Blake Snyder’s Save the Cat! Beat Sheet for the Novelists

 

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Blake Snyder’s Save the Cat! Beat Sheet for the Novelists

Blake Snyder’s Save the Cat! Beat Sheet is a popular story structure template that can be adapted for novel writing. Let’s break it down:

1.      Divide Your Word Count Into 3 Acts:

• First Act (about 25% of total word count): Introduce characters, setting, and the central conflict.
• Second Act (about 50% of total word count): Develop the plot, introduce subplots, and raise stakes.
• Third Act (about 25% of total word count): Resolve conflicts and provide a satisfying conclusion.

2.      Divide Each Act Into Scenes:

• Aim for around 1,500 words per scene.
• First Act: About 14 scenes.
• Second Act: About 28 scenes.
• Third Act: About 14 scenes.

3.      15 Story Beats (adapted for novels):

• Opening Image: Set the tone and introduce the world.
• Theme Stated: Hint at the central theme.
• Catalyst: An event that disrupts the protagonist’s routine.
• Debate: Internal struggle about pursuing the story goal.
• Break into Two: Commitment to the journey.
• B Story: Introduce secondary plot or character arc.
• Fun and Games: Engaging scenes.
• Midpoint: Significant turning point.
• Bad Guys Close In: Escalating obstacles.
• All Is Lost: Lowest point for the protagonist.
• Dark Night of the Soul: Reflection and regrouping.
• Break into Three: Final push toward climax.
• Finale: Resolution of main conflict.
• Closing Image: Last impactful scene.

Remember, this structure is a guide, not a rigid formula. Adapt it to suit your story!

Craft: Courage

By Randy Ingermanson

What’s the point of Story? Why are people hungry for Story? What can you do to ensure that your stories give people the one thing they so desperately want?

A couple of years ago, when I was writing my book How to Write a Dynamite Scene Using the Snowflake Method, I realized that Story is a community project. The point of Story is to keep the community alive.

The Tale of the Tiger

In that book, I gave as an example a story that must have been told zillions of times by our ancestors—the Tale of the Tiger. It’s a story of how a village deals with a threat to its survival when a marauding tiger targets the village’s herd of goats.

The village fights back, in the Tale of the Tiger, by organizing a tiger hunt. This is a high-stakes battle. A drought has ravaged the village’s farms, and the goats are the village’s last defense against starvation. If the village doesn’t kill the tiger, the village will die. Which means that every villager must be willing to die, if that’s what it takes to kill the tiger.

In the Tale of the Tiger, the viewpoint character is the youngest man in the village, the weakest link that the tiger attacks in the final showdown. Our hero has heard the Tale of the Tiger many times, and the Tale has taught him how to face his fears, face the tiger, and attack when all his instincts tell him to turn and run.

A Hero Is Not Enough

The key insight I had when writing the Tale of the Tiger is that our hero is not solely responsible for killing the tiger. The rest of the village plays a role by driving the tiger out of hiding.

The village story-woman plays a role, by the thousand times she has told the Tale of the Tiger in the past.

In some sense, the Tale of the Tiger itself kills the tiger.

The Powers We Face

It’s rare that any of us ever have to face a literal tiger. And yet we face metaphorical tigers every day. We face:

• Vindictive bullies.
• Well-meaning family or friends.
• Broken relationships or depression or loneliness.
• Governments or corporations or faceless organizations that do us harm.
• Damaging social and cultural and political forces.
• A hostile environment.
• Our own mortality.
• And on and on.

In a word, we face what theologian Walter Wink called the Powers. The Powers are mostly abstract and non-physical, but they’re real all the same.

The two key features of the Powers are these:

• The Powers are stronger than we are.
• The Powers will destroy us unless we find a way to defeat them.

Why Story Matters

The point of Story is to teach us how to defeat the Powers that threaten us, whatever they may be.

The Powers you face on any given day may be different from the ones I face. Therefore, the tactics you use to defeat the Powers may be different from the tactics I use.

But no matter what tactics we use, we all need one thing in order to face the Powers.

We need courage. Courage to face the tiger. Face the bully. Face your family. Face your friends. Face your government or your church or the company you work for. Face whatever Power means you harm.

Without courage, tactics are useless. Without courage, you will fold. Without courage, you will be destroyed by the Powers.

Story and Courage

The reason we desperately need Story is because Story puts us inside the skin of a character who has the courage to face the Powers.

By doing that, Story gets inside our own skin and trains us in the way of courage. Story builds our emotional muscle memory. Story trains us to face down any Power, however strong.

The more I learn about Story, the more I see that it’s all about giving my reader a blood transfusion of courage. And the side benefit is that it gives me a blood transfusion of courage.

