Dedicated to the classic books on fiction writing. Learn to write short stories, novels, and plays by studying the classic how-to books. I believe fiction writing is a Craft. In the hands of a writer who has mastered the Craft, it can become more than that. It can become Art. Art = Talent + Craft But the bedrock is Craft. There are fundamental techniques to be studied, unfamiliar tools to be mastered, tricks of the trade to be learned. And it all takes time. (Writing Mastery) (Writing Craft)
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About
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Vol. I - Vol. II - Vol. III - Vol. IV - All
This early work by Elinor Glyn was originally published in 1922 and we are now republishing it with a brand new introductory biography. 'The Elinor Glyn System of Writing - Book I' is an instructional work on the art of short story and photoplay writing. Elinor Glyn began her writing career in 1900 and was a pioneer of the risqué and romantic fiction genre. She went on to write many popular books such as 'Beyond the Rocks' (1906), 'Love's Blindness' (1926), and 'It' (1927), in which she coined the term 'It', meaning the animal magnetism that some individuals possess.
( Originally Published 1922 )This FREE book is in e-book FORMAT. Page Summary:
What Knowledge Must I Have To Succeed? Getting Acquainted With Your Ideas Becoming Interested In Yourself Qualities Of Mind You Should Encourage The Theme Of Your Story Point Of View Characters And Characterization Building The Plot Excercise In Plot Building More Articles About Writing
Short Stories - What Knowledge Must I Have To Succeed? The Continuity, Or Scenario Characters In The Photoplay Setting In The Photoplay The Photoplay Title The Photoplay Stage What To Write About Things You Should Not Write About Writing Comedy The Writer, His Methods Why Manuscripts Are Rejected How Successful Writers Sell Their Manuscripts How To Merit Success
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Elinor Glyn System of Writing (1922) (eText) "Every one of the great writers and playwrights you have ever read about or heard of--everyone of them had to begin at a weak starting point. Every one of them was uncertain at the outset. Every one of them had to overcome his or her doubts or misgivings…When they started many didn't really know what they COULD do. The wonderful part about literary ability is that we do not know how much of it we have in us. Then, by persistency, by patient development, by proper guidance, we may some day bloom forth all of a sudden and surprise even ourselves!" ~ Elinor Glyn
Great for all writers.
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About
the Author
First forget inspiration. Habit is more dependable. Habit will sustain you whether you’re inspired or not. Habit will help you finish and polish your stories. Inspiration won’t. Habit is persistence in practice.
-- Octavia E. Butler
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.jpeg "Octavia Estelle Butler")
Born: June 22, 1947, Pasadena, CA
Died: February 24, 2006, Lake Forest Park, WA
Place of burial: Mountain View Mortuary & Cemetery, Altadena, CA
Education: Pasadena City College (1968), John Muir High School Early College Magnet, More
Parents: Octavia Margaret Guy Butler, Laurice James Butler
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.jpg "The Appeal Of The Bad Boy Hero by Alice Gaines Chambers")
You’ve read him. You’ve loved him. Most of all, you’ve lusted after him. He’s the bad boy hero – a fixture in romance novels, especially ultra-sensual and/or erotic romances. What makes him so irresistible to readers?
For one thing, a bad boy knows how to make a woman feel good. He learned at an early age to question authority, especially when authority seemed bent on convincing him that whatever felt good had to be bad. This applied equally to fast cars, tall drinks, and long, slow lovemaking. As a result, when the well-behaved kids were at Student Council meetings, our bad boy hero was out behind the bleachers trying to persuade the captain of the cheerleading squad to say “yes.” In order to get what he wanted, he taught himself every little trick to winning female compliance. All those years of experience – from the moment he discovered the pleasures of the flesh right up until he encounters the heroine in the boardroom or the crowded roadhouse – makes him the consummate lover. The kind of man who can melt a woman with a look and then take her to heaven with his hands.
A lover of such super-human ability allows the heroine – and by extension, the reader – to relinquish personal responsibility for her own sexual behavior. After all, who could blame a woman for surrendering to the sweet persuasion of such a man? For me, this escape from responsibility is an important element in the fantasy necessary for ultra-sensual romance. No amount of reality should intrude to dampen the reader’s excitement, even in a contemporary story set in the “real” world. The bad boy hero not only allows the heroine to take a walk on the wild side; he compels her to.
We should note at this point that the bad boy hero is still a romantic hero. He does have a code of ethics, but it’s his own, not a set of rules imposed by the society around him. He very often has experienced injustice in his personal life, which led him to find his own path to right and wrong. Usually, his personal moral code includes protecting the less powerful around him, all the while stubbornly insisting he cares for nothing and no one. As Willie Nelson put it in a song, “his pride won’t let him do things to make you think he’s right.”
Much has been made in the past (let’s hope it’s not as true now) of women’s supposed rape fantasies. According to this thinking, women want to imagine themselves being forced to have sex. Critics of the romance genre, who normally don’t take the time to read a romance, have opined that our books foster fantasies of rape and submission. I believe it’s true that our fantasy life is enriched by some surrender of responsibility (see above). But readers don’t enjoy graphic depictions of violence and humiliation. Women’s so-called rape fantasies run more along the lines of the most delicious man in the world not taking “no” for an answer.
The bad boy hero can fill all these fantasies. Far from forcing sex on the heroine, his expertise allows him to arouse her to the point where refusal of her own pleasure isn’t an option. He can allow her to experience the forbidden but within a context where she’s not going to be brutalized or degraded.
There is real danger for the heroine, of course – that she’ll lose her heart to an uncontrollable man. But a truly strong woman is willing to take that chance in order to enjoy a larger-than-life sensual experience. And the reader is happy to take that dangerous journey with her.
© Alice Gaines Chambers , All Rights Reserved.
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Alice Gaines Chambers writes humorous historical romance for Leisure and ultrasensual romance for Red Sage. She's the author of four full-length books and two novellas. A University of California, Berkeley Ph.D., Alice lives in Oakland, California with her husband of 22 years. When she's not caring for her garage-door-full of mounted orchids, she can be found in her garden with her best friend, pulling weeds and killing snails.
The basic plot work for most stories, novels and screenplays -- Here it is.
BUT
The Big Switch by Jack Bludis, not by Jack Burns. It's the first time he's using his true name on a piece. He wrote that he doesn't mind being known by both names, but if you look for The Big Switch at your local book store, check under the Bludis name. The Big Switch be available in July at bookstores, at Amazon and B&N on the net. (He'd prefer you to ask your local book stores about it before you buy it on the net.)
