Short Story: its Principles and Structure
by Evelyn May Albright
(1907)
The aim of this book is not to
trace the origin or the development of the short-story, but to set
forth some standards of appreciation of what is good in storywriting,
illustrating by the practice of the masters as contrasted with
amateurish failures : this with the view of rousing the student to a
more lively interest in his eading, and of awakening such a wholesome
spirit of self-criticism as shall enable him to improve his own
workmanship, should he feel called to write. It is expected that one who
undertakes to study or to write short-stories will become acquainted at
first hand with the masterpieces of this art. With this in view, a
reading-list has been appended, roughly classified in parallel
arrangement with the topics studied in the text. The list includes,
besides a number of stories generally recognized as great, a fairly
representative selection from recent magazines. It is the author's
belief that not only the masterpiece but the story which is moderately
good can be made a profitable study in construction for the beginner.
But it has been the aim to lay due stress, within the text, on those
elements of greatness which distinguish the masterpiece from the average
short-story.
I. Introductory
II. Gathering Material
III. The Motive
as the Source op Plot
IV. Plot
V. Mechanism
VI. Unity of
Impression
VII. The Title
VIII. Characterization
IX. Dialogue
X.
The Setting
XI. The Realistic Movement
XII. The Element of Fantasy
XIII. The Emotional Element
XIV. The Spirit of the Author
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