A Manual of the Short Story Art by Glenn Clark (1922)

A Manual of the Short Story Art by Glenn Clark (1922). This book was written with an eye on the student, not on the rules of composition and rhetoric. It conceives of the student as a creature who loves to use his eyes and ears, and who takes delight in playing the amateur detective and in raveling and unravelling plots. It assumes that a young man or a young woman is filled to overflowing with warm, living interests and desires and aspirations which, taken together, constitute a greater driving force toward success in writing than anything which the textbooks and teachers can give him. By taking advantage of these natural desires and instincts and not working against them it is believed that the teacher may best "draw out" the student to the fullest self-expression. One of these deep-seated instincts of the student is to see things in the concrete. For that reason the method of presenting exercises commonly used in this book is the so-called "projective method." Instead of being asked to describe a city street, the student is asked to read a sentence that helps him to visualize a street and then to write down what he sees.

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