Think about the last novel you read or the last movie you watched. Who was the lead character in the story? What Powers did they face? In what way did the Powers threaten to destroy the lead character? How did the lead Character defeat the Powers they faced? (Or how was the lead Character defeated by the Powers?) What role did courage play in the lead character’s victory? (Or what role did a lack of courage play in their defeat?)

Homework

• Who is the lead character in the story you’re writing right now?
• Do they face a Power?
• Does the Power threaten to destroy them?
• Where does your lead character find the courage to fight back?
• Does thinking about the Powers and courage help you clarify your story?

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About The Author

Randy Ingermanson is a theoretical physicist and the award-winning author of six novels. He has taught at numerous writing conferences over the years and publishes the free monthly Advanced Fiction Writing E-zine.

 

 Randy Ingermanson Books at Amazon

 

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Writing Quote: The art of writing cannot be taught, but the craft of writing can. — Noah Lukeman

 

 

The Dichotomy of Writing: Art versus Craft

 

By Olivia Salter

In the world of fiction writing, there exists a delicate balance between the elusive artistry of composing stories and the tangible craftsmanship of structuring prose. Noah Lukeman's insightful quote, "The art of writing cannot be taught, but the craft of writing can," encapsulates this dichotomy perfectly. Within the realms of literature, the debate rages on: can writing truly be taught, or is it an innate talent that defies instruction?

The notion that the art of writing cannot be taught stems from the belief that creativity and inspiration are deeply personal and cannot be methodically imparted to others. Writing, in its purest form, involves tapping into the depths of one's imagination, channeling emotions, and weaving words together to create something entirely unique. This ethereal aspect of writing, often referred to as the "art," is what sets each writer apart and gives their work its distinct voice and essence.

On the other hand, the craft of writing encompasses the technical skills and tools that can be taught and honed through practice and instruction. Grammar, syntax, plot structure, character development – these are all elements of the craft that can be dissected, analyzed, and improved upon. Through studying the works of established authors, receiving feedback from mentors and peers, and engaging in writing exercises, aspiring writers can refine their skills and elevate their craft to new heights.

While the art of writing may be considered innate and intangible, the craft of writing is a learnable and malleable skill that can be developed over time. By mastering the craft of writing, writers can enhance their storytelling abilities, create more engaging narratives, and connect with readers on a deeper level. The craft provides writers with a toolkit of techniques and strategies to shape their ideas into coherent and compelling works of fiction.

In a sense, the art of writing and the craft of writing are symbiotic – one cannot fully exist without the other. The art provides the raw creativity and inspiration that fuels a writer's work, while the craft offers the structure and discipline needed to bring that vision to fruition. It is the fusion of these two elements that allows writers to create works of fiction that are both artistically meaningful and technically proficient.

Ultimately, writing is a multifaceted process that requires a delicate balance of artistry and craftsmanship. While the art of writing may be elusive and personal, the craft of writing serves as a guiding light, helping writers navigate the complexities of storytelling and bring their creative visions to life. By embracing both the art and craft of writing, writers can embark on a journey of self-discovery, growth, and innovation in the world of fiction.

Also see:

• Noah Lukeman's Books at Amazon
   

See more writing quotes here.

Writing Craft: Ink-Stained Emotions in Fiction Writing

 

 

Ink-Stained Emotions in Fiction Writing 

 

by Olivia Salter

Ink-stained emotions in fiction writing refer to the art of conveying deep feelings and inner experiences through words. When crafting a piece of writing, whether it’s a story, poem, or essay, emotional resonance is key. Here are some tips to create that rich emotional experience for your reader:

1. Show, Don’t Tell: Instead of explicitly stating emotions, show them through vivid descriptions, actions, and dialogue. For instance:
   

   • Telling: “Sarah was devastated about the breakup.”
   • Showing: "Sarah blinked back tears, chin held high. Her throat tightened, and her eyes stung as she walked, fingers numb around her purse strap."

2. Use Sensory Details: Engage your reader’s senses. Describe the scent of rain, the taste of a bittersweet memory, or the texture of an old photograph. Sensory details evoke emotions more powerfully.

3. Character Development: Readers connect with well-developed characters. Show their vulnerabilities, fears, and desires. Make them relatable and flawed. Readers invest emotionally in characters they care about.

   Character’s Thoughts: Dive into your character’s internal world. Mix their actions with their thoughts. For example:
   

   • "She wouldn’t give John the satisfaction of seeing her cry, not after everything he’d put her through."

   Facial Expressions: Use facial cues to reveal emotions. A protagonist in pain won’t smile, and a deceitful character avoids eye contact.

