly) a velociraptor, and has been building worlds since she was knee-high to an orc. In 2017 she co-founded World Anvil (https://www.worldanvil.com), the award-winning worldbuilding, writing and tabletop RPG platform which boasts a community of almost 2 million users. As a writer, Janet has published short fiction in several collections, was the lead author of The Dark Crystal RPG (2021), has also written for Infinite Black, Kobold Press, Penny Dragon Games and Tidebreaker, and is notorious for sneaking dinosaurs into every IP she works on.

Dimitris Havlidis (he/him) has been building settings for 30 years, and has made more epic, sandbox worlds than he’s had hot dinners. He holds degrees in Computing, Social Psychology (always useful for tormenting characters) and Graphic Design, and worked as a CTO for some of the top agencies in the UK. He left the corporate world to focus on World Anvil, which is now his life's work. With his wife Janet Forbes, he developed the groundbreaking Agile Worldbuilding Method, and has given talks and seminars at some of the biggest conventions in the world on worldbuilding and game mastery. He loves cheese, lemon pies and top hats.

A voracious reader of all kinds of fiction (and sometimes memoir and non-fiction), Kerry Savage (she/her) is an Author Accelerator certified book coach who works with novelists from the planning stages through revision, helping writers get their best book ready for the world. She is also a J-school grad and former project manager, as well as being hard at work on her first novel (a work of historical fiction based on the life of a real badass female pirate). She serves as a volunteer mentor for the Women’s Fiction Writers Association (WFWA) and Sisters in Crime (SinC). She loves good wine, cheese, and trying to keep her succulents alive.

Savannah Gilbo is a certified developmental editor and book coach who helps fiction authors write, edit, and publish stories that work. She’s also the host of the top-rated Fiction Writing Made Easy Podcast, where she delivers weekly episodes full of simple, actionable, and step-by-step strategies that you can implement in your writing right away. When she’s not busy crafting her own stories, you can find Savannah curled up with a good book, a cozy blanket, and her three furry partners in crime.

As Director of Community at ProWritingAid, Hayley Milliman focuses on building engaging, helpful learning content for the millions of users who rely on ProWritingAid to make their writing clear and effective. Hayley has a robust writing portfolio and has written for dozens of publications on topics related to education, marketing strategy, history, entrepreneurship, and more.

Lewis Jorstad is a book coach and editor who helps passionate fiction writers master their craft and find their readers at The Novel Smithy. When he isn't helping students or writing books of his own, you can find him babying his houseplants and baking far too many homemade bagels.

Book coach and editor Gina Kammer uses brain science hacks to take science fiction and fantasy authors through each step of the novel-writing process to create stories that enchant readers. Gina combines her background in teaching college writing and literature with her insights as a former in-house editor to mentor authors through craft instruction and the publishing industry. With over a decade of professional story-dragon experience, she coaches authors at inkybookwyrm.com so they know exactly which next steps to take on their journeys to publication.

Z.S. Diamanti is the award-winning author of the Stone & Sky series, an epic fantasy adventure and the result of his love for fun and fantastic stories. His short works have been published in magazines, literary journals, newspapers, and books. He went to college for a very long time and has far too many pieces of paper on his wall. He is a USAF veteran of Operation Enduring Freedom and worked in ministry for over 10 years before pursuing creative endeavors full-time. He and his wife reside in Colorado with their four children where they enjoy hikes, camping, and tabletop games.

Jenna Moreci is a bestselling dark fantasy romance and writing craft author, as well as a YouTube sensation with hundreds of thousands of subscribers. Her first installment in The Savior’s Series, The Savior’s Champion, was voted one of the Best Books of All Time by Book Depository. Born and raised in Silicon Valley, Jenna spends her free time snuggling up with her charming partner and their tiny dog, Buttercup.

Julie Artz helps writers who dream of a life spent telling stories that matter slay their doubt demons so they can send their work out into the world with confidence. An active member of the writing community, she has volunteered for SCBWI, TeenPit, and Pitch Wars and is a member of EFA, the Authors Guild, and AWP. A social and environmental justice minded story geek, Julie lives in an enchanted forest outside of Seattle, Washington, with her husband, two strong-willed teenagers, and a couple of naughty furry familiars.

Lara Ferrari is an Instagram marketing specialist who's helped over 100 authors grow an engaged community of readers online (and helped them have fun doing it!). After a passion for marketing landed her a career in copywriting and a love of books led to developmental editing, Lara eventually managed to combine both areas of expertise and find her true purpose. After successfully using Instagram to build her own business, she now channels all her energy into helping authors charm the social media algorithms and share their stories with the readers who will love them most.