4. Conflict and Resolution: Emotional impact often comes from conflict. Whether it’s internal (a character’s inner struggle) or external (a life-threatening situation), build tension and resolution. The emotional payoff lies in overcoming obstacles.

5. Metaphors and Symbols: Symbolism can evoke deep emotions. Consider using metaphors or recurring symbols that resonate with the theme of your piece. For instance, a wilting flower might symbolize lost love.

6. Pacing: Control the pace to evoke emotions. Slow down during poignant moments, allowing readers to feel the weight of emotions. Speed up during action scenes for adrenaline.

7. Dialogue: Authentic dialogue reveals emotions. Use subtext—what characters don’t say—to convey hidden feelings. Remember, silence can speak volumes.

8. Choose Words Carefully: Every word matters. Opt for evocative language. Instead of “happy,” use “ecstatic” or “elated.” Be precise.

9. Themes: Explore universal themes like love, loss, hope, or betrayal. These resonate with readers because they tap into shared human experiences.

10. Endings: A powerful ending lingers in readers’ minds. It could be bittersweet, hopeful, or devastating. Leave an emotional imprint. 
    

 

• Metaphorical Ink: Consider the pen as a conduit for raw emotion. As ink meets paper, it expresses the intricate layers of human experience.

 

Remember, ink-stained emotions create a connection between readers and characters, making your fiction resonate on a deeper level. Perfection isn’t about flawless prose; it’s about touching hearts and minds.

Using the Five Senses in Fiction Writing: Crafting a Multisensory Experience

Using the Five Senses in 

Fiction Writing: Crafting a Multisensory Experience

 

By Olivia Salter

 

As writers, we often rely on sight to describe scenes, but to truly immerse readers in our narratives, we must engage all five senses. Let’s explore how sensory details enhance storytelling and create a vivid reading experience.

1. The Five Senses Technique

The five senses technique enriches your writing by tapping into taste, touch, sight, smell, and sound. Here’s how to wield each sense effectively:

a. Sight (Visual)

• Paint Pictures: Describe what characters see—the play of light, colors, and shapes. Make scenes come alive through vivid imagery.

b. Sound (Auditory)

• Auditory Landscape: Capture sounds—the rustle of leaves, distant laughter, or the hum of machinery. Sound adds depth and realism.

c. Smell (Olfactory)

• Scent Memories: Invoke scents—the tang of rain, the warmth of freshly baked bread, or the acrid odor of burnt rubber.

d. Taste (Gustatory)

• Flavorful Moments: Explore taste—the bitterness of coffee, the sweetness of ripe fruit, or the saltiness of tears.

e. Touch (Tactile)

• Texture and Sensation: Convey touch—the roughness of tree bark, the coolness of metal, or the softness of a lover’s skin.

2. Sensory Detail in Action

• Characterization: Use sensory cues to reveal characters. A chef’s calloused hands hint at their culinary passion; a musician’s ear for subtle notes speaks volumes.

• Setting: Infuse your world with sensory richness. A bustling market teems with scents, sounds, and textures; a moonlit forest whispers secrets.

3. The Twist: Emotional Impact

Remember, sensory details aren’t mere decoration—they evoke emotions. The taste of childhood ice cream, the scent of a lost love’s perfume, the touch of a cherished heirloom—these resonate with readers.

So, as you write, engage all five senses. Let your words become a symphony of sensations, inviting readers to step into your story world and feel its heartbeat.

(Note: The senses are your palette; use them to paint unforgettable scenes.)

Setting and Atmosphere: Crafting a Vivid Story World

 

Setting and Atmosphere: Crafting a Vivid Story World

 

 By Olivia Salter

 

When it comes to storytelling, the setting and atmosphere play pivotal roles in captivating readers. These elements go beyond mere backdrop—they shape characters, evoke emotions, and immerse readers in alternate realities. Let’s explore how to create a vivid story world that resonates with your audience.

1. Setting as More Than Scenery

Setting isn’t just a static canvas; it’s a living, breathing entity. Consider these techniques:

• Sensory Details: Engage all senses—sight, sound, smell, taste, and touch. Describe not only what characters see but also the crunch of leaves underfoot, the scent of rain-soaked earth, or the tang of salt in the air.

• Historical Context: Research the era or place where your story unfolds. Authenticity adds depth and credibility.

• Symbolism: Use setting to reinforce themes. A crumbling mansion mirrors decay; a sun-drenched beach signifies hope.

2. Crafting Atmosphere

Atmosphere sets the emotional tone. Here’s how:

• Imagery: Paint vivid mental pictures. Choose words that evoke mood—whether it’s a mist-shrouded forest or a bustling city street.

• Tone: Adjust your language. A cozy mystery demands different prose than a dystopian thriller.

• Weather: Weather isn’t just small talk; it influences mood. Rain can symbolize cleansing or despair.

3. Weaving Setting into Plot and Character

• Conflict: Use setting to intensify conflict. A claustrophobic room amplifies tension; an open field invites freedom.

• Characterization: Show how characters interact with their environment. A recluse’s cluttered cabin reveals loneliness; a gardener’s calloused hands hint at resilience.

4. The Twist: Unexpected Connections

Imagine unearthing a time capsule, expecting relics, and finding a detached human hand clutching a threatening note. Such twists—where setting and atmosphere collide—keep readers hooked.

In your writing, let setting breathe, let atmosphere hum, and watch your story world come alive. Remember, it’s not just scenery; it’s the heartbeat of your narrative.

Writing Quote: Accept Your Vocabulary Level “When it comes to a writing tool such as vocabulary, pack what you have without the slightest bit of guilt and feeling of inferiority.” — Stephen King

Embrace Your Vocabulary: Unlocking the Power of Words in Fiction Writing

By Olivia Salter

In the realm of fiction writing, the mastery of language is a crucial element for creating captivating stories. However, aspiring writers often find themselves grappling with feelings of inadequacy when it comes to their vocabulary. Renowned author Stephen King once said, "When it comes to a writing tool such as vocabulary, pack what you have without the slightest bit of guilt and feeling of inferiority." These words hold profound wisdom for writers, reminding them to embrace their unique vocabulary level and harness its potential to craft engaging narratives. This article explores the significance of accepting one's vocabulary level and offers practical tips on how to maximize its impact in fiction writing.

1. The Power of Words:

Language is the writer's most potent tool, capable of evoking emotions, painting vivid imagery, and transporting readers to new worlds. While an extensive vocabulary is undoubtedly beneficial, it is essential to recognize that every writer possesses a distinct linguistic repertoire. Rather than feeling discouraged by perceived limitations, writers should celebrate their unique vocabulary and utilize it as a powerful instrument in their storytelling arsenal.

2. Authenticity and Voice:

One of the most significant advantages of accepting your vocabulary level is the opportunity to develop an authentic voice. Each writer has their own linguistic fingerprint, a collection of words and phrases that reflect their personality, experiences, and worldview. By embracing their vocabulary, writers can cultivate a voice that resonates with readers, infusing their stories with genuineness and originality.

3. Precision and Clarity:

A limited vocabulary does not equate to a lack of precision or clarity in writing. In fact, it can lead to a heightened focus on choosing the right words for maximum impact. Writers with a smaller range of words often become adept at selecting precise, evocative language that conveys their intended meaning with clarity. By embracing their vocabulary level, writers can develop a keen sense of word choice, lending their narratives a polished and concise quality.

4. Expanding Vocabulary:

While accepting your vocabulary level is essential, it does not mean stagnation or complacency. Writers should continually strive to expand their linguistic horizons by reading extensively, exploring new genres, and actively seeking out unfamiliar words. This ongoing process of learning and discovery ensures that writers can gradually enhance their vocabulary organically, without the pressure of feeling inadequate.

5. Leveraging Context and Nuance:

Even with a limited vocabulary, writers can leverage context and nuance to maximize the impact of their words. By carefully crafting sentences and utilizing literary devices, writers can imbue their writing with layers of meaning and depth. Clever wordplay, metaphor, and symbolism can compensate for any perceived limitations in vocabulary, allowing writers to create rich and engaging narratives.

In conclusion, Stephen King's wise words remind us that our vocabulary level should be embraced as a unique and powerful tool in the realm of fiction writing. By accepting our linguistic limitations without guilt or inferiority, we can tap into the true potential of our words. Through authenticity, precision, and a commitment to continuous growth, writers can unlock the full power of their vocabulary, creating stories that captivate and resonate with readers. So, let go of self-doubt and embrace your vocabulary level, for it is the key to unlocking your storytelling prowess.

About the Author of the Quote

Stephen Edwin King (born September 21, 1947) is an American author of horror, supernatural fiction, suspense, crime, science-fiction, and fantasy novels. Described as the "King of Horror", a play on his surname and a reference to his high standing in pop culture, his books have sold more than 350 million copies, and many have been adapted into films, television series, miniseries, and comic books. King has published 64 novels, including seven under the pen name Richard Bachman, and five non-fiction books. He has also written approximately 200 short stories, most of which have been published in book collections. Wikipedia

Stephen King Books at Amazon

 

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