Isabel Sterling is a master certified coach and the founder of The Confident Author Academy, where she helps novelists create sustainable, burnout-free authors careers. A traditionally published author herself, Isabel writes twisty paranormal thrillers about magical queer girls who find love after heartbreak. Her novels include These Witches Don’t Burn, This Coven Won’t Break, and The Coldest Touch.

Marvellous Michael Anson has been writing for over a decade and has self-published a thriller, His Dark Reflection, to critical acclaim. She was shortlisted for the Futureworlds Prize in 2023, winning mentorship from a top UK editor. Her debut fantasy novel, FIRSTBORN OF THE SUN was shortlisted for the 2022 Jericho Writers Friday Night Live Competition and the 2022 Kit De Waal Bursary, was longlisted for the 2023 REVPIT competition, and won the 2023 Jericho Writers’ Self Edit Course Bursary. In addition, Marve is a filmmaker who wrote and produced an award-winning short film in 2016 and is a recipient of the 2017 AFRIFF Film School Scholarship Program. She works as a technology consultant during the day and a storyteller at night. She is a member of the Society of Authors, Alliance of Independent Authors and the British Fantasy Society. She is represented by Keia Lupo, Bindery Agency. 

 

Fantasy Writers' Week

The Internet Writing Workshop Write - Critique - Learn | IWW

The Internet Writing Workshop

Write - Critique - Learn

 

(This information is from the The Internet Writing Workshop)

 

The Internet Writing Workshop is a set of mailing lists (groups) that communicate in English by email. We are:A community where writers can submit and critique written works.
A forum to discuss and get help on all aspects of writing.
 

A public service educational organization, staffed by volunteers and free of charge.

The Workshop is open to all styles and genres of writing: literary fiction, genre fiction, poetry, children's writing, essays, newspaper articles, scripts, you name it. Members do not need to be published writers, only to be serious about writing and about wanting to improve.

Because some of the posted material may be controversial or adult in nature, all members must be 18 years or older.

We have critiquing lists and discussion lists:

1) Our Critiquing lists:


List Name Purpose

Fiction Short stories in all genres (includes Flash Fiction).

Lovestory-L Romance fiction from short stories to books.

Nfiction All forms of Non-fiction.

Novels-L Chapters of novels in all genres, and memoirs.

Poetry-W All forms of poetry:
Classical, free verse, concrete poetry, or prose poems.

Practice-W Writing exercises are assigned weekly.
Members post their responses and critique others' responses.

Yawrite All forms of writing for children and young adults:
Fiction, poetry, non-fiction, picture books, novels, etc.




Members participate by submitting their works and critiquing other members' works. 

There are minimum participation requirements for each critiquing list representing approximately one half hour per week. Most members exceed the minimum because they find the process so rewarding. Many are surprised to discover that they learn as much from doing critiques as from receiving them.

2) Our Discussion lists:

List Name Purpose

Writing Discussions of all issues directly related to the craft or marketing of writing. Reading or saving posts is entirely voluntary.

MarketChat For discussions of Books, Movies, and Etc.

SFChat-L Discussions on Science Fiction and Speculative Fiction in all its forms.

********************************

The Internet Writing Workshop's Blog

See interesting commentary on writing and other things at our blog: http://internetwritingworkshop.blogspot.com/.

Joining

An existing member of any of our Internet Writing Workshop may add other lists just asking at writing-workshop-request@lists.psu.edu, or gayle@amperzen.com, or gepresley@gmail.com.

To become a new member of the Internet

Writing Workshop, send a message to writing-workshop-request@lists.psu.edu with a copy to gayle@amperzen.com, or gepresley@gmail.com containing the following information:Your email address and your full name, not your pen name. We need at least two names, or an initial and a name. (Using a false name will be grounds for removal from the workshop.)

A statement that:you have read our Rules and How It Works sections, that you agree to abide by the list rules, and that you are at least 18 years old. The list names you wish to join. Click on list names above for more details.

You will be added to the general Writing list unless you specifically ask not to. (It's a good place to meet members and get answers.)
The mail options for each list: Mail or Digest.
With the default Mail option, you receive individual emails. With the Digest option, you receive many emails within one, approximately once daily. You can change your choice at any time. 

A bio paragraph or two: who you are, your country of residence, what you like to write and read, etc. Each month, new-member's bios are sent only once to our existing members. If you prefer not to have yours included there, please tell us in your application email.

Please let us know how you found us.

If the writing-workshop-request address doesn't work, try our alternate address.

Note: The time required for minimum participation is small, but most members spend more time. Join a few lists at first. You can always join more later. We don't want you to burn out.

When we receive this information, we'll add you to the Workshop and you will begin receiving list mail in the format you requested.

That's it! We look forward to hearing from